𝐚 𝐡𝐨𝐫𝐫𝐨𝐫 𝐦𝐮𝐥𝐭𝐢-𝐦𝐮𝐬𝐞, 𝐛𝐥𝐨𝐨𝐝𝐛𝐚𝐭𝐡 𝐛𝐲 𝐮𝐥𝐭𝐢𝐨. 𝐜𝐚𝐫𝐫𝐝. & 𝐩𝐫𝐨𝐦𝐩𝐭𝐬. & 𝐬𝐭𝐚𝐫𝐭𝐞𝐫 𝐜𝐚𝐥𝐥𝐬.

Product Placement
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Noah Kahan
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Keni
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seen from Germany

seen from Kenya
seen from Ukraine
seen from Argentina
seen from Indonesia
seen from Pakistan
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seen from South Africa

seen from Malaysia
seen from Venezuela
seen from Iraq
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seen from Brazil

seen from Venezuela
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seen from United States
seen from United States
seen from Malaysia
@handspike
𝐚 𝐡𝐨𝐫𝐫𝐨𝐫 𝐦𝐮𝐥𝐭𝐢-𝐦𝐮𝐬𝐞, 𝐛𝐥𝐨𝐨𝐝𝐛𝐚𝐭𝐡 𝐛𝐲 𝐮𝐥𝐭𝐢𝐨. 𝐜𝐚𝐫𝐫𝐝. & 𝐩𝐫𝐨𝐦𝐩𝐭𝐬. & 𝐬𝐭𝐚𝐫𝐭𝐞𝐫 𝐜𝐚𝐥𝐥𝐬.
CON WEEEEEEEEKENDS BACK 2 BACK !!!! Activity will resume at some point from me but for now Summerween has been popping off for me and I miss you and I love you and I am doing spooky things 👻❤️ thinking of you!!! Can’t wait to write and be creative again. Please take care of yourselves my loves!🤗
꒷꒦꒷꒦༉‧🕯️‧₊˚.THE DARKNESS SEEMED TO BREATHE . . a collection of HORROR ROLEPLAY SENTENCE STARTERS based on horror films. genre: horror, thriller, mystery, crime.
The city is full of beautiful surprises.
I dreamt you killed me.
Are the police after me?
Let's see who was killed today.
How do I know this isn't the usual swindle?
I don't know what's happened to me. I've got to get away.
Why do you buy my paintings?
I don't feel very well. I must get some air.
It was an air raid during the war.
Only death could be quieter than this.
Listen, I don't exist to make profits. I'm not a stockbroker.
You can't kill me with that. Come to bed.
Hey, what're you doing? Leave me alone!
Didn't you hear anything?
When I cleaned up today they weren't there!
It's over 25 years since I last stepped inside that villa.
Do you believe in spirits?
I believe in spirits, there's no question in my mind.
I suppose you heard the girl died near the wall of the villa.
Stop, you're making me dizzy.
What's the matter with you? Are you crazy or something?
Why do you have to behave like this?
Why did you cry out just then?
Look out, look out! The roof is falling!
I felt as if someone were pulling me down!
It was as if it wanted to hurt me deliberately.
I don't like the house, and the house obviously doesn't like me.
I find that your wit, as usual, is tasteless.
May I ask just why you're so interested in the house's story?
Don't listen to that! They don't know the truth about her.
We have a very gifted medium in the town, you should to them!
Why don't you come with me tonight?
Spirit, don't you want me in your house?
You want me all to yourself, don't you? Is that why you tried to kill [name]?
If some madman is going around putting flowers under your walls, I couldn't care less.
Your questions reminded me of an old story. A doomed love story.
Nobody, nobody would ever believe me.
You didn't care? Why not?
Come in, come in. What do you want to know?
Don't go. Please, don't go.
You'll kill it like that. Better dead and red.
Have you gone crazy? What are you doing?
Why did you run off the other day?
I'm sorry. I'm sorry. I didn't want to.
I wouldn't like the people in the village to know about it.
No, I don't. I only know she was killed here.
This house was abandoned.
I'm going to tell you something that I've never told anyone.
What are you looking for?
I don't know who I'm fighting. I can't find an explanation!
What is there to explain?
A girl who died here in this house. Now she haunts this house.
I suppose you are the normal one.
What do you do with yourself here all day, since you're obviously not doing much work?
Who are you betraying me with?
Everything I do and am annoys you, doesn't it?
We have guests tonight. They're all quite mad.
Why do these things keep happening?
It's like, someone in the house doesn't want me here.
It's your imagination, [name]. There's no one else in this house but me.
You're going to call the spirit?
Please stay. You mustn't leave now. At least stay for the séance.
Sometimes the spirit shows its presence by playing on it.
Bring your chair and sit around the table, please.
It's modeling clay, in case the spirit wishes to leave an imprint.
During a séance, anything can happen.
I want you all to put your hands on the table. Let your fingers touch, forming a chain.
Oh, my god, the ghost!
There's something very unusual in the air tonight.
Before we make contact, one word of warning. Do not ask personal questions or mention the subject death.
From now on, nobody breaks the circle.
Give us a sign of your presence.
Spirit, give us a sign!
How did you die? Who killed you?
Turn on the light quickly! Something's fallen on the table!
Break the chain. Turn on the light, please!
It's an omen of some kind.
Is there anything you wish to tell us?
Stop it, all of you! I know what you're doing!
Do you think I'm so stupid I'd believe this?
The spirit wants to leave.
Who is that? My chair's shaking!
Someone tried to strangle me! Get out of here!
Go home! Everyone, go home! She doesn't want you here!
Send “📚” and I will flip to a random page in a book and use the first line of dialogue I see as a starter.
@briggsmade [ cont. from here. ]
it's frightening to see the drop.
It's not so cold, still he's shivering. There's a draft if they stand under one of the vents. But she's brought out two blankets for him to wrap around himself. She's in shorts, cushioned beside the plush, her mouth twisting. She could lie and say she's cold. Instead, “the heater's broken.”
It was sweltering. This is not a side effect. This is a direct cause. There was only one way to subdue the insistent stirrings. She did not possess the antidote.
“Do you need a sweater?” She could shed the one she was wearing, remain in tank top. He perspires in spite of his shivers. She wrings her wrists a little helplessly. Her own hands are warm. She's usually the one that's freezing.
“Maybe we could go for a walk.” Fresh air could waft like newfound sensation, a reminder of being grounded and human, “it's nicer outside.”
"You sound like the kind of ghost I'd like to meet," she says quietly, surprising herself a little bit. A ghost that just observed and knew the secrets of what came after would have the best conversations, she just knew it. But, life being what it is, all she could ever seem to find was bad guys in masks or using projectors. "But with that many ghosts in the world, some must want to be seen and heard. I just have to figure out where they are."
There was one dead channeled through her, and if Reggie knew anything about being apart of the living, phantoms were desperate to claw their way back. Eager to be seen. She wraps her arms around herself. Is it cold in here, or it just the thought crawling up her spine? “Correction, you wouldn't want to meet any ghost,” her voice is a breathy sort of quiet, but her cheeks redden at the thought, “what kind of ghosts are you looking for?” Dangerous ones, quiet ones, they were everywhere, everywhere. She cocks her head to the side, like she's mulling over a secret she shouldn't share. But she does, anyway. “Ghosts you want to cast out… or ghosts you'd like to keep?”
it kind of pisses him off how easy she makes it seem. he thinks maybe he's envious of her sometimes, bitter and bristled by the ease with which reggie takes in the world. it makes him feel bad, picking at old wounds like they might heal right this time. he'd peel back a layer, the skin of a clementine, and there would just be her grin. he'd tear himself bloody on barbed wire to see it. could still make out the curve of it in lowlight, the perfect crescent. when was the last time he'd seen the moon?
he feels like he's been dunked in ice water and brought back up to the surface, baptism in beer. he hates the taste, bathwater swill, but loves the feeling. he reckons this is what he deserved growing up. the sun at your back and potential everywhere you look. real friends and real dumb decisions with nothing but feet to tarmac to make it happen.
it's not a perfect hand. skin torn around the cuticles and tips of fingers calloused from yard work and years of monkey bars, hot coffee spills, too many stories to count. but he's got all five fingers and they fill the space between reggie's.
“ okay, ” and he's laughing too. “ i trust you. ” he means it, really. tossed into the wind like a deep breath let out in the middle of winter. he's usually clumsy about this, bad at just being. but what's there to be afraid of? he can't keep kicking himself for choosing want he wants. he'll take the plunge.
his back wheel wobbles and squeezes her fingers just a fraction tighter. “ you ever see that one movie? ” there he is, thinking before speaking again. pause. rewind. yup, still drunk. “ i'm will ferrell and you're napoleon dynamite. ”
“good,” she sounds so cool, but trust is hard-earned, and it means a lot to her. she doesn't drag focus to it, but she cherishes the way he says the word. “i trust you too.”
trust is given, it is a gift, and it is shared. spoken loosely like it's not a loaded gun to trust, like it's not so carefree. but she likes how she fits with him.
she knocks her head back and really lets out a boisterous giggle, she laughs wholeheartedly, with her entire spirit, it's riotous enough to almost throw her off balance, but she's effortless in how she stabilizes. joy has a tendency of catching her off-guard, but reggie skates right on through it.
“blades of glory?!” the glo-reeeeee resonates around the rink - the music is surprisingly slower tempo than one would hope for, not so loud she can't hear him speak. “i love that movie.”
and her face is flushed at the thought, overheated from the laughter, and the way her head is spinning every time he squeezes her hands.
they fit together, like two peas in a pod. even their hands slot together nicely. he hasn't swayed again. she doesn't draw attention to it. does it have something to do with the way he shifts focus from looking down, to looking towards her?
“we're missing the olympic medals,” she had maybe a microscopic iota of the skating talent necessary to make it to the finish line for something like that, “the matching fits,” all sequins and razzle-dazzle, “but other than that, we're ready to go pro, randy.”
when her brain's a little fuzzy, clarity's arrival is imminent. there's no secondary voice offering feedback in her head, it's just her and randy.
and the dj with the early 2000s playlist on deck.
“you ever hold your arms out and spin really fast when you were a kid?” she toes his skate with her own. it's a gentle nudge, a gentle spin, but she's still holding tight to him, “make the whole world a kaleidoscope?”
the whole world is an echo of blaring colors.
“it's even cooler when you're skating,” it's an offer, the world's their oyster, they can take up as much space as they want, spinning and spinning, "
REGGIE ( @handspike ) said " you know you can take me anywhere. " you look pretty sad for a girl so in love prompts | accepting
David adjusts his gloves, head tilted as a smirk spreads in his lovely face as he pushes off his bike and closes the distance between them.
" Oh, can I ? "
He offers her his hand, an offer, a threat. His eyes sparkle with taunting mirth as he gazes down at her. Waiting to see what she'll do, already pretty sure what the choice will be.
She's seen every crevice of this city. But there are still nice surprises. She hasn't seen under the overpass. She hasn't seen the coast at this time of night.
How violently the current stirs.
Dwellers of the dark coexist. She smiles bright. She's beaming. There's obstruction. Not the real touch. Skin on skin. Still she reaches back.
He already knows what she's going to say, doesn't he?
“Depends where you're trying to go.”
She's already said yes.
A grin pulls at his mouth the second the side door swings open, relief hitting faster than the warmth spilling out from inside. Brodie gets a clap on the shoulder as they're ushered through neon light and bass that rattles straight through his chest.
The cold falls away almost instantly.
His eyes flick toward her as she speaks, taking in the spark in her face now that she's thawed out. Cute. Dangerous, probably.
"Basic?" he repeats, amused, leaning closer so she can hear him over the music. "I don't even know what you're talkin' about, but, uh, I think after surviving the baltic outside, you've earned a sparkler drink."
Definitely dangerous.
The smile is gleaming as her hand drifts along his forearm, the music is loud, and she can feel the bass in her jaw. Perfect.
A cotton candy sparkling cocktail is a specialty on the menu tonight. She is far too, too enthused at the sight of the pink cloud dissolving atop the drink. Her tiers are a rouge darker than her fuzzy drink, and she leaves a crimson lipstick print on the glass, a signifier its hers.
“It's very sweet. Tasty,” she loves it, so she takes another sip, before extending the glass his direction, “you wanna try it?”
ㅤㅤㅤㅤㅤㅤㅤㅤㅤThe Omen's eyes crawl over Reggie like damp caterpillars, leaving behind streaks of sticky curiosity. He smells her damp breath traveling through her nostrils to fill her lungs. A hunger strikes him. He has been delaying.
"You will." He says quietly, burrowing his gaze into her as if it has the power to put a hole into her forehead. He wants to feel the pliant tissue of her lungs in his hands before sinking his teeth into the wet organ. The taste of something dark. Something blackened by smog of a melancholy existence. Shay licks his lips and looks asunder.
"If you'd like to die soone', you just say the wo'd."
The harbinger predates her own fate. She has been marked by death since the beginning. There is a soul upended within her. It has already been sworn off and sold. What tethers her to this vessel but the body itself? Living body, living flesh.
There's a spirit waning and curious. Her head tilts, peering back. Will she? Will she? She's already rotten form within. What will be left for him to eat? Someone else's scraps, in a body not quite her own.
“What's the word?” Is there a word for death that brings it sooner? Or is it a plea, a prayer? She walks unattached to her shadow. Her shadow drapes over everything. Second self in her wake. Second skin waiting to be shed.
“For dying. Is there a word?”
@handspike sent: where's the cheese grater?
“the cheese grater?”
this shocks and offends jules deeply. it’s honestly.. not graceful, the way he grabs the block of cheddar and tosses it back in the fridge, likely to be forgotten about until he gets the munchies at 2 in the morning.
in its place, he pulls out the kraft singles.
“we use plastic cheese for grilled cheeses, reggie, c’mon. it’s the only stuff that melts down right.”
reggie watches the block of cheese disappear into the fridge. she doesn't even get to protest. it's not even been carefully placed back into the ziploc bag she tugged it out of. no worries. she won't remark on it. she'll simply bag it up later.
digits clamp around the bag of plastic cheese. the bread is wonder bread. it's gonna fall apart the second it hits the pan, but she'll improvise.
“didn't take you as the sort that was stingy about his cheese.”
let the grilled cheesing commence. the stove's already simmering. the bread sizzles when it hits the pan.
“i like a little variation in my grilled cheese. three different cheeses minimum.”
ANNABELLE COMES HOME 2019, dir. Gary Dauberman
NAOMI BLINKS, WATCHING AS THE GIRL EMERGES into her view. she is like a ghost, and the blonde wonders, vaguely, if she had drank too much altogether that night, that she was imagining someone stepping onto the playground, or maybe she was finally hitting that mental break everyone seemed to say was on the way. she frowns. the blonde stumbles up, boot nearly sliding off of the edge of the platformㅤㅤ ( ㅤㅤstill hanging onto the bottle for dear lifeㅤㅤ )ㅤㅤ. there are no words bubbling up to her lips, but she is still watching. she seems like such a soft, frail creatureㅤㅤ ━━ ㅤㅤshe had to be part of her imagination, right? she stands there for a few moments more, rolling a shoulder back and finally turning. down a step,ㅤ across a bridge, ㅤand then a few more steps, and she was on the same level as the other woman, studying her, moving closer, watching her. “ ‘bout a fifteen minute bus ride, ” she finally says, letting her gaze sweep over her fully. barefoot, in what seemed like pajamasㅤㅤ ━━ ㅤㅤ in stark contrast to naomi’s own boots and going-out clothes. there is confusion pulling on her features, palm running against the side of her face as if she was trying to wake herself up. this had to be something in her brain. the mental illness that she had ㅤㅤ( ㅤㅤattempted toㅤㅤ ) ㅤㅤrepress all of these years finally bubbling up and tugging her synapses apart. ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ“ what are you doing out here? ”
sometimes reggie is not unlike a ghost. wraithlike in her tread, sometimes reggie feels transparent, translucent, hard to see. she can be invisible if she likes. but she doesn't like how it feels. how scary it is to lift the veil and trace the scarcity of what exists between life and death.
the only separation between reality and its end is a long dream.
some people tend to stare at her the same. as though she is some strange peculiarity, a doll in a shop of oddities. misplaced, behind glass. the same veil between life and death, the same distant dream, separates her from everyone else. always behind plane of glass, always something keeping her separate.
reggie's not so spooked by the girl nearing. something in her eyes makes reggie wonder if she is the dream. a trapped specter haunting everyone she comes into contact with. something about her was a curse, wasn't she?
“oh.” realization dawns. she's far from home. the soles of her feet feel raw, an ache pertinent now that she sits for the first time tonight.
reggie step, step, steps back, her bottom propping up the seat of the swing, before leaning back, trusting the flight as she propels forth, and swinging. it's a jolt of freedom. the wind making her long black mane levitate and whip behind her, before wrapping forth around her neck. back and forth swinging.
“i don't really know,” her voice is a lilt - yet it carries above the wind like the chimes, listless and floating, “suppose I got lost.” It'd been a very, very long trek. “I sleepwalk sometimes. I don't remember the rest.”
the chain of the swing squeaks every time she propels herself, “what are you doing here?”
@strfckersinc [ cont. from here. ]
the voyager has stumbled out of aimless dream. lately reggie's been sleepwalking farther and farther from home. there's no trail of breadcrumbs to find her way back.
she slips out of place, and she's suddenly lost. eyes try to take in her surroundings, but the shadows veil across the trees. there are few lamplights scattered about here. she cannot make out the street ahead in the pitch black and it unnerves her.
she is cold. reggie's arms lift to wrap around herself. she has no choice but to walk forward in spite of her fear, in spite of the anxiety that accompanies slipping out of slumber. it is not her fault she does not know the way home, she does not know where she is, she does not have shoes or cellphone. the only choice she has is to move forward without so much as looking back.
then suddenly, she hears laughter coming from the dark.
she can't make out the shapes until she is closing. following the sound of boots hitting railing, and the wicker cracks under her feet. her steps are still muffled because she is barefoot. she does not mean to be so quiet.
she has a hard time telling apart what's real from what's not until she's up close. not sure if the young woman is a figment of her imagination, a conjured cruel dream, or someone real.
“hi,” it's a soft chirp, and she steps forward, stumbling forth still clad in pajamas, a hand rising to wave towards the stranger, “i'm sorry, i didn't mean to scare you.”
she's glad to see someone else.
her eyes are wide - deer in headlight kubrick stare trying to make out her features. she sits on the edge of swing, facing towards the monkey bars, “are we close to mid-city?”
LADY VENGEANCE / 친절한 금자씨
— 2005, dir. Park Chan-wook
@handspike said: “So the aurora is influencing wildlife too? ”
. . .He's been glued to his phone all morning. It's uncomfortably familiar, how his heart stopped halfway through reading his weekly newsletter, switching quickly from his emails to a neverending chain of academic papers and articles; everywhere he goes, the information seems to get worse. ( Or maybe that's just his anxiety rearing its ugly head. It tends to do that pretty often. ) If he weren't having such a serious case of deja vu, he might think it's funny how intrigued he is by the same phenomenon that scares him - but it's a little harder to watch a train wreck when you remember what it felt like inside the burning carriage.
It's only when Freddie speaks up that he snaps out of his haze. She curls around his shoulders, and he lets her glance at his screen, gazing mournfully at his now-cold coffee. Darn it. Maybe he can stick it in the microwave.
"Looks like it," he mumbles with a heavy sigh. The only thing that makes him feel a little better is leaning back against her.
She's still warm from her shower, and he tastes strawberry when he turns to kiss her cheek, abandoning his phone on the table. "Nobody really knows what it is yet. It could just be a disturbance in the earth's magnetic fields - but they've been gathering reports from the IUCN and the Space Weather Prediction Center. That's... uh. That's what I was reading..." He trails off, shaking his head.
"Sorry, Fred. You probably didn't sign up for a lecture before breakfast." Which reminds him: he should really get dressed if they're going to head to the diner. That, or he should grab something from the freezer.
A sheepish smile quirks at his lips. "How was your shower?"
This is all achingly familiar. The spider web he's spun his way out of finds its way back. History has a tendency of repeating itself. She knows it is hard to resist the call. Every alert sounds like a siren. All the flags are now red.
She only needs to skim the headline to hear what he's thinking. It's been the subject of conversation since last night. She knows it's like picking at a scab. More so, salt in the wound.
When he sets the phone down, she flips it. Face down. So he won't notice any more notifications from every news outlet taking over the screen. They want his perspective - they always do. They can wait.
Digits curl around the mug of coffee, no longer steaming, and she places it in the microwave for a minute, before turning back towards him.
“You're worried about it,” she drapes her arm around his shoulder - the diner can also wait. Getting there fifteen minutes later won't make much of a difference when he's not settled, and when his mind's running rampant, it's hard to steer focus when she knows this is what he wants to talk about.
Freddie doesn't let him evade, or talk around it. They don't avoid topics. He's not a broken record to her, he's not beating a dead horse. Ryland can talk about anything, and she's listening. “My shower was good,” she doesn't allow deflection, as she settles onto his lap.
The microwave beeps, and she reaches for it. Sets it on the table before him, then resting her palm on his knuckles. She traces his fingertips while she looks towards his eyes.
Nature perseveres. But the influence of something external always frightens the population. There is panic stirring, wonder over the endtimes looming. But every year, there is another premonition. Can this be something big? Can this be nothing?
“You think you could be called to go check it out?”