Holy shit this post is so grossly inaccurate it disgust me.
Somebody doesn’t understand their terms. At all. Eww.
First of all Boys’ Love and Mens’ Love are both always two words, not one. Second of all “Boys’ Love” is the umbrella term that people in the west use to encompass Yaoi/Bara/Shonen-ai. Mens’ Love is called Bara if we’re talking about genres. If you’re speaking to a western audience, which you are, and you’re trying to tell somebody something M// isn’t Boys’ Love you’re not going to get anywhere because they don’t have solid definitions, they way they should. If you’re going to try to classify them as different genres use their actual genres. It’s like calling one genre of movies “the makes you laugh really hard all the time genre” and another “the makes you scream really loud all the time genre” we have genres like “comedy” and “horror” for a reason.
DRAMAtical Murder and No, Thank You!!! = Boys’ Love in accordance to western use. Which is why we’re going to use their actual terms.
DRAMAtical Murder = Yaoi.
No, Thank You!!! = Yaoi with Bara elements.
Not Mens’ Love. Not at all. In fact labeling No, Thank You!!! as a bara and not including yaoi in its classification is probably an insult to the genre as a whole--even though the game gives good bara elements to its readers.
To start, let’s explore why NTY!!! was translated. About a year or so ago there was this really popular fan translated game, called DRAMAtical Murder. A lot of Tumblr users got really hyped about it. Around that same time MangaGamer noticed a couple of females requesting different titles for Otome/Yaoi games in their request thread, and they decided to give those topics their own thread. At this point places like the DMMd tag filled up with people sending links to the thread asking everyone to request BL titles they enjoyed. I will point out that Nitro+CHiRALs games were requested quite frequently (even though JAST USA has the rights to those). MangaGamer took all of the new women who were using their forums, and looked through their suggested title to find a M// title to translate. They chose No, Thank You!!!
Licensing this title was in direct response to the influx of female opinions on their boards and the purpose of translating a “Boys’ Love” title was to expand their audience to include more female oriented games.
NTY!!! was translated specifically for women. The target audience in this translation was for women. Yaoi’s target audience is for women.
WIth that in mind they picked a title with Bara elements to try to keep from alienating their male audience. It was an attempt to create a bigger market for this specific game.
But what makes a Yaoi and what makes a Bara? We could start by saying the first is targeted towards women, and the later is targeted towards men--but that’s not really it. There’s a lot more to it than that.
Yaoi stereotypically portrays the seme as masculine and the uke as feminine. To start off Hiroyuki and Ryu are pretty stereotypical ‘uke’ looking characters. Thin frames (Haru has more muscle than both of them), Hiroshi pulls the whole blushing virgin and “but my virginity is scared” card on you, Ryu has absolutely no body hair and he’s described as a motherly kind of person. Maki is also feminized more than he would have been if NTY!!! was in fact a Bara. To balance out those huge muscles he’s called Maki-chan by Haru. Chan to feminize him. He has a love for cute animals, and he likes to cook a lot. The game creates a physically masculine guy and then the game feminizes him up between action scenes. Pops is probably the least feminized of the bunch.
You could consider 2/4 of the love interests to be “bara-esque” characters. 1/5/4 if you recognize Maki’s feminization placed in to contrast his manly looks.
Bara is less likely to build up and start to flesh out the characters before the sex occurs, but in half of the routes (Ryu and Hiroyuki’s) you find that you know the character and how they will react to situations before sex comes into play.
Bara doesn’t try to create heteronormative roles the same way that Yaoi does. Yet somehow Maki, Ryu, and Hiroyuki cook for Haru and he talks to them about motherly food. Hiroyuki criticizes another mother’s skills in her mothering, Ryu mothers an orphan and has mothered Hiroyuki in the past, Maki is just well Maki. Kouichi is called Pops and then everyone else’s parental role is maternal.
If we ignored most of the characters “softer” sides we could look at the actual themes.
Bara is targeted towards adult (normally in their 30s or so) gay men and Yaoi is target towards young (teens to early 20s) women. As such Bara tends to envision more real-world kind of topics, it tries to ground the genre and doesn’t often stray into fantastical situations with an exception of BDSM Bara (which is based off of and also often created by BDSM Yaoi artists). It’s normally either sex based or based on portraying an actual gay man’s life.
Man I wish I was an everyday gay man in Japan. I get to deal with the Yakuza and work in a bar/detective agency and man they have such interesting day to day lives.
No really it’s not sex based it’s not portraying an everyday man.
It also doesn’t follow the denotating themes where normally age, status, power, wealth etc is used to establish a pecking order and the higher up man uses the people below him to satisfy his sexual desires. I’m pretty sure Mak-chan is his boss. Pretty sure that Pop’s is also his boss. Haru is the youngest one there. he lacks status, age, power, wealth and yet he is using them for sex, not the other way around. Sometimes in Bara the younger tops chase the older men, but the younger man is wealthier and higher up on the totem pole than the older man.
Now why would you compare DRAMAtical Murder to No Than You!!! specifically?
The answer is simple. On top of tumblr’s DMMd tag being a big advocate of MangaGamer’s search for a yaoi title, the two pieces have a lot in common.
Actually at the end of the day they’re both stories about parentless boys with repressed memory issues in a world with rather useless police who have their parental figure kidnapped and have to go save them. They then both take a more serious turn focusing on drugs and an oppressive force in the area where both heros--who at this point are only talking to 1 of the 4 potential love interests from the exposition-- and their love interest try to take down the big guy. At the end of the story you get stuck with some ending that doesn’t feel happy at all and then they tack on a bit that makes for a hopeful future for the couple you’ve created. Both games are action packed and a bit bloody. They both have a good amount of sex, well developed characters, and are stories of gay men which aren’t often translated into English. They aren’t the same story but they definitely have enough in common to justify comparisons.