Jana Sterbak: Sisyphus Sport (1997)
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@glowg0th
Jana Sterbak: Sisyphus Sport (1997)
who cares if you don't fully "get" the weird postmodernist novel on your first read, or if the experimental arthouse film is opaque to you on your first viewing? you are not being graded. you are not being scored. there is value in the attempt. every time i've read House of Leaves or watched Blue Velvet, I've gotten something new from it. the idea that you might not "get" something and therefore shouldn't bother with it is so silly to me
closing statement from an article about being intersex & the possible connection of gender expression and sexuality in intersex individuals, published in The Gay Liberator, 1970s
being intuitive is just like... i don’t like this and no i will not elaborate
Love me because I’m beautiful - i-D magazine (1996)
Amber Valletta by Juergen Teller
davison arabesque, 1968.
Love, grief, and magic in the mundane
1- @Bluewmist on Twitter / 2- Roly Poly is Taken on Twitter / 3- About Time (2012) by Richard Curtis, image from Mita Park on Unsplash / 4- Sherri Turner on Twitter / 5- Cold Solace by Anna Belle Kaufman / 6- The Anthropocene Reviewed by John Green
Irving Penn, Cottage Tulip ‘Sorbet’, New York, 1967
Forget me not
My print shop: INPRNT
joan baez dancing at studio 54, 1977
Miss Juneteenth, Houston (1983)
For three decades, Daniel S. Williams documented Juneteenth and Emancipation Day celebrations across the country — which included parades, cookouts, and other gatherings.
Photos in “Daniel S. Williams and the Art of Bearing Witness” (2023)
Leonora Carrington in 1975 with her work Lepidoptera (1969) Photo: Jerry Engel/New York Post Archives /© NYP Holdings, Inc. via Getty Images
Agha Shahid Ali
(that’s it! that’s the whole poem! you know when shahid decides to make a dark joke it takes you triply by surprise)
Etruscan duck askos
325 - 275 BCE
British Museum 1865,0103.20
anyways the next time someone apologizes to you with some hyperbolic tripe along the lines of “I can never apologize enough for the colossal harm I have done” know that naming an impossible goal that one can’t possibly meet is a way to distract you from the achievable goal they don’t want to pursue: comprehensively apologizing to you a way that recognizes the greater scope of the harm and helps provide a coherent narrative for you to continue past the harm.
Grief grows long after you’re gone, 2022 - by Brooke DiDonato (1990), American