dreamgirl

a  monster  in  the  shape  of  a  girl

[girldritch]

﹫ GIRLDRITCH ᵎᵎ　　🚪　　a private & dependent muse blog affiliated only with miserylooms, featuring resident she - nightmare and the cause for many a locals feeling of the uncanny valley.

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[rapturend]

SAILOR'S  MARKET,  high  tide,  starring  ximena  &  your  muse  (  0/4  ).

♱⃓ – she's been looking through the fish for what feels like half an hour. something perfect to take home for mateo's birthday dinner, something valeria couldn't tell her tastes like shit compared to mamà's. the spark of memory makes ximena consider grabbing the one at the end with hair sprouting from its scales instead. the intrusive thought floats away when she notices the shopper beside her going for a seemingly-normal haddock. lifts her head, raven hair swaying as she shakes it, " bad idea. that one's got a watch in it. think the one next to it's clean, though. " eyes flick up to meet theirs, and she offers a sheepish smile, " i've been here for a bit. i moved on from the haddock once i found a nail. " human or metal, she doesn't elaborate.

[girldritch]

renata had quickly found that one of the most efficient ways to fit in with the masses was through food. one must be seen eating it, talking about it, preparing it, buying it— and in a small coastal town like misery, the sailor's market was a sure place to be spotted in. the fish looked normal enough, not that she necessarily knew what it should look like. her true form of sustenance was far from anything that laid across the pile of ice in front of her. the dark haired woman's voice drew her attention away from the clouding eye of the haddock. a smile, " oh, that's okay! i need a new one anyway. " perfect save! " a nail? gosh, these little guys can eat. what do you recommend instead? "

[girldritch]

🪦　　...　　here  lies  renata  maldonado,  a  wonderfully  disconcerting  person  that  was  known  around  misery  as  THE  BOOGEYMAN.  taken  from  us  too  soon,  at  only  allegedly  31  years  old,  the  town  might  never  find  another  bartender  @  mariner's  tavern  as  talented  ever  again,  or  be  able  to  walk  by  the  low  tide  without  being  reminded  of  sickeningly  powdery  notes  and  a  much  too  wide  grin.

⌗ basic  information.

full name:    renata maldonado.    nicknames:    nata.    identity:    the boogeyman.    date of  birth:    june  16,  1995.    age:    thirty  one.    birthplace:    salem, massachusetts.    home:    misery,  new england.    gender:    trans  woman.    pronouns:    she  /  her.    orientation:    bi.    languages:    english,  fluent. spanish, fluent.    accent:    indiscernible, her words typically come out chipper and perky with a few new england dialect quirks scattered throughout.

⌗   physical information.

faceclaim:    zión moreno.    ethnicity:    hispanic / latina.    hair:    dark  brown,  often blown out.    eyes:    dark brown.    height:    five  feet, ten inches.    scent:    sweet and powdery.    dominant hand:    left.    allergies:    none.    scars:    none, her skin is almost mannequin - like.    tattoos: none.    piercings:    ear lobes.    distinguishing features:    inhuman tendencies.    clothing  style:    to be added.

⌗   personality.

sociability:    high.    emotional  stability:    average.    alignment:    neutral evil.    natal  chart:    gemini  sun, aquarius moon, taurus  rising.    traits:    sweet, observant, opportunistic, sociable, disconcerting, lively.    deadly  sin:    gluttony.    heavenly  virtue:    humility.    godly parent:    deimos.

parallels: lilico (helter skelter), tomie kawakami (the works of junji ito), freddy kreuger (a nightmare on elm street), misty quigley (yellowjackets), adora crellin (sharp objects), amma crellin (sharp objects), count orlok (nosferatu), jennifer check (jennifer's body), margaery tyrell (a song of ice and fire), the babadook (the babadook), hello kitty (sanrio)

⌗   narrative.

to be added.

⌗   wanted  connections.

to be added.

⌗   notes.

keep in mind, most of these stats are just what renata portrays and shares with others. take everything with a grain of salt!

the boogeyman chose the skin suit of ms. maldonado in an attempt to craft the perfect image of your typical girl - next - door. in all her years of lurking beneath beds and leering from closet doors, she's lost count of how many posters she's seen featuring glamorized women plastered all over walls. actresses, musicians, adult stars, etc. they were all piled into the bogey's psyche and served as fodder for what would eventually become renata herself.

considering she's an amalgamation of what an eldritch horror perceives to be the ideal girl, there are a lot of cracks in the foundation. often she can be seen strolling around town with an unflinching smile on her face, the corners of her lips pulled up just a tad too far. giggles may come out rehearsed and harsh as if she pressed play on a sound board rather than using human vocal cords.

very much: "i wanna be a pretty girl, mama!" -ahs, season 1

as much as she has her moments of being off putting, her human skin has served her well! "oh, a beautiful girl wants to come over to my place? yippee!! [continued haunting nightmares]"

she likes to visit the historical society occasionally so she can read up on the previous horrific events in misery. it's like a little snack.

most animals are quite averse to her. god forbid she goes home with your neighbor who has a few yappy dogs...

she can sometimes look a little too polished which contributes to her general out - of - place appearance. her skin's too clear, blush too pink, hair too perfect; the small imperfections that make up a person's identity just don't exist here.

catch her hanging with some sweet, nearly blind, old ladies having tea and sweet treats at the low tide!

[angelsdrop]

⋆ ˚｡⋆୨୧˚ zion moreno via instagram .

[charnel-grounds]

Dmitry Khramtsov (Храм), “Akaname”

from ‘Сны чудовищ’ (Dream of Monsters) collection, 2024

[wolveswolves]

Picture of wolf Loki, taken by Wolf Sanctuary volunteer Bob Buderman

[theoptia]

Trimorphic Protennoia (XIII, 1), trans. John D. Turner