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Ilya Chashnik, Red Circle on a Black Surface, 1925
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by Anton Stankowski, 1951
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Edith Grossman, The Antipoetry of Nicanor Parra, New York University Press, New York, NY, 1975
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Gustav Klucis, Design for Screen, Tribune, Kiosk, 1922
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'sliding planes,' 1992 in patriciu mateescu - simetria bucharest 2016
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Georges Mathieu (1921–2012) [France] — 'Composition in Mauve and Black', 1959. Gouache, India ink on paper (53,4 x 73,7 cm).
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Georges Mathieu (1921–2012) [France] — 'Composition in Mauve and Black', 1959. Gouache, India ink on paper (53,4 x 73,7 cm).
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Antoni Tàpies, 1998
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Nina Genke-Meller Suprematist Composition, 1915.
(Source: wikivisually.com)
Nina Henrichovna Genke-Meller [a] (née Genke; Russian: Нина Генриховна Генке-Меллер; Ukrainian: Ніна Генріхівна Генке-Меллер, romanized: Nina Henrikhivna Henke-Meller; 19 March [O.S. 7 March] 1893 [b] – 25 July 1954) was a Ukrainian-Russian and Soviet artist, designer, graphic designer and scenographer.[1][2] A member of the Russian avant-garde, Genke-Meller was a representative of the Suprematist and Futurist art movements.[2] via W
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Mark Rothko, Untitled, 1947
Oil on canvas, NGA
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), Courtesy of The Mark Rothko Foundation
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Untitled #16 281217
something you may have missed….
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—https://www.instagram.com/p/DSGGlnGjQex/?img_index=1
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