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@handeleugene
I’m excited to share what I’ve been cooking up for the last month or so. I was fortunate enough to be selected as this year’s Artist in Residence for AT&T’s Dream in Black Campaign. I got to be their lead campaign designer, it was a lot of work but a lot of fun putting this together. Spent a lot of time in brush stroke land. Excited to share more through out the month of February from this campaign.
Me as a 3D NFT courtesy of Bryan Coleman.
I attended Art Basel last week in Miami & one of the coolest things I got to do was get 3D Scanned by @BryanTheColeman. Big fan of this project that he's creating over at @Portrayal3D & excited to see the final result he creates.
“We used to pray for days like this.” Still hard to fathom that I get to work on movies for a living. Especially on such an iconic film that represents so much to the culture. My favorite part is seeing my country, Haiti, represented on such a big stage.
If you haven’t done so already, go see Wakanda Forever. I'm beyond excited to announce that I (once again) got to contribute to the iconic BLACK PANTHER Franchise!
Trippy Nature Tunnel exploration I created earlier on this year. There’s a lot of potential here that I need to continue to explore. This will be a fun series to play with more.
I’m trying to build something they can’t take from me. I’ve been quite this year, but trust me the work hasn’t stopped. What I’ve been building in the dark will soon come to light. This is the new studio where a lot of the UV magic is going to happen.
Iridescent Cloth Studies
Nothing to see here, just some C4D & Octane lighting studies. Had a fun awkward exchange explaining this one to my wife when she walked in.
UV Liquid Dispersion
Wavy. Original 3D Render from my previous post.
Abstract 3D render that is heavily retouched in After Effects.
Ultraviolet 3D. Coming Soon.
Making it twitter official. Putting the world on notice, while also giving myself a little pressure to follow through.
Infinite Bloom.
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Creating the optical illusion of impossible geometry is no easy task. It requires you to work in basically a visual brain teaser in 3D space. I’m using a Looooong focal length here to flatten out the perspective to hide the fact that nothing is really connected.