Chu 😙♡
R18 poipiku ↓
Xuebing Du

blake kathryn
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cherry valley forever
Three Goblin Art
will byers stan first human second
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

JVL
Monterey Bay Aquarium
hello vonnie
i don't do bad sauce passes
tumblr dot com
PUT YOUR BEARD IN MY MOUTH
Cosimo Galluzzi

@theartofmadeline
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Kiana Khansmith
Today's Document
One Nice Bug Per Day

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@hanyouren
Chu 😙♡
R18 poipiku ↓
Color palettes for my Boruto new gen OCs so far
Kaigara
Kagari
Makoto
Hitsuki
Kitsuki
Kazuha
Chonan
Reasons to keep writing
Someone will get super invested in your story and stay up all night reading it.
Someone will be inspired by your work, write something of their own, then sheepishly message you asking how to write as well as you do.
Someone will re-read your story every month or two because nothing captures the same vibe to them.
Someone will get excited every time they see your username pop up because there's a chance it means you wrote more.
Y'know that sense of empty sadness you get whenever you finish a REALLY good book/movie/etc? Someone's gonna feel that for your story.
Someone will draw fanart of your characters (or if you're writing fanfiction, fanart inspired by your interpretation of the source material).
Someone who loves your work will recommend it to a friend. Now another someone will fall in love with your writing.
Someone will want to reach through the screen and give your characters a hug SO BAD.
Someone will come back to your story whenever they're sad because it comforts them.
Because it makes you happy.
There are christmas lights outside my house :)
My ferret (aka the best ferret to have ever ferreted) has no idea what Christmas is but waits for me every evening and we go see the lights together. She's fixated on them.
Merry Christmas!
Waiting patiently
It's that time. She's gone now and I miss her so much but i like to think the Christmas lights are for her this year.
Merry Christmas, Caramel.
It's that time again, Happy Christmas Caramel!
"Sarada..."
"If it turned out that everything you thought you knew about me was a lie..."
"If all your memories of me were really of him...and all your memories of him were really of me...would you still accept me?"
"Would you still let me lay my head on your shoulder...and rely on you like I am now?"
KawaSara x Castle Swimmer AU
Train Ride Home
20 Dialogue Prompts Part 1
Here is a list of twenty dialogue prompts! Thank you everyone for contributing!
“Hey man, remember that one time you almost destroyed the country?” “Yeah bro, that was wild.”
“The shortest moments are the longest memories.”
“Are - did you - did you just BLOW UP THE MOON?” “You said it was irritating.”
“You know, when you said you were pregnant, I honestly expected our child to be…you know.”
“We celebrate now, we may not see tomorrow.”
“For the last time: I’ve met the devil and you’re not him!”
“Sure, let me just..lie down here”
“Don’t cry for me. Celebrate over our legacy.”
“How could you be so selfish?!” “I learned from the best.”
“Pineapple /really/ doesn’t belong on pizza.” “Good thing this isn’t for you then.”
“You are one in a million” “Cool, where can I meet another 7000 of me?”
“You know what saddens me the most? The fact that when we both go back to our timelines, we won’t be able to befriend each other again. Hell, I don’t even know if we’ll be the same people!”
“Hi, I’m the Grim Reaper, and this is Jackass”
“Just because I fight on the side of the angels, don’t make the mistake of thinking I am one.”
“dude, I think your whole ‘im Steve I eat people’ thing is getting kind of old.”
“You worked for my uncle for 15 years, and he never once asked you to deal with a body?”
“Bruh, I don’t think possessing people is good for you”
“I leave you alone for one minute and now we have the king of hell, several cats and a large goat in our living room. What the hell were you trying to do?”
“What even *is* the right amount of eyes, Karen? You tell me.”
“How can you just leave me here, covered in orange juice and surrounded by your old victims?"
Want to send in a prompt or share a story? Join our subreddit here!
These two pages didnt sit right with me so I went ahead and fixed them since Ikemoto wont.
The way this barely took any time to apply a few minor tweaks to make their outfits bearable and less sexualized 🤦♀️
the signs and which element, season and time of day I associate them with
Gemini: air
Sagittarius: fire
Virgo: earth
Pisces: water
Libra: spring
Aries: summer
Capricorn: autumn
Cancer: winter
Aquarius: morning
Leo: day
Taurus: evening
Scorpio: night
PS: I know the order is “wrong”, but if I did this post in the right order it would look really weird and messy. So sorry if you got confused by this post ^^;
Character Creation
(Not another form.)
I’ve been running my characters through these questions lately so I thought I might as well share them? They are meant to be a fun but challenging look at how your characters are going to interact with each other and the plot.
The examples and explanations are simplistic versions and some stories (especially complex ones) will create variation on the standard.
MOTIVATION
1. What does your character want?
This is something they think will make their life better. They either start out the story wanting it or decide they want it at the inciting incident. It’s driven by internal desires that are strong enough to force the character to make external choices within alter the plot. Often this want demonstrates a flaw the character will have to overcome by the end of the story. (Ex. Ash wants vengeance for her sister at any cost to herself and others.)
2. What does your character need?
This is what will in actuality make their life better. It should build off or contrast their want in some way. (Ex. Ash needs to let go of her quest for vengeance in order to protect the people she loves and let them protect her in turn.)
3. At what point does your character realize that what they need isn’t what they want, and what drives this understanding?
This should happen near the end of the story, usually at the beginning of the climax.
Bonus: If your character doesn’t chose to go after what they need instead of what they want during the above realization, at what point do they make this choice, and what drives it?
RELATIONSHIPS
(Note this can apply to both romantic and platonic relationships!)
1. What external influences are keeping these characters apart?
These are things within the world, likely out of their control, such as war or social expectations or conflicting goals or a looming knowledge they’ll be separated.
2. What internal beliefs are keeping these characters apart?
This is generally old baggage that comes from a feeling, such as fear of being betrayed or not feeling good enough, but it can also be something that arises as time goes on, such as the fear that being honest about their changing beliefs will cause a rift.
3. What does the character have to lose if the relationship falls apart or doesn’t mature?
This can be anything from not having someone there to share their dreams with to not having the skills the other personal provides their sleuthing partnership.
4. What does the character gain if everything works out and these two people are happy together?
Pretty much the same as question three except, you know, opposite.
PERSONALITY
1. If your character is placed in a bare room with a single closed door and told to pick one of these items, which do they chose: a knife, a shield, or a bandage.
Bonus: Why did they pick that item?
2. If you had to portray this character through one action (not a personality trait or a descriptor but an action) what would they be doing?
This could be a hobby, or nervous habit, a presentation of emotion, etc, but it has to show who the character is.
One person asked me today to made a tutorial about drawing hands and I quickly made this thing. I know very-very little about anatomy, there can be mistakes so forgive me x))).I think you can't learn those things from tutorial but you can feel it while practicing drawing hands
And a simple tutorial about shadows. It's not like you have to do it like this, do it as you like)))
Big thank you to our guest star, Sasuke Uchiha x)))
Aaand a little hair in motion tutorial =^__^=
hello! can i ask for a tutorail in hands/arms and legs/feet?
Hey! Sorry for the late reply, I haven’t really had time to do the tutorial for you! But, I did one today. It’s kinda messy and not 100% anatomically perfect (I do several flaws myself) but I think I made some good points!
Arms:
Arms cannot be done without shoulders, so that’s why I will include them here. To know how one body part works, you need to understand the other parts too. I suggest drawing a stick figure, as shown above. Do it with shoulders and everything - don’t care about anatomy. Really, don’t - go mad! You can figure out how to deal with the anatomy AFTER you have figured how to draw the body freely.
I imagine most body parts to be shaped as tear drops, as shown above; especially the arms and legs. Draw them above the stick figure - don’t be afraid to overlap the teardrops. In fact, I suggest it! The best way to understand anatomy is to think of it as shapes and doll-parts.
After you’ve figured that out, do several, VERY tiny, small doodles like these. Go crazy - don’t bother with anatomy just yet. Do them also very quickly and so small you can’t think of the details. Just keep doing this until you sorta understand how arms work.
Here is a doodle of a “real” arm, and as you can see, how it’s shaped it resembles the teardrops above. A general rule is to constantly draw the body in curves - male AND female. NEVER draw a single line straight.
I mentioned before I thought it was important to include shoulders/other body parts to understand another. This is why. The body basically has a “flow” when you move. The red lines clearly shows the flow. This is also how you can create a dynamic pose: think of the flow. The muscles are formed that way to be able to function. Which reminds me, buy some good anatomy books. And I’m talking about more or less MEDICAL anatomy books - you think you won’t need it - but trust me, it’s more useful than you can imagine. I do NOT suggest buying “stylistic” anatomy books, like Christopher Hart (ugh NO), for example, as these can mislead you. Medical anatomy books CANNOT because they MUST be right.
And for the last part, here’s some “do’s” and “don’ts”. It’s important to remember the muscles between the neck and shoulders. Many, especially when drawing females, forget this. It’s true the most visible it is - the more muscular you will look. But even the most petite people have these. Your neck literally would not function if you didn’t have these supporters. Then, the arms below is just to show why it’s important to draw the body with curves. Many have probably heard “straight lines for males” which is a complete lie. They will look stiff and unnatural. Curves can both empathize muscles AND fat. Heck, even your bones aren’t straight.
Legs:
Legs certainly are the hardest. There’s a good reason for this; because they’re one of our most strongest muscles, and they are more or less dominating when it comes to poses (together with the spine). However, just like with the arms, draw a stick figure. I won’t suggest drawing them completely straight, as you can see here, as it will add weight. Do teardrops shapes. As for the hips - think of them as panties or briefs. This is not a MUST; but it will help; I think!
And just like the arms, do small doodles. Don’t be serious, play around until you get the idea.
As you can see, these legs easily can be turned into teardrops even when they’re detailed like this.
Now, what makes legs/hips interesting is that the way fat gathers there. Although not a must, seeing as we’re all different, females tend to get more fat there than men. Usually, however, it’s not at the SIDE of the hips, but at the thighs, calves and the “love handles”. (Excuse my english, aaah…) Women also tend to have bigger hips, but again, it’s not a must. It’s not uncommon to have small hips, either; or big hips for men, etc.
Of course, the legs too follow the “flow”!
Something worth noting is the “Standing point” The standing point is basically a straight line, and the further away you are from the line; the more unbalanced you are. To create a dynamic pose you should avoid that line as much as possible. However, if you want to look balanced/realistic, have the one leg stand there for support. The leg to the left is balanced, as you can see one of the legs is taking all the weight; with other words, it’s the support leg-making it balanced. The legs to the right, however, are likely to fall over if she keeps standing like that! edit: <- that explanation was horrible. Hope you still get it.
Now for some more do’s and don’ts. I already mentioned the barbie legs, invisible heels and micro-mini crotch in my previous tutorial, but these two are different. I see this mistake a lot; when you sit down, your thighs will become wider because you’re pressing all the fat to the sides. Now, this also depends on how you’re positioning your legs. How much it widens depends on how much fat you have in the first place; but it will always be there.
And then there’s this awkward “thigh gap”. Before I get any haters telling me how I “thin shame”, please, take a seat and read this. Good? Good. How much space you actually have between your thighs depends fully on how you’re standing, bending, angle, body type and everything else. However, the one to the left? Not likely.
Hands:
- Okay, I’m getting really lazy now; so I’ll be quick. Draw a rectangle. Sorta like this; it doesn’t have to be exactly like this - since hands can be shaped VERY differently. Just compare to your friends.
- Draw a little triangle attached to it.
- Now, the fingers! How long they should be and etc doesn’t really matter either. But if you’re unsure, draw them as tear drops, too.
- Now, flesh out the fingers! Starting to look like a hand, sort of.
- Then draw the details and fix things you didn’t like. I really don’t like the way this is drawn but I’m just tired right now.
Just like the legs/arms, practice by doing that simple figure really quickly.
Feet:
Okay, I’m getting really lazy. Plus, feet are SUPER HARD- I’m just going to say this: think of them as triangles. Overlap them; think of it as 3D!
Practice practice practice! And medical anatomy books. And photo references. And real-life references!
Hope this helped! \o/ As I said, I’m nowhere near perfect but, ahh, I tried.
Edit: Good damn did I make many typos
HEY ARTISTS!
Do you design a lot of characters living in not-modern eras and you’re tired of combing through google for the perfect outfit references? Well I got good news for you kiddo, this website has you covered! Originally @modmad made a post about it, but her link stopped working and I managed to fix it, so here’s a new post. Basically, this is a costume rental website for plays and stage shows and what not, they have outfits for several different decades from medieval to the 1980s. LOOK AT THIS SELECTION:
OPEN ANY CATEGORY AND OH LORDY–
There’s a lot of really specific stuff in here, I design a lot of 1930s characters for my ask blog and with more chapters on the way for the game it belongs to I’m gonna be designing more, and this website is going to be an invaluable reference. I hope this can be useful to my other fellow artists as well! :)
Water Umbrella | Katara | Book 1: Water and Book 3: Fire