When you're with us you don't have to be quiet

Sus, 40s, London-based, Australian-born. BtVS, 18th Century anything, OTT 90's action movies, costume dramas, Veronica Mars, The Police, The X-Files, Joan Jett, selected films of Ridley Scott, bluegrass, hot tea, cold lemonade, Shakespeare, Jane Austen, Philip Pullman, Patrick O'Brian, the teen movie oeuvre from any decade, the first 2 Terminators, ditto Alien(s), Viggo Mortensen, Indiana Jones and Dorothy L. Sayers. [disclaimer: not the HV who writes fic on AO3 or FF. Same handle, different animal]

[sottopressione1]

Emanuele Cavalli - Il solitario (1936)

[lobbycards]

The Abyss, French lobby card. 1989

[thenutbusters]

Visit Original Link

I’m getting wise and I’m feeling so bohemian like you It’s you that I want, so please Just a casual, casual easy thing Is it? it is for me

[themakeupbrush]

Cate Blanchett at the 2026 Cannes Film Festival

[calleido]

horwoodphoto

[thingsfromthedirt]

dress by Bill Gibb (1970). Photographed by Barry Lategan, the year Gibb was named Designer of the Year by British Vogue

[elementarymydearworld]

[tatooineknights]

Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.

While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.

On some of the uncredited dialogue and story revisions for Star Wars:

On some of her work in Star Wars:

On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:

On her uncredited work in The Empire Strikes Back:

On how her input changed the ending of Raiders of the Lost Ark:

On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:

On editing the climactic ending in the Throne Room in ROTJ:

[dailyflicks]

CONNIE NIELSEN as LUCILLA Gladiator (2000) dir. Ridley Scott

[lackadaisycal-art]

Hand-made hot water bottle cover of my favourite book, because sometimes you need something tactile to work on

[fairweathermyth]

BULL DURHAM dir. Ron Shelton, 1988

[sophsun1]

The X-Files – 3.08: Oubliette

[ducissatenebrarum]

Memento Mori silver ring, English, 1700s

[audreyhepburninblackandwhite]

Audrey Hepburn and Irish actor Peter O’Toole on the set of How to Steal a Million Photography by Terry O'Neill 1966

[collectorspose]

1992 stampin' school polly pocket

[orpheuslookedback1]

hey so what were the Gargoyles writers cooking when they dropped this line in one of the first episodes of a kids show

[kafkasapartment]

La salle à manger du peintre à Porquerolles, 1939. Albert Marquet. Oil on canvas.