SPLANCHNOPHILIA

Ohne Obszönität wären unsere Städte farblos und das Leben trostlos.

[apocalypse-polakiewicz]

Liam Wong via Cybermax

[unflavoredwaxedfloss20]

[997]

Lunatic Lovers

Suehiro Maruo

1997

[vjeranski]

Qiu Zhijie  邱志杰 Tattoo 2000 color coupler print, 55 × 45 ¾ in. (140 × 116 cm), acquired in 2011

[hartleshkina]

[whiterosecampus]

Skin of Roses 団鬼六　薔薇の肉体 (1978)

[cafesentai]

[flutedsleeves]

[shihlun]

Edward Yang, A Brighter Summer Day, 1991.

[dallanube]

Eros Plus Massacre, Yoshishige Yoshida

[koreanmodel]

Hee Soo by Park Yong Bin

[last-picture-show]

Jean Mohr, Flood, Bangladesh, 1972

[damienjelaine]

‘The Girl from Karukera’ - Guadeloupe, 2016. From the NO BLACK’S LAND photo/film project. ©Damien Jélaine

[tera-mi]

ありがとうございます私の良い友達🍸🍸

BY：寺笑📝

[suiasa-deactivated20180330]

‘‘I’m a 100-yen kind of woman.’’

[shihlun]

Patrick Zachmann, On the film set of Liao Zhongkai (廖仲愷) directed by Tang Xiao Dan (湯曉丹), Shanghai 1982.

[timotaychalamet]

“Feelings can creep up just like that. I thought I was in control.”

In The Mood For Love (2000) dir. Wong Kar Wai