Schmeckbund, the culinary equivalent of sprachbund. (The metaphoric potential of the sprachbund has, in my opinion, been vastly under-utilized.)
@aegean-okra !

❣ Chile in a Photography ❣
almost home
"I'm Dorothy Gale from Kansas"
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hello vonnie

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blake kathryn

Game Changer & Make Some Noise

ellievsbear
YOU ARE THE REASON
The Stonewall Inn
Cosmic Funnies
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Discoholic 🪩
todays bird
One Nice Bug Per Day

gracie abrams
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Today's Document
Fai_Ryy
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@gordium
Schmeckbund, the culinary equivalent of sprachbund. (The metaphoric potential of the sprachbund has, in my opinion, been vastly under-utilized.)
@aegean-okra !
Apple Custard Pie with Cinnamon Streusel
Antique map of Asia Minor by Johannes Janssonius
(1640 - 1643)
Central Anatolia - Turkey
İç Anadolu’nun geleneksel bamya çorbası
http://www.ramazannezaman.com/blog/etiket/corba/
okra soup from central anatolia
İmamkulu Relief in Kayseri, Turkey
This 3.6 by 2 meter Hittite relief is carved on the flattened surface of a large rock, also known as Şimsekkaya (Ligthning Rock), near the village of İmamkulu, at Develi in the province of Kayseri. It was first spotted in 1934 during a survey by M. Kemaleddin Karamete. Highly weathered relief does not provide an easy interpretation. It possibly shows a prince or a local king on the left, holding a staff. There is not a clear agreement on the reading of the signs over his staff. Kohlmeyer reads it as Kuwalanamuwa, a name also appears in Gezbeli relief. In the middle of the figure is the Storm-God in his bull drawn chariot. Accross him is a goddess like figure above a double headed eagle. Similar to the Yazılıkaya reliefs, Storm God and the chariot is shown above the bowing heads of three mountain gods. The mountain gods are also carried above the animal headed demons.
Source
Panagiotis Lalezas - Alatsatiani (traditional song from Asia Minor)
The title means ‘girl from Alatsata’, a formerly majority Greek town in the Aegean (Alaçatı in Turkish).
A testimony by the Greek genocide survivor Kostas Tsaniklidis of Gumusmaden taken from the program ’Documenta - A Historical Documentary’ by reporter Kostas Gioulekas describing the inhumane conditions in the forced Labour Battalions (Amele Taburu) which the Greeks of the former Ottoman Empire were conscripted to in order to bring about their extermination.
In the summer of 1914 the Special Organization (Teşkilat-ı Mahsusa), assisted by government and army officials, conscripted Greek men of military age from Thrace and western Anatolia into Labour Battalions in which hundreds of thousands died. Sent hundreds of miles into the Interior of Anatolia, these conscripts were employed in road-making, building, tunnel excavating and other field work but their numbers were heavily reduced through either privations and ill-treatment or by outright massacre by their Ottoman guards. The policy of persecution and ethnic cleansing was expanded to other regions of the Empire including Pontus, Cappadocia and Cilicia. (x)
Phrygian-Chalcidian bronze winged helmet, 4th century BCE
Phrygia was in western central Asia Minor, modern-day Turkey.
Sotiria Leonardou as Marika Ninou sings Καίγομαι καίγομαι, a Greek song which means “I am burning”. Kaigomai is one of the most known rebetika songs, heard for the first time in the movie Rebetiko, by Kostas Ferris in 1983.
The movie Rebetiko refers to a female singer from Smyrna in Asia Minor, born in 1917, only five years before the tragic events in Asia Minor and the seaside villages in 1922. The movie is actually a historic approach to the consequences of the defeat of the Greeks and the loss of the Asia Minor, as well as the life of singers and composers of rebetika songs, who were considered marginal by default. <…>
Καίγομαι καίγομαι
Όταν γεννιέται ο άνθρωπος ένας καημός γεννιέται όταν φουντώνει ο πόλεμος το αίμα δε μετριέται Καίγομαι καίγομαι ρίξε κι άλλο λάδι στη φωτιά πνίγομαι πνίγομαι πέτα με σε θάλασσα βαθιά Ορκίστηκα στα μάτια σου που τα ‘χα σαν βαγγέλιο τη μαχαιριά που μου ‘δωκες να σου την κάμω γέλιο Καίγομαι καίγομαι ρίξε κι άλλο λάδι στη φωτιά πνίγομαι πνίγομαι πέτα με σε θάλασσα βαθιά Μα συ βαθιά στην κόλαση την αλυσίδα σπάσε κι αν με τραβήξεις δίπλα σου ευλογημένος να ‘σαι Καίγομαι καίγομαι ρίξε κι άλλο λάδι στη φωτιά πνίγομαι πνίγομαι πέτα με σε θάλασσα βαθιά
I am burning
When the man is born a pain is born when the war flares up blood is uncountable I’m burning, I’m burning throw more oil on the fire I’m drowning, I’m drowning throw me into a deep sea I swore on your eyes that I considered them a gospel to turn the stab that you gave me into laughter I’m burning, I’m burning throw more oil on the fire I’m drowning, I’m drowning throw me into a deep sea But you, deep in hell, break the chain and if you drag me by your side may you be blessed I’m burning, I’m burning throw more oil on the fire I’m drowning, I’m drowning throw me into a deep sea
(translation from here)
A reminder that the 24th of April is the day of remembrance of the Armenian genocide, which one and a half million Armenians were killed between 1915 and 1923. About two million Armenians were living in the Ottoman Empire at that time. Armenian people were subjected to deportation, expropriation, abduction, torture, massacre, and left in the dessert to die of starvation and dehydration by the Turks. Even today, Turkey refuses to acknowledge that a genocide was committed against the Armenians during WW1, and dismisses the evidence about the horrible massacre as mere allegations and often prevents efforts for acknowledgment.
Kayseri, Ottoman Anatolia
The impulse to offer sacrifice, substituting the blood or life or limb of one for another, was almost universal in Asia Minor and met widespread response from people of all classes and creeds. The ceremony seems to have been prompted by the monitions of conscience which suggested feelings of guilt or fear. It was of piacular rather than honorific character, that is for reconciliation with a feared and possibly alienated God, or as atonement for possible sins, rather than as a merely worshipful or convivial meal. The victim usually was a male, young and free from physical blemish. Especially acceptable animals were sheep, goats, cattle, cocks, deer and wild goats. Tradition avers that at some shrines deer used formerly to stalk out of the forest and present themselves for offering annually, but in these degenerate days such wonderful religion is realized no more. Still a true believer should renew his faith annually by eating the flesh of a wild goat caught and killed as an offering. Cattle, especially calves, were much used and abundant archaeological evidence all around us showed that in early days the people, especially the Hittites, cultivated a great system of cattle worship. Then it was with renewed interest and understanding that we read how the Israelites when they went astray from the worship of Jehovah proceeded to make and worship a golden calf with immoral Hittite orgies which were always forbidden in the Bible. I was once in a picnic high up among the beautiful Anatolian mountains and beside a beautiful mountain spring. While we were lunching another party arrived, who built a fire, killed a goat that they had brought, and roasted the meat of which they presented some choice pieces to our party, urging us to eat, and thereby become active, or at least tacit, partakers in their petition. They did not inform us of the object of their prayers and in view of the circumstances it would not have been good form to inquire. The leader, a Redhead or Shia Turk, was accompanied by his wife and an Armenian cattle lifter. The spot was much frequented by young mothers to induce an abundant flow of milk. In general each village or perhaps community or region had its sacred place, apart from church or mosque. This was often on some high hill, under a green tree, near a flowing stream or fountain, and beside a sacred grave with its enclosing wall of stone or near a stone pillar. The presence of the saint ensures powerful intersection in behalf of the loyal people of his parish and of any humble worshipper.
“Memories of Anatolian Gods?” (1902) from Adventuring With Anatolia College by Dr. George E. White (via aegean-okra)
The ruins of the Temple of Apollo in the ancient city Thymbra (today Hissarlik), in Asia Minor by Étienne Rey, 1867.
Bursa, Ottoman Anatolia (between 1890-1900)
Ancient Asia Minor
From a Classical Atlas of Ancient Geography by Alexander G. Findlay, 1849.
Kayseri, Asia Minor
1) Armenian family from Kesaria (no date)
2) Armenian Wedding in Kesaria, 1910
3) Efkere, located in the east of Kesaria (Armenian village)
4) Everek
5) Kesaria with Mount Argeos (Erciyes) in the background
6) Talas Armenian Church (x)
7) eastern Efkere (I found a site about Efkere so more photos and history)
8) A Cappadocian Greek wedding in Kermira (Germir), 1902
9) Hunat Mosque, photo by Gertrude Bell (1908)