Mira’s hands are heavy, and Celine is heavier, and the Honmoon squeezes, squeezes her, until she is nothing, nothing, until she is gone—
And pops back into existence, crouched on all fours, on the other side of the room.
“Holy shit,” Zoey blurts out. “I didn’t know you could do that.”
Neither did the mutt. If she had, it might’ve made so many things so much easier, not least of them one of her dad’s very favorite experiments.
But now she has everyone’s attention. This is nearly always bad. And things are quite bad already.
The mutt does what she used to do in such a situation: make herself small, bow down, and wait for the consequences.
She can hear a shuffle, and then Mira’s soft voice: “No, give her space.”
Rumi’s anxiety is almost audible, a tightly wound thread. The mutt has no room for it in her head. She presses her forehead to the cool floor and tries to breathe through clenched teeth.
“I really need you to stop saying that for a second.”
The Honmoon is no longer on her, suffocating her; she’d left it behind, as confused as the rest of them, all the way across the room. Still, it’s so hard to breathe properly. She tries, she tries.
More shuffling. A stagger. A horrible step in her direction. If anyone touches her, she might bite after all.
“Please forgive my… outburst.” Celine’s voice is gravelly and rough, though it no longer trembles. “Are you hurt?”
The mutt shakes her head against the floor.
“Good.” Celine is silent for a long moment. The mutt can hear her breath; it’s loud, deliberate. Persuasive. “I did not require or expect an apology from you. I regret making you feel that I did.”
That’s no good. That’s worse. Without apologies, there is truly nothing the mutt has to offer.
“If I did, I would never—” Another pause. “I—have been trying not to deal in unnecessary violence.”
The mutt thinks of glowing twin blades, taking shape from the Honmoon; of the intent for violence gleaming in narrowed eyes. She knows that look well.
Celine seems to follow her train of thought. “It’s a work in progress,” she says. “Clearly.”
The mutt swallows. It scrapes. “You think I’m dangerous,” she manages.
“No. I—” Celine makes an impatient sound. “My sense of danger could use… calibration.”
“I won’t hurt you,” the mutt tells her quietly. “I do not hurt people.”
“All right,” says Celine. “I believe you.”
The mutt abruptly wants to cry.
“Would you believe me when I say that I will not hurt you?” Celine asks her.
The mutt swallows, again, twice. The fear is still there, a hard persistent lump. She understands about needing calibration. She wants to try. “...Okay.”
“Mm.” Celine takes in a long noisy breath. The sound is a strange relief. “I find eigen decomposition rather elegant, as well.”