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Love Begins
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@haileysreads
obsessed with mass market paperbacks. their pleasing rectangular proportions. how they fit badly in a hoodie pocket so you can drag them around everywhere with you like a temporary little buddy. the way they fit in your hand because they're MADE for human hands and not as bookshelf decoration. the way the pages feel when you riffle them gently with your thumb. How pristine and crisp they look when you get them and how creased and folded they look when you're done, even if you try to be nice to them. how that wear is okay, how that's correct actually, because they're made with the philosophy that books aren't meant to be PRETTY, they're meant to be read. that little ripple new ones get on the left side from where you hold them when you're reading, the way the ripple only goes as far as you've read, because u change stories by reading as they are changing you. how you can find thousands of these creased and folded and loved little dudes in every thrift store and used book shop and neighborhood library and you can instantly see the ones that someone carried around in a backpack for weeks or read to pieces or gave up on halfway through because they wear being read like fresh snow wears footprints. I love these poorly made, subpar little rectangles so much. truly the people's books.
Boston’s Brattle Book Shop
How to write charming characters
With both positive and negative aspects to their personalities, charming characters can be difficult to write convincingly.
Whether you're writing a romantic love interest or a compelling con man, here are some examples for giving your charming characters depth.
How do they behave?
Attentive listeners: they pay close attention to people around them
Take pride in their appearance
Are happy to share personal space
Speak with a strong voice and an energetic tone
Are often hospitable and give off an air of welcome
Always give the impression that they are happy to see you
Demonstrate empathy
How do they interact?
Have a firm handshake and make strong eye contact
Are often encouraging
Compliment freely
Use humour to create a fun atmosphere
Communicate physically (through touch and gesture)
Make a point of using a person's name
Initiate conversations
Describe their body language
Have a relaxed stance with a straight and confident posture
Inclusive and attentive
Mirroring: they will mirror the body language of the person they are interacting with
Will lean forward to show attention
Lightly touch to create connection
A slight head tilt to show interest
Rarely cross their arms or legs
Maintain eye contact
Describe their attitude
Carefree
Good sense of humour
Friendly and playful
Self-aware
Opinionated and confident
Exhude an impression of honesty
Good intuition
Highly social
Polite and respectful
Eager to please
Potentially manipulative
The positive aspects of charm
Charming characters put people at ease, praise them freely, and boost their confidence. They make friends easily, talk their way to favourable resolutions, and are often the centre of attention.
They have impeccable grooming, conveying trustworthiness and concern for others, leading to a sense that they have your best interests at heart.
The negative aspects of charm
A charming character can manipulate others for personal gain. They can be overbearing, exerting their will on less confident individuals.
Their charm often draws focus, making others feel inferior, making them perfect for a protagonist to exhibit personal growth, or for a villain that a reader will fall in love with.
How to show emotions
Part IV
How to show bitterness
tightness around their eyes
pinched mouth
sour expression on their face
crossed arms
snorting angrily
turning their eyes upward
shaking their head
How to show hysteria
fast breathing
chest heaving
trembling of their hands
weak knees, giving in
tears flowing down their face uncontrollably
laughing while crying
not being able to stand still
How to show awe
tension leaving their body
shoulders dropping
standing still
opening mouth
slack jaw
not being able to speak correctly
slowed down breathing
wide eyes open
softening their gaze
staring unabashingly
How to show shame
vacant stare
looking down
turning their head away
cannot look at another person
putting their head into their hands
shaking their head
How to show being flustered
blushing
looking down
nervous smile
sharp intake of breath
quickening of breath
blinking rapidly
breaking eye contact
trying to busy their hands
playing with their hair
fidgeting with their fingers
opening mouth without speaking
Part I + Part II + Part III
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more stories where falling in love is a horrifying fate worse than death rather than a source of comfort and hope. more stories where love is understood as a terminal affliction.
more stories where someone falls in love and understands that this means they will be changed and made more vulnerable by it, compelled to do irrational things in the name of it, and be willing to die for it, and starts lashing out and stress vomiting about it
I wasn't sure how I felt about this one overall, but I laughed a lot at this little bit of The Cat Who Saved Books – it's giving the energy of those book bloggers who read more books than seems humanly possible. Nothing but love to all my quick readers out there 🤍
new ship dynamic to obsess over: the beautiful x the damned
Analicia Sotelo, from Virgin: Poems; “South Texas Persephone”
[Text ID: “Look now: my heart / is a fist of barbed wire.”]
the problem with reading and writing leading to a strong vocabulary is that you tend to know the vibe of words instead of their meanings.
if I used this word in a sentence, would it make sense? absolutely. if you asked me what it meant, could I tell you? absolutely not.
Brandon Lee on the set of The Crow, 1993
I keep seeing lists and recs for short books/stories to cram in before the year is up to meet the “reading goal” and it makes me feel sad that I know how that feels. I feel sad that people need to feel rushed to read.
Slow down, friends. Read what you want, read what you must, but don’t force yourself to consume. I feel like reading should be about quality over quantity.