Apollo and Daphne Piero del Pollaiolo
will byers stan first human second

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cherry valley forever

oozey mess
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Andulka
Mike Driver
trying on a metaphor

Kaledo Art

❣ Chile in a Photography ❣
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Misplaced Lens Cap

Love Begins
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Acquired Stardust
Today's Document
Cosmic Funnies
Sweet Seals For You, Always
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Apollo and Daphne Piero del Pollaiolo
Death of the Virgin (ca.1435–1491) Martin Schongauer
Circle of Peter Paul Rubens
The Mourning Mary Magdalene, c.1500 by Colijn de Coter (Flemish, c.1450/5– ca. 1539/40)
Bathsheba at her Bath (detail) Artemisia Gentileschi
Leaf from Petrarch, Africa, Book IX Lombardy, ca. 1400 The Free Library of Philadelphia, Lewis E M 48:4
"All hail, Macbeth, thou shalt be king hereafter!"
MACBETH 2015 | dir. Justin Kurzel
Maps to the Stars
Agrippina and Nero
Secrets of the Dead: The Nero Files
Circle of Robert Peake
James Purefoy roles ( 4/? ) – Thomas Marshall, Ironclad
“I fight so you don’t have to.”
Book of Hours, Use of Paris (Susanna Hours) Paris, ca. 1505–20; illuminator: workshop of the Master of Petrarch’s Triumphs Philadelphia Museum of Art, 1945-65-9 The iconographic cycle in this unique French Book of Hours features the story of Susanna and the Elders, adapted from chapter 13 of the apocryphal Book of Daniel. Each of the miniatures is accompanied by a set of five rhyming AABBA verses in French, consisting of unique paraphrased translations of the biblical text. The style of the illuminations is close to that of the so-called Master of Petrarch’s Triumphs (act. ca. 1499–ca. 1514)
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse (tapestry detail, 1500s) The Met
Beschreibung der historischen und allegorischen Personen der acht Inventionen zum Ringelrennen in den Aufzügen gehalten 1596 anläßlich der Taufe der Prinzessin Elisabeth von Hessen
Initial ‘S’ - Chansonnier de Zeghere van Male. Cambrai, Bibl. mun., ms. 0126, B f. 014 - vue 2
Saint Michael and the Dragon; Unknown; early 16th century
Diego Rodríguez de Silva y Velázquez (partially removed varnish coating)
The Metropolitan Museum of Art