Betty, 2022. #4x5

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Betty, 2022. #4x5
New work that developed during my last residency.
I still remember well when I first read about Akcja Wisła, which is a broad term used to summarise the forced resettlement of hundred of thousands Ukrainians to formerly German territories from the south-east to the west of Poland following World War II — organised by Polish authorities at the time and the Soviet Union. It being another incredibly sad and yet so distinctly European part of the history surrounding us, I always wondered, for different reasons however, why so few people know about it today. Although massacres of Poles aren’t a rare thing to find in history books, clashes between Poles and Ukrainians aren’t either, seldom do you ever come across a state organised ethnic cleansing happening in Europe that isn’t spoken about.
This photograph I made early last year, close to a town by the name of Gładyszów (Ґлaдишiв). A place that has been known to have seen tremendous amounts of fights between communist and partisan troops throughout the years. When I look at this photograph today I don’t find myself ruminating however, grieving over the fact of yet another European tribe slaughtering another and the other way around. I find that it actually brings me comfort knowing that against all odds we might just be able to draw conclusions from history — with Poland and Ukraine maybe standing together stronger than ever against the Russian invasion.
Allvater, 2022. From Unternächte. My grandpa's hands. Website | Instagram
Self-portrait after service. Some Sunday weeks ago, Bavaria.
Can’t believe it, but my photograph 'Betty, am Herzen' has been selected by the @lensculture jury for this years installment of the Black & White Photography Awards as an editors pick! Thank you so much, @magnumphotos @stanleybarkerbooks @nowahalamag @gittermangallery @ima_online and @lensculture!
#lensculturediscoveries
Thomas, last week, Bavaria.
Leon Bridges for The New Yorker by Bryan Schutmaat
03.09.2022
Zubrzyca Górna, 2021.
Going through the archive from Ukraine this year, Lviv and Kulchytsi.
Josef Sudek - Untitled (forest), 1948
Very much looking forward to this and today’s vernissage. Incredibly thankful for the opportunity to curate a show I partake in as well. That’s a first for me — representing artists from Ukraine and the US is equally so. On a side note: Very pleased with how the screen printed posters came out. Cannot remember the last time when I have been so satisfied with the outcome of a poster I made.
Tree study. Rostock, 2021.
Field notes. Nowy Sącz, 2022. #4x5
Harpswell, Maine // 2022
Propane Tank, Photo by Jim Rohan