gudagåva

ik ben niet verliefd

[saralorussoportfolio]

[cleonora]

October 2018,

Embrace

[niclasvonschedvin-blog]

[redlipstickresurrected]

Yoko Akino 秋野 暢子 (Japanese, b. 1967, Kyoto, Japan) - The Cat And The Moon   Etching

[pomelo0o]

Elephant slide

Girona, 1975 

Francesc Català-Roca

[slab-o-meat]

oh to be a mouse with a sardine tin for a bed

[joeinct]

The Artist Lives Dangerously, photo by John Gutmann, 1938

[itscolossal]

Mythical Creatures and Greek Gods Leap From Waves Captured off the South Coast of England

[jeanpierrot]

/ Zoi

[mothersofmyheart-deactivated202]

“The most anti-capitalist protest is to care for another; to take on the historically feminized and therefore invisible practice of nursing, nurturing, caring; to take seriously each other’s vulnerability and fragility and precarity, and to support it, honor it, empower it, to protect each other: a radical kinship.”

— Johanna Hedva (via saturnrising)

[thepaperbeast]

Some shots of me painting at Remedy Kombucha last year, taken by Natalie Jeffcott for a new book by Frankie magazine called Look What We Made.

[onceiwashere]

i love having the cilantro yummy gene

[itchycoil]

Whenever you’re feeling sudden calm its because I took your voodoo doll out for a picnic on a grassy hill

[roachpatrol]

thank you

[plaid-flannel]

Seen in the window at Gulf of Maine Books in Brunswick, Maine. Photo: Bill Roorbach

[kafkasapartment]

The King’s (Darul Aman) Palace, Kabul, Afghanistan, 2001. Joseph Rodriguez. Cibachrome print

[pagewoman]

“My son’s sheep lambed. They are old friends. He bottle fed it last year. It hasn’t forgotten.”

by James Rebanks

[landscape-stories]

LS 27 | Machine Influence

Alex MacLean - Supply + Demand Tar Sands

magazine.landscapestories.net