Bach concerto no.3 in D minor by Ryuichi Sakamoto
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Bach concerto no.3 in D minor by Ryuichi Sakamoto
CLAUDIA CARDINALE The Day of the Owl (1968)
physicist Shirley Ann Jackson in 1973; she is the first Black woman to earn a doctorate from MIT
Selections from the Annual of Display Designs in Japan '74 (1973)
Campaign with Clouds & Corn-Yellow Girls (for Oriental Nakamura Dept. Store) - designed by Sadakazu Suzuki
2. Takashimaya "Imported FABER Swimming Wear" - designed by Tsuneo Sakata
3. 19th Tokyo Motor Show 'Honda Booth' - designed by Tokyo Graphic Designers
4. Datsun Season Display "Spring" - designed by Ken Noguchi
5. Takashimaya "Window for Spring Fashions (Hot Pants)" - designed by Tsuneo Sakata
6. Shop Mobility Fair '72 - designed by Masaru Saito
7. Lighting Salon Osaka, a showroom space for Daiko Electric Co., Ltd. (a lighting company)
8. Espace Jiraud in Tokyo, Hibiya - designed by Mov Kovo Co., Ltd.
9. Sanko Form Exhibition 'Approach Sanko' - designed by Shigeru Kubo
10. Shiseido Summer Campaign "Like a Cosmos in Spring" - designed by Kanji Tanaka
11. Mikimoto "Spring Song" - designed by Masahiko Sakamoto
12. Shiseido Summer Campaign "Summer Window" - designed by Kizuki Toyama
New Year’s Day, the Palace Hotel, St.Moritz, 1959, by Jakob Tuggener
The extreme strength of jealousy in patriarchal societies is due to the fear of falsification of descent. This may be seen in the fact that a man who is tired of his wife and passionately devoted to his mistress will nevertheless be more jealous where his wife is concerned than when he finds a rival to the affections of his mistress. A legitimate child is a continuation of a man's ego, and his affection for the child is a form of egoism. If, on the other hand, the child is not legitimate, the putative father is tricked into lavishing care upon a child with whom he has no biological connection. Hence the discovery of fatherhood led to the subjection of women as the only means of securing their virtue - a subjection first physical and then mental, which reached its height in the Victorian age. Owing to the subjection of women, there has in most civilized communities been no genuine companionship between husbands and wives ; their relation has been one of condescension on the one side and duty on the other. All the man's serious thoughts and purposes he has kept to himself, since robust thought might lead his wife to betray him. In most civilized communities women have been denied almost all experience of the world and of affairs. They have been kept artificially stupid and therefore uninteresting. From Plato's dialogues one derives an impression that he and his friends regarded men as the only proper objects of serious love. This is not to be wondered at when one considers that all the matters in which they were interested were completely closed to respectable Athenian women. Exactly the same state of affairs prevailed in China until recently, and in Persia in the great days of Persian poetry, and in many other ages and places. Love as a relation between men and women was ruined by the desire to make sure of the legitimacy of children. Love as a relation between men and women was ruined by the desire to make sure of the legitimacy of children. And not only love, but the whole contribution that women can make to civilization, has been stunted for the same reason.
- Excerpts from Chapter 3: Patriarchal Systems, Marriage and Morals written by Bertrand Russell. Originally published by Allen & Unwin in 1929.
GRACE KELLY as Lisa Fremont in Rear Window (1954) costume design by Edith Head
SILUETA' Series, Ana Mendieta
artist Wadsworth Jarrell in 1965
The Taste of Things (2023), dir. Tran Anh Hung
“Palestinian girls during a makeup lesson.”
Photographed by Esaias Baitel.
May 1993.
Eartha Kitt (January 17, 1927 – December 25, 2008)
Excerpts from the epilogue of English, by SANAZ TOOSI
Sarah Winchester, opéra fantôme / Sarah Winchester, ghost opera (2016) Director: Bertrand Bonello Dancer: Marie-Agnès Gillot