givevaluetotime

aurelie frolet [email protected]

[felixdelafuente]

Catedral de Amiens, protegida durante la segunda guerra mundial, 1940.

[givingvalue]

(via https://www.youtube.com/watch?v=f1CNNf9iU9Y)

[givingvalue]

[givingvalue]

[givingvalue]

Antoine Picon in Claude Perrault ou la curiosité d'un classique "La liaison des idées et l'accoutumance"

[conceptmodel]

by  Sou Fujimoto

source

[houndeye]

Roy Lichtenstein

Tintin Reading

[givingvalue]

(Bricks and Balloons: Architecture in Comic Strip Form) Melanie Van der Hoorn

[givingvalue]

(via 0f019f2dd434b812dc400fce9073ec7b.jpg (430×255))

[givingvalue]

Michael Webb

[givingvalue]

Wes Jones. 

[contemporary-art-blog]

Aitor Ortiz, Amorfosis 016, 2015

[givingvalue]

colin mcphee

listening to lots of o bali these days

[phineasharper]

Unkapani Mill 

[archidose]

Harriet Bartlett

Marseille - Hybrid City

aarch.dk/ -  LandscapeDesign 

[lafilleblanc]

Popel Coumou

Untitled 2015

[cafeorquidea]

Renzo Piano, The Whitney Museum of American Art, New York 2015

“This is without any doubt a hi-tech masterpiece and surely the most exemplary and daring work of Piano’s prolific late career. It trascends the exceptional New  York Times Building, which even now, after over a decade, remain the finest high-rise structure to be completed in Manhattan since the Seagram Building of 1959. It is difficult to imagine a more fitting repository for ther heroic 20th century evolution of American art, celebrated here in the inaugural exhibition entitled “America is Hard to See”, appropriately housed in the steel-framed and clad Whitney Museum, which is not only costructed out of the same palaeo-technological lexicon as the High Line itself, but also poised at the edge of the island, looking out upon a vast continent that is, in a certain sense, as untamed now as it ever was.”

–– Kenneth Frampton

[acidadebranca]

#ARCHITECTURE #USA #NYC #MUSEUMS #NEWYORK

WHITNEY MUSEUM