Lint Roller? I Barely Know Her
Phantogram Three
The Stonewall Inn

@theartofmadeline

shark vs the universe
Sade Olutola
I'd rather be in outer space 🛸
taylor price

pixel skylines
Not today Justin

gracie abrams

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let's talk about Bridgerton tea, my ask is open
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cherry valley forever
occasionally subtle

ellievsbear
𓃗
untitled
"I'm Dorothy Gale from Kansas"

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@h2lab
Grace Neutral
Grace Neutral
by Yoko Garfias
The tattoo artist makes her London Fashion Week debut.
• Grace Neutral • ~ scarifications (healed) ~stretched nostrils ~ eyeball tattoo ~ tattoos
Ernst Caramelle, Video–Landscape, 1974
by @ruidinis #next_top_architects 😇👿 #gooddesign #design #heaven #baddesign #good #bad #framemagazine
sarah voss
by jimmy oh
2015.3.30_14.48.4_frame_2307 Made with code / Processing
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A New Life for Nooks of Decay with @acommonname
To see more of Paige Smith’s crystalline-inspired works, follow @acommonname on Instagram.
Graphic designer-turned-multimedia artist Paige Smith (@acommonname) has lost count of her “urban geodes” that occupy the nooks and crannies of decay in places as far-flung as Bali, Madrid and Istanbul.
It all began three years ago in downtown Los Angeles, where Paige was living. “I started noticing the cracks and holes and decaying surfaces of our buildings, and that no one seemed to be paying attention to them,” she says. “The idea clicked to utilize these spaces and create something beautiful.”
Paige started by using a paper-cutting and folding technique called kirigami to create three-dimensional installations that look like geodesic formations. While she still prefers this method for her large-scale installations, her process has evolved to incorporate crystals of silicon-molded resin. The resulting works draw attention by juxtaposing inorganic formations that appear natural against the backdrop of a deteriorating man-made landscape.
Like the walls and buildings they inhabit, Paige’s works also decay over time. “I appreciate the mystery of their demise,” she says. “It’s a natural occurrence.”
Kazuko Miyamoto
Gh-01.13.02.15*jeankiersen
PDJ by holger lippmann, via Behance
Plasti(K) Pavilion | St-Louis | 2011 Design: MARC FORNES :: THEVERYMANY™ ©2011 with Ken Tracy’s design/build studio at Washington University
The statement piece of the show was a cumulous cloud looking aluminum structure entitled ‘Labyrs Frisae’ by architect and designer Marc Fornes.
"There is no design without discipline. There is no discipline without intelligence.” — Massimo Vignelli