Rodio. 30. They/them. NJ. This page has essentially become potpourri. Some day I wll make the theme just applicable to anything (lmao probably not). Here are some things that will probably come across this blog: Hockey rarely, I’m sorry if you originally followed me for that reason (Flyers rarely these days). Marianas Trench (go check out those turds). My Chemical Romance (for those random emo moods). TV (mostly Steven Universe, Gravity Falls, Sense8, Lost, Bojack Horseman, some It’s Always Sunny, Bob’s Burgers, Brooklyn 99, Good Omens). Video games (Life is Strange, BioShock, horror genre, Arkham series). Anything else that passes my fancy, which includes Batman, Monty Python, Harry Potter, Rocky Horror, films in general, funny videos, relevant political issues, some relevant life updates, etc.
Okay, this is 1600 words of (positive!) meta regarding the OFMD finale. Included is character analysis and a treatise on why a certain trope people keep throwing around does not apply here.
This is of course just my take, and I'm sure people will disagree, but I needed to get this out. Apologies if it comes off disjointed, I've had like no sleep.
Spoilers within, obviously. You have been warned. Heed the tags. I didn't tag any characters because I consider it a spoiler, but you know who this is about.
Listen. Listen.
Let me start off by saying I have been where you are. I’ve had beloved characters die, either because it was important to the narrative or for shock value. I’ve been there, so I’m not coming at this without empathy. I’m not an Izzy hater. I loved him as a character. I’m truly sad to see him go.
But from what I’m seeing around Twitter and tumblr, some of you do not understand the role of an antagonist in a story.
Izzy was always meant to die. The moment he said, in the first season, “the only retirement we get is death,” I knew he was meant to die in the end. The foreshadowing ran through both seasons. Izzy was the true antagonist of S1. He was there to keep Blackbeard tethered when he started pulling away, and yet he also set the plot in motion. He inadvertently introduced Blackbeard to the person who let him be just Ed. He put Ed on his own path to redemption without even knowing it.
S1 ended with Izzy getting what he wanted as Ed lost everything he had. S2 was about Izzy coming to terms with the fact that he’d gone too far, he’d turned Ed into a monster. It wasn’t what he wanted. He wanted Blackbeard back, just like old times. Instead, he got the Kraken, and it was more than he bargained for.
Especially after it cost him his leg and he realized how far gone Ed really was. The conversation that ended with Izzy’s half-assed suicide attempt was the final blow to Izzy—Ed really didn’t seem to care anymore. Where Izzy wanted him to stop giving a shit about his silly boyfriend, he instead got a Blackbeard who didn’t care about anything, and he was apparently now included in that category.
(I said half-assed suicide attempt because Izzy wasn’t meant to die then, THAT would have been an empty, pointless death. It wouldn’t have taught Ed anything—in fact, all it did was make him more self-destructive, which was Izzy’s purpose to the narrative, but not his endgame. That Ed thought Izzy killed himself pushed Ed to the brink. Ed wanted to die and take every scrap of Blackbeard with him. Had Izzy successfully killed himself, Ed and the Revenge would be at the bottom of the ocean.
It wasn’t until the crew left Izzy the unicorn leg that he realized the power of compassion, the incredible act of grace from a crew that suffered so much from Izzy’s own machinations and didn't need to forgive him. It moved him to tears, and it moved him to accept that maybe it wasn’t such a bad idea to let people in, to let himself be cared for. It was a foreign concept and something Izzy likely hadn’t experienced since losing his family (I fully expect a shit ton of fanfic of Izzy’s life before piracy).
Israel Hands found the capacity to let love all the way in and by god, did he pursue it.
But, again, Izzy was always meant to die, and I’m glad they stuck to the narrative they set out with instead of placating fandom and letting our influence dictate how they told this story That’s never good, trust me. Fandom should not influence a creator’s decisions regarding their own characters. It rarely if ever ends well.
[Stares in Voltron S8]
And I see a lot of people out here throwing the “bury your gays” phrase around—I beg you, please look up the definition of the trope. Izzy didn’t die because he was queer, he didn’t die because of his disability. He wasn’t one half of the only queer couple in the show fridged for shock value. He wasn’t killed off due to pressure from conservative viewers. He wasn’t the only queer, disabled character.
They didn’t kill off Lucius, or Jackie, or Wee John. Would you be as outraged if it was any of them?
Killing Eve is bury your gays. Supernatural is bury your gays. Pretty much any film, book, TV show, whatever, where a queer character dies because they’re queer, of AIDs, to further the narrative for a straight person, etc—that is burying your gays.
Izzy’s death was none of those things. Izzy’s death had meaning.
Izzy’s death freed Ed from the Blackbeard persona. It finally forced Izzy to say the things he couldn’t say until he realized it was his last chance. Izzy was also tired. I honestly think he stuck it out for Ed’s sake, because he was afraid to let Blackbeard go without making sure Ed would be ok.
He loved the idea of Blackbeard, but over time, he learned to love Ed. He finally understood what Ed tried to tell him the whole time.
“Fuck off, you twat. You’re surrounded by family.”
You’re safe. You’re loved. You don’t need me anymore. You don’t need to be reminded of who you’re capable of being, you need the people who will guide you to who you will become, and I’m not one of them.
I know a lot of Izzy fans are stung by his death, some of you are deeply upset. I get that. Like I said, I’ve been there. Sirius’s death made me throw that fucking book across the room. That Fucking Woman™ killed off my entire OTP, purely for shock value and, imho, a direct response to shippers. Trust me, I have felt betrayed by a creator for their decisions.
But I need you to understand that no, this was not a personal attack, this was not malicious, this was not “bury your gays." A show that celebrates queerness and diversity is not suddenly homophobic and ableist because your favorite character died and happened to be both of those things. But when the majority of your cast of characters is different in some way, and they’re in a show about 18th century pirates, you have to accept that one of them could, in fact, die. “Anyone Can Die” is also a trope and the more accurate one to describe E8.
If only being queer and disabled made you invincible.
Spoiler alert: it doesn’t.
And no, I’m not an Izzy hater. I loved him, I loved him as an antagonist, and I loved his redemption arc. He was fascinating and Con put his whole O’Nussy into that part. I’m sorry to see him go, but as a mystery writer who often has to kill off beloved characters, I understand that he served the purpose he had from the beginning.
I swear, if some of you had your way, there’d be no conflict at all in any form of media. This what a steady diet of nothing but fanfic gets you. This is not a fluffy one-shot with magical healing dick and a happy ending where everyone sails off into the sunset. If that’s what you wanted, what you headcanoned, you did this to yourself. It’s not David et al’s fault that we took that character and babygirled him. That’s the risk we take when we decide to love a specific character, when we take a genuinely terrible person (in S1) and woobify him.
So, please stop harassing and attacking David, Alex, et al. David did not and should not change his story to placate us. The fact he went ahead with it despite the backlash I’m sure he expected makes me respect him as a creator even more.
Anyway, I’m going to revel that we have three (!) queer relationships with happy endings where one or both didn’t immediately die (again, the actual definition of “bury your gays”) and that we got at least two seasons of a little show that celebrated individualism, diversity, queerness, compassion, and love.
This one is a special, special moment that had me flailing with delight when it happened because not one, not two, but four of the previous motifs overlap in this scene, weaving together.
1) Air on the G String - This first showed up in episode 1x02, when the village elder said that Olu was in love. It's used as an unrequited love theme, where the love is real and there, but there's an uncertainty about whether it's reciprocated. It returns in 2x01, when Stede is writing his letters, so bringing it back here is tying those scenes together.
2) Voi Che Sapete (Kraken Theme) - Very, very briefly, we get a chord of the kraken motif when Ed knifes the man and snatches the letter from him. So brief, in fact, that it becomes part of the next piece.
3) Gnossienne No. 5 - Only this time Gnossienne No. 5 comes in with a strong upswing in energy and a full supporting orchestration, instead of the gentler version that has been used throughout the show in different incarnations. This is them both in tune with one another and the music is reflecting it.
4) Humble Wanderers - And last of all, after being emotionally overwhelmed, realising he has work to do, the return of the iconic Blackbeard theme with a strong cello/bass line.
This is the first time in the show that all three of Ed's main themes are interweaving together, overlapping, and part of the whole. They're no longer disparate parts of him. He is them and they are all him.
