Death Bed: The Bed That Eats (1977) dir. George Barry
DEAR READER

No title available
No title available

pixel skylines
he wasn't even looking at me and he found me

Kaledo Art
AnasAbdin

ellievsbear
RMH
🪼
Xuebing Du

JVL
noise dept.
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi

@theartofmadeline
NASA

#extradirty

shark vs the universe

seen from Russia

seen from Australia
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United Kingdom
seen from United States

seen from Denmark

seen from Brazil

seen from United States
seen from Netherlands
seen from United States

seen from Saudi Arabia
seen from Singapore
seen from United States
seen from Kyrgyzstan

seen from United States
@haveyoufoundhoney
Death Bed: The Bed That Eats (1977) dir. George Barry
Found Photos in Detroit
“One more thing: Except for a single group portrait, every photographed person in Found Photos In Detroit is African American. Young and old, male and female, staring, glaring, entreating. The message is clear: It is Black culture, their houses, their rule of law, their very selves that have been abandoned. Like homeless ghosts, the social reality of these photographs haunts Detroit and America, signifying a despair so deep that abandonment is the only method left to represent their loss.”
Max Brückner, from his book Vielecke und Vielfläche, 1900. Leipzig, Germany
Peter Stamberg
Jack Tworkov
Idling 1969
Martha Tuttle like the sky before a tornado - strange, silent, foretelling 2022 Wool, silk, linen, pigment, dye 48 x 72 in.
“Keffieh,” by Mona Hatoum, (1993-99), human hair on cotton
Aline Motta, Pontes sobre Abismos #6, 2017
John Lee Hooker, Detroit, 1959
Though we do not wholly believe it yet, the interior life is a real life, and the intangible dreams of people have a tangible effect on the world.
James Baldwin
Girl photographed by Hugh Magnum c. 1909
Magnum’s photographs are notable for their informality, which was unusual for the period. I just adore the series of this girl, she’s such a beauty.
Hans Richter, Ghosts Before Breakfast, 1928
my gifs
Nyaueth Riam for the Face Magazine