Read our Circus Acts Aerial Training Space blog here :).

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Read our Circus Acts Aerial Training Space blog here :).
The Remarkable Jessie, Hula Hoop and Top Hats
Aerial Trapeze The Art Of Teaching Trapeze & Aerial Silks
My year got off to a flying start…I was lucky enough to be able to spend five days examining the art of teaching trapeze and aerial silks with Serenity Smith Forchion and Lindsey Butcher.
I was quite surprised at the reaction I got from many of my peers. I do already teach aerial circus and have several years experience in this area, so many people questioned why on earth I would want to spend a week – and indeed a not small amount of money – on learning to do something I already do. I think perhaps this comes from the common misconception that a teacher is someone who has stopped learning…who must know it all. It is rare to get the opportunity, as a performing arts teacher, to step back and look at not just what you are teaching but how you are teaching. How can we get the most out of our students, and how can we adapt our teaching style to different abilities, and to students with different aims and aspirations? Specific to teaching aerial circus, how can we encourage safety, whilst also encouraging our students to take risks?
Serenity Smith Forchion led the course, and is well known around the world as one of the leading artists in her field. Ex-Cirque du Soleil and co-founder of the New England Center for Circus Arts along with her twin sister Elsie Smith, she had knowledge in bucket loads to impart, and shared it with ease and grace. She was assisted by Lindsey Butcher, widely acknowledged as one of the very best aerialists in the UK, whose company Gravity & Levity have toured work extensively and are, again, leaders in their field of work.
There were ten students on the course, and we were put through our paces not through the complexity of the moves that we were looking at, but through the way in which we were encouraged to break them down. The explanation of each hand and foot position was examined in detail, as well as the precise anatomy of each move. We spent time talking about how best to structure a class, looking at why one move might neatly follow on from another, or why one which to us seemed quite simple might really not be right for a group of beginners. We brushed up our knowledge on stretching for aerial circus and on injury prevention, and examined the art of ‘spotting’ in detail. This is how to lay hands on a student to guide them through a move as they learn it; it can be to lift them or give them the necessary strength, to send them in the right direction on the piece of apparatus, or indeed to offer them the physical confidence to go ahead and try the move out. Whilst I have always thought about the safety of my students while spotting them, I was surprised to find out that I of course should consider my own safety equally. The course was a real eye opener for me in that respect.
I believe that it is imperative, as a teacher, to keep learning, and to keep challenging oneself to be a better teacher. This course was a real treat, and pushed me to consider my aerial teaching to a far greater depth than I have done before. The course was the first stage of a four-part series of courses, and it is hoped that soon the second stage will be able to run here in the UK (it only runs in the States at present).
If you would like to set up an aerial circus class for a hen party, corporate team building event, birthday celebration or other event, please contact us at H2oh! Entertainment – www.h2ohentertainment.com
For more information on Nimble Arts and the New England Center for Circus Arts, please see their website – www.necenterforcircusarts.org
Learn more about Gravity and Levity and their current shows at www.gravity-levity.net
http://www.circusacts.co.uk/art-teaching-trapeze-aerial-silks/
Beautiful jazz version of a classic Christmas song by one of our delightful female singers, Ela.
This week the H2Oh! office have been loving this new track from one of our favourite musical acts, Ela.
She has managed to make Slade's Christmas classic sound like a smooth lounge jazz number; effortless yet so festive.
Enjoy! (and ignore those who say it's too early).
Providing Acts for Charity Events – How to work with an Entertainment Agency
I was delighted to get an email yesterday from a client, telling me that the charity event that our entertainers had performed at had raised some £30,000. This was a charity race day event held at Lingfield Park in aid of St Catherine’s Hospice, and two of our entertainers had generously given up their time for free.
We naturally get asked a lot about providing artists for charitable events, and actually it is very rare that we supply artists completely free of charge. As an entertainment agency, it is a delicate thing asking performers to work for nothing, especially in instances where the artists could assume that we, as the entertainment agency, are getting good press and PR, when they are not even getting their bus fare. However what we very regularly do is offer exceptionally good rates to charitable organisations, taking a very low (or even no) commission and negotiating excellent fees with artists.
I have been asked by a few charities about the best way of going about obtaining good rates from entertainment agencies, so I thought I would share some thoughts on that here.
1. Set a budget Even a very low budget can help to secure good quality artists for your charity event, and it makes us as an entertainment agent able to make a valid approach to performers to try to get them interested.
2. Be precise about requirements If we are working for low or no commission, we really need to know what you need – we don’t want to be going all around the houses to find balloon modellers, if actually you end up needing a magician! By all means call us for advice, but before we start looking try to decide what will work best for your event and guests.
3. Sell the charity to us Our artists are much more likely to work for low fees if they know a little about what your charity does. It may well strike a personal chord with them, making it all the more likely that they will want to help you out.
4. Come Back to Us Again If we have helped you out once, we love it if you ask us to help you out again. It shows a loyalty and thanks on your behalf, and a value in what we have offered you. Don’t be shy about asking twice, or even thrice!
So why did we agree to supply acts to the St Catherine’s Hospice event for free? Well, a combination of factors. The artists both wanted to do it, and we have a close and personal connection with the event organiser. She has helped to recommend us in the past, so we feel positively about the possibility of our artists getting future work via her connections, if not specifically from this event. Plus, the hospice is local to our office base – the local connection certainly helped.
This really isn’t something we would do very often, however charities looking for acts for their events at a low cost are welcome to contact us. You can view the range of acts we can offer on our website, www.h2ohentertainment.com, or contact us at [email protected], or at the office on 01273 626650.
I’ll close this blog by extending a personal thanks to Bec and Equador – who played no small part in the raising of that £30,000 for the hospice, and who have surely gained some good karma to last them some time. Thanks both!
Helen x