Exhibition planning
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@growryde
Exhibition planning
Weekend experiments for my GROW residency on an urban allotment. Considering 'resourcefulness' as a subject for making work. I've got a bit of a preoccupation with found forms of creative expression and an allotment is full of creatives uses for recycled materials.
Studio wall
GROWING LITTLE PEOPLE
I took my 3 year old son to the allotment yesterday. Observing him navigate around the plots reminded me of what a sensory environment this place is. I’ve spent a lot of time here observing, reading and thinking and it was a real lesson to watch Kit touching and feeling the textures of wet pond weed, cold soil and crunchy dried leaves. This engagement with nature is so central to the relationship between the grower and the produce. It is therapeutic and enriching.
I have an important rule when I’m at the allotment and that is No Internet. Being a typical Millennial I am never without my phone, it’s become a vital portal to the visual feast and global community which is Instagram, Twitter, Facebook, Pinterest, Tumblr etc etc. I’m fully aware of the time I spend updating, uploading, interacting, sharing, looking, reading and judging. If I choose to, I can ensure that I never have to spend a moment just being. Except here I force myself to be without the digital windows and it’s a welcome activity, one which I look forward to and is without a doubt influencing the work I am making and planning.
This is a fertile spot for growth and nourishment for people as well as plants.Â
I place enormous value on being amongst all things growing and green, yet still, as I sit in this peaceful wooden potting shed with my little boy I wonder if I’m doing enough to give him the valuable experience of digging up potatoes and picking green beans, not as a novelty but as something which is a ritual and part of his everyday wellbeing.
Making some collages from my sketch book drawings of fruit cages and grid systems.
Very good meeting with Island Rail this morning to discuss the installation of the porcelain and enamel public artwork I've designed for platform 2 at Ryde Esplanade train station. The Derek Jarman inspired planting is already very beautiful and the abstract coloured porcelain tiles which are inspired by the formation of allotments will be a cheerful addition .
A little test run for a porcelain and enamel public artwork which is soon to be installed in Ryde on the Isle of Wight. It is a response to the allotment residency I'm currently working on and thoughts on sustainability, community and growth. The tags are a metaphor for the receipt in energy exchange when producing our own food sustainably. The rainbow colours are a nod towards sunshine. 🌞
Studio ExperimentsÂ
I’ve been reducing my areas of thought and ideas into simple categories . SHELTER, SUN, WATER, EARTH, HUMANS and feel that at this stage of the residency I’d like to focus on the transference of energy as a subject for work. Since spending time at the allotment I feel that I better understand the exchange of energy taking place and what a contrast it is to the standard trip to Tescos, the exchange of money and paper receipt to prove your purchase. I’m using this idea of ‘receipt’ as a starting point for work.Â
The images above show my work desk and studio experiments, and some inspiring material finds at B&Q.
Using the concept of 'make do and mend' and the salvaged quality of most of the sheds dotted around the allotment, my plan is to build little shed structures using old bits of work and cut offs from my studio. The only rule is that it has to be recycled, nothing can be bought. let's see where we end up...
Picking out details from the allotment, some mono prints from my sketch book.
This is George. He has had an allotment for 10 years or so. This is his Shed, it's called 'The Slug and Lettuce'. Inside I found some pictures of the St John's Hill from when cattle were walked through it up to the fields, it's quite different now. George has won Ryde in Bloom 3 times and has made a slow worm hotel, as well as bird boxes and an experimental compost heap for seaweed.
Perks of the job
Fellow Artist Chris Jenkins recently ran a workshop in response to our Grow Ryde project. The workshop involved the construction of towers built from salvaged material and each participant was given a packet of seeds to plant beneath their creation and watch grow. The workshop was free and organised in collaboration with Quay Arts, Ryde Arts Festival and Foal Arts.Â
Quarry Road allotment is a peaceful green haven nestled between a train track, a new housing estate and rows of Victorian houses. Over 80 allotment holders tend to their plots and some have been there since the beginning, turning a waste ground into the much loved community growing space it is today.
The words ‘community’ and ‘grow’ are the two main points on the Grow Ryde compass and as resident artist I’m interested to understand how quarry road allotment spills out into the wider community and how my art can be a part of that.
There is a wonderful handcrafted aesthetic to the allotments, each plot is individual and usually made up of salvaged and reclaimed objects which harks back to the ‘make do and mend’ sensibilities of post war Britain.
I’ve started to make work which references this hand made quality and I’m interested to think of ways of inviting the allotment holders to make work with me.
For this years festival I’ve curated an exhibition which is inspired by my residency. SEEDS is an exhibition of small intimate works which illustrate the initial idea stages of an artwork. I see this little exhibition as the first bridge for the allotment holders and public to cross and hopefully create a dialogue around the themes of Art and Growing.
I was recently given the chance to work with Local teachers who came to my studio building to learn how to make paper engineered plants using a video tutorial which I created as a way of sharing further some of the projects themes. The teachers had a wonderful afternoon and we talked a great deal about creativity and growing with children.
When interacting with the public on art projects you will often come across people who take the ‘I don’t understand’ or 'what a load of rubbish’ escape route. What I love about this project is that everyone has a bit of ownership over growing, and so they feel welcome and 'part of' before you’ve even started, its very enlightening.
Photography by Julian Winslow
We had a wonderful afternoon with teachers from various Ryde schools who came to take part in a paper engineering workshop at Depozitory Studios. The teachers were the first to use a video tutorial which I created for the new ‘Grow’ Website. The idea is to make the activities as accessible as possible, allowing people to get creative at home if they can’t be physically present at Grow Ryde activities. We had some great feedback and the teachers made some beautiful paper plants.Â
Photography by Julian Winslow
Day 1 at the Allotment for the start of GROW, a two year residency commissioned by Ryde Arts Festival and funded by Arts Council England, with a resulting exhibition in 2017. There will be lots of workshops, performances and exhibitions running alongside this project so look out for free family workshops and creative things to do and see Ryde Isle of Wight over the next few months. www.growryde.org.uk  events will be listed soon