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Cosimo Galluzzi
AnasAbdin
Xuebing Du
2025 on Tumblr: Trends That Defined the Year
d e v o n

❣ Chile in a Photography ❣
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oozey mess
DEAR READER

blake kathryn
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cherry valley forever
Three Goblin Art
will byers stan first human second
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

JVL
Monterey Bay Aquarium
hello vonnie

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@grlsforpele
black women as vampires
MITSKI – STAR (2024)
Sigourney Weaver as Ellen Ripley in Alien (1979)
fka twigs photographed by aiden zamiri
Stalker (1979) dir. Andrei Tarkovsky
It is within Inferno though that this notion of an ‘impossible place’ is most evidently realized. The architecture of the building becomes a hellscape (Dante’s Inferno is obviously evoked in the film’s title) made up of different levels that seem to be leading ever downwards. There is a movement in this space away from a physical reality into an occult underworld. The first character that we follow, Rose, begins her descent at the beginning of the film as she enters the building’s basement and dives even further down into an underwater ballroom. […] Water also plays a symbolic role in Wicca and in magical ceremonies, and in Jungian psychoanalysis it is a symbol of the unconscious mind. The connection to Jung is significant, as this places Inferno within an unconscious landscape. This descent into water that Rose makes in one of the film’s first scenes is symbolic of the film itself journeying into the unconscious realm. — Lindsay Hallam, ‘Why are there always three?’: The Gothic occult in Dario Argento’s Three Mothers Trilogy, 2017.
Inferno (Dario Argento, 1980)
回路 | Pulse (2001), dir. Kiyoshi Kurosawa
FKA twigs
The Mirror, 1975
Fiona Apple performing at the Beacon Theatre NC in 1996, photo: James Lance
Stalker, 1979
cosmos s2e1 “ladder to the stars” / l2g / “waltz of the 101st lightborne” joanna newsom / from the wikipedia page about the fermi paradox / 17776 / are we there? poor william’s almanack / “time, as a symptom” joanna newsom
Tori Amos - Boys For Pele Photoshoot 1996
you’ve never seen fire until you’ve seen Pele blow
Solaris | Солярис (1972), dir. Andrei Tarkovsky