Persepolis (2007), written by Marjane Satrapi and Vincent Paronnaud

Discoholic šŖ©
Three Goblin Art
he wasn't even looking at me and he found me
Sweet Seals For You, Always

#extradirty
One Nice Bug Per Day
will byers stan first human second
Show & Tell

oozey mess
DEAR READER
"I'm Dorothy Gale from Kansas"

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Claire Keane
Lint Roller? I Barely Know Her
ojovivo

romaā
Not today Justin

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@greaterminds
Persepolis (2007), written by Marjane Satrapi and Vincent Paronnaud
Marjane Satrapi, from Persepolis, 2000
they should invent a body that feels normal to be inside of
ballroom legends. destiny milan, 1997. vanity legend, 1990. taxi aka black michelle, 2001. photography by brian lantelme.
onjenae milan, 1993. consuela cosmetic, 1995. tyra allure, 1995. photographed and originally posted by brianlantelme on instagram.
š£Ā Spirits of the Rock Country ā The Mimih of Arnhem Land
Tall, impossibly thin⦠and older than memory.
TheĀ Mimih spiritsĀ are said to live within the cracks of Arnhem Landās ancient stone countryāso light a strong wind could carry them away. In Aboriginal tradition, theyāre not just spirits⦠they were the first teachers.
They showed people how to hunt. How to paint. How to sing, dance, and survive in one of the oldest living cultures on Earth.
But theyāre not always friendly. Stories tell of Mimih luring humans into their cavesāwhere one wrong choice could mean never returning.
āØĀ Their forms still live on in bark paintings and sculptureāelegant, surreal, and deeply symbolic.
If youāve ever seen these elongated figures in Aboriginal art and wondered what they really meanā¦
Lumah Lumah arrived from beyond the seaā bringing sacred knowledge, ceremony, and power. He taught songs, dances, and rituals said to bring abundance and health.
But power can shift.
Over time, his authority grew heavy. Ceremony became control. Knowledge became dominance.
He took what he wanted ā food, status, even women ā turning from teacher into tyrant.
A Real Dream Time Story
The Aboriginal spirit of lightning isĀ Namarrkon, often called the Lightning Man.
In the rock art and bark paintings of western Arnhem Land, Namarrkon is shown with axes at his elbows and knees, striking the clouds to create thunder and lightning. He is not a āgodā in the Western sense, but anĀ ancestral beingāa powerful force within the Dreaming who shapes the land, governs storms, and carries law.
To look at Namarrkon is to see lightning not as random, but asĀ intentional, alive, and meaningfulāpart of a living system where land, weather, and spirit are inseparable.
Taking a moment to step into another cultureās way of seeing the world can be grounding. Instead of endless scrolling, youāre reminded that for tens of thousands of years, people understood nature as something toĀ listen to, respect, and learn fromānot just observe.
Sometimes the old stories donāt just explain the world⦠they slow it down.
Luna Mahoux
thank you and you and youš š
Luther Konadu
Delali Cofie