bealeiderman Last year’s leaves get festive with tiny mushrooms/slimemold.
come on detritus lets get sickening
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bealeiderman Last year’s leaves get festive with tiny mushrooms/slimemold.
come on detritus lets get sickening
Castle in the Sky (1986) dir. Hayao Miyazaki
When u wake up and ur teddy bear is on the floor
Took Seamus for a walk and a swim today
tired of chasing beauty!!!! gonna go soak in some bog water and eat mud
Giveaway Contest: We’re giving away twelve Bantam Classics paperbacks by Walt Whitman, Emily Bronte, Edgar Allan Poe, James Joyce, George Eliot, Shakespeare, and others! Won’t this collection look lovely on your shelf? :D To win these classics, you must: 1) be following macrolit on Tumblr (yes, we will check. :P), and 2) reblog this post. We will choose a random winner on September 29, at which time we’ll start a new giveaway. And yes, we’ll ship to any country. Easy, right? Good luck!
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traditional celtic folk music makes me go buck fucking wild. i don’t know what it is, if it’s just in my blood or if it’s a past life or just ‘cause it’s objectively soulful but I hear that fiddle and I immediately transform into this heartbroken irish widow in 1787 with a shawl draped over my shoulders staring over the cliffs of moher, waiting for my ghostly lover to return from sea
me externally: lit teachers arent pulling text analysis out of their asses
me internally: the reason people and especially students like to blame English for seemingly making up meanings where they cant see it is because literature is an art and art is widely regarded as ‘easy’, ‘anyone can do that’, ‘its stupid and useless’ unlike math and science which are widely regarded as difficult but important subjects so while students will readily admit that they have trouble with math or science they’re more likely to shift the blame when they dont understand a more artistic subject, seeing it as a sign of weakness that they dont get something thats supposed to be dumb and easy rather than seeing it as an important topic that’s just as crucial to their knowledge as any stem subject and just as difficult and in-depth as any math or science can be
also me internally: we’re so used to there being a ‘right’ answer to questions that art, including literature, makes us uncomfortable because the audience’s different and sometimes contradictory interpretations (even ones pulled out of your ass) are just as valid as the artist’s and there’s no authoritative, definitive reading for anything and we’re not used to having that power or acknowledging it in others
Rod of Seasons! ☀️🍂❄🌼 I love using traditional pieces like this one as an ongoing side project that I can work on when I’m away from my computer, especially when they get to be as colourful as this one. And a little extra love for the Oracle games never hurts either!
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Finished at last: Fëanor, light of creation and fire of destruction. (Animated and static versions) 21x30cms, pencils, acrylics; and digital colouring for the flamey business.
Prints and shiny things here.
Man I know emulators are technically considered piracy I guess, and I can see why it would be an issue with newer games (not that most emulators are advanced enough for that anyway), but I just… hhhhhh the way the video game industry operates in regards to old games is so fucking stupid. It’s like
Gamers: Hey, I’m really interested in this game you made a long time ago! Can I play it? Game companies: No. Gamers: But I’ll give you money! Game companies: We no longer manufacture, support, or distribute that game or the console it’s available on. There’s no way for you to buy it. Gamers: Well, what about this slightly-newer-but-still-outdated game that was never released in my region? Can I play that? I’ll give you money. Game companies: No. You’re only allowed to play games from your region. You can’t buy it from us. Gamers: So, you don’t provide any way for me to purchase these games from you, or to play them in any form? Game companies: Correct. We don’t care about these games anymore. They might as well not exist. Some guy on the internet: Hey, I found some old and foreign games that aren’t sold or available to play anywhere, so I fixed them up so everyone can play them now for free! Here you go! :) Game companies: ABSOLUTELY FUCKING NOT. HOW DARE YOU STEAL OUR PROFITS. PLAY THE GAMES LEGALLY OR DIE. Gamers: But you just said there’s no way to play them- Game companies: FUCK YOU
“Get a rat and put it in a cage and give it two water bottles. One is just water, and one is water laced with either heroin or cocaine. If you do that, the rat will almost always prefer the drugged water and almost always kill itself very quickly, right, within a couple of weeks. So there you go. It’s our theory of addiction. Bruce comes along in the ‘70s and said, “Well, hang on a minute. We’re putting the rat in an empty cage. It’s got nothing to do. Let’s try this a little bit differently.” So Bruce built Rat Park, and Rat Park is like heaven for rats. Everything your rat about town could want, it’s got in Rat Park. It’s got lovely food. It’s got sex. It’s got loads of other rats to be friends with. It’s got loads of colored balls. Everything your rat could want. And they’ve got both the water bottles. They’ve got the drugged water and the normal water. But here’s the fascinating thing. In Rat Park, they don’t like the drugged water. They hardly use any of it. None of them ever overdose. None of them ever use in a way that looks like compulsion or addiction. There’s a really interesting human example I’ll tell you about in a minute, but what Bruce says is that shows that both the right-wing and left-wing theories of addiction are wrong. So the right-wing theory is it’s a moral failing, you’re a hedonist, you party too hard. The left-wing theory is it takes you over, your brain is hijacked. Bruce says it’s not your morality, it’s not your brain; it’s your cage. Addiction is largely an adaptation to your environment. […] We’ve created a society where significant numbers of our fellow citizens cannot bear to be present in their lives without being drugged, right? We’ve created a hyperconsumerist, hyperindividualist, isolated world that is, for a lot of people, much more like that first cage than it is like the bonded, connected cages that we need. The opposite of addiction is not sobriety. The opposite of addiction is connection. And our whole society, the engine of our society, is geared towards making us connect with things. If you are not a good consumer capitalist citizen, if you’re spending your time bonding with the people around you and not buying stuff—in fact, we are trained from a very young age to focus our hopes and our dreams and our ambitions on things we can buy and consume. And drug addiction is really a subset of that.”
— Johann Hari, Does Capitalism Drive Drug Addiction?