from reinventing bach by paul elie
from my thesis on free improvisation
hello vonnie
Cosimo Galluzzi
taylor price
No title available
Interview Vampire Daily
noise dept.
Sade Olutola
The Stonewall Inn
occasionally subtle

shark vs the universe
No title available
🩵 avery cochrane 🩵

roma★
PUT YOUR BEARD IN MY MOUTH

❣ Chile in a Photography ❣
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
almost home
Cosmic Funnies
Lint Roller? I Barely Know Her
seen from Azerbaijan
seen from Kazakhstan

seen from United States
seen from Germany
seen from Tunisia

seen from Jordan
seen from Russia

seen from Azerbaijan
seen from Vietnam

seen from United States

seen from United States

seen from United Kingdom

seen from Malaysia
seen from Germany
seen from Bangladesh

seen from Malaysia
seen from United States
seen from Brazil
seen from Norway

seen from United States
@glennmillerorchestra
from reinventing bach by paul elie
from my thesis on free improvisation
International posters for The Graduate //dir. Mike Nichols (1967)
i dropped my montreux jazz tote bag in front of my boss at the late night jazz vinyl lounge last night and all that spilled out of it was a pair of giant berghain-esque sunglasses, a pocketknife from berlin, and 3 mariage freres tea bags in a repurposed pickled daikon jar
Joni Mitchell “Court and Spark” Court and Spark, January 17, 1974.
Roddy McDowall as Ariel in Shakespeare’s The Tempest, 1960. McDowall took the ethereal role of Prospero’s spirit servant in a lavish television production presented as part of The Hallmark Hall of Fame. Maurice Evans starred as Prospero, with Richard Burton as Caliban and Lee Remick as Miranda. Broadcast by NBC on February 3, 1960, the production was an ambitious attempt to bring Shakespeare to American television audiences on a scale and with a distinguished cast more commonly associated with the stage. McDowall’s striking, otherworldly appearance as Ariel remains one of the production’s most memorable visual elements.
Photoplay Magazine, December 1961
Marina Abramović and Ulay, Rest Energy, 1980
16mm film transferred to video. 4:07 min.
when i was living in the bliss of being fake married in switzerland for a week this past july, i would go to bed EVERY NIGHT reading the german wikipedia pages of my older unmarried female avant garde jazz mentors to remind myself that being in love is best experienced in short temporary bursts of intense meaning and i should never let anybody hinder my long-term dream to work freelance 7 days a week 12 hours a day for the rest of my life
Soviet sexual health poster c.1980s
reading of an extract from "labyrinths" by j. l. borges, 1970 / david lamelas
Eye symbolism in "Columbo" season 1
John Berger, ‘Will it be a Likeness?’
Miles Davis - Directions / Live In Copenhagen, 1969.
drummer Jack DeJohnette (born August 9, 1942)
Lineup: Miles Davis - trumpet, Wayne Shorter - soprano, tenor saxophone, Chick Corea - fender rhodes, Dave Holland - upright bass, Jack DeJohnette - drums.
@YouTube
Iranian women share lunch after planting rice.
Mazandaran Province. Near the village of Zirab. Iran, 2001.
A.Abbas
It weeps (Es weint) by Paul Klee, 1939
saw my older female mentor who is the most beautiful woman in the world for the first time in a month and though we had only a brief moment to catch up, i think she could see in my eyes that i kind of want to die right now (😂) and as we were hastily saying goodbye to each other she reached out to me as if to hold me and gave me a long deep look that i precisely understood and which precisely made me tear up and then i sort of weirdly brushed my hand against hers and sprinted out to catch the bus