Today I made a size chart instead of being productive :) :) :)
Did you guys know elves in d&d are… only smol?? I’ve been getting that wrong
contact me about d&d commissions :)
TVSTRANGERTHINGS
Sweet Seals For You, Always

❣ Chile in a Photography ❣
Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH
No title available
will byers stan first human second
Cosmic Funnies
Monterey Bay Aquarium

shark vs the universe

祝日 / Permanent Vacation

Andulka
🪼
RMH
YOU ARE THE REASON
Stranger Things
Today's Document
DEAR READER

Origami Around
hello vonnie

seen from United Kingdom
seen from China

seen from United States

seen from United Kingdom

seen from Malaysia
seen from Spain
seen from United Kingdom

seen from Russia
seen from United States

seen from United Kingdom
seen from United Kingdom

seen from United States

seen from United Kingdom

seen from France
seen from Singapore

seen from United Kingdom
seen from South Korea
seen from Canada
seen from Indonesia
seen from United States
@hellgopn555
Today I made a size chart instead of being productive :) :) :)
Did you guys know elves in d&d are… only smol?? I’ve been getting that wrong
contact me about d&d commissions :)
Paolo Veronese - The Dream of Saint Helena (1570)
Paolo Veronese c.1580-1583
Lucretia
Paolo Veronese, Giuditta con la testa di Olferne
Particolare
Nude Portraits series by photographer Trevor Christensen
This is my new favorite thing
I will never not enjoy the hell out of these.
This is definitely on my bucket list.
Jules-Cyrille Cavé
French, 1859-1949
Splish, Julia Ballenger
sigh
Heather Penn - http://happydorid.tumblr.com - https://twitter.com/heatpenn - https://www.kickstarter.com/projects/607081461/tea-spirits-2015-calendar - https://www.inprnt.com/gallery/happydorid - https://dribbble.com/fastbee - https://www.instagram.com/heatpenn
His names Blinky because he cant blink.
Agnes Goodsir - Girl with Cigarette - 1925
Note:
The portrait shows her lover, Rachel Dunn (aka Cherry).
Ms Paint White Diamond!
My Level 11 Rogue Investigator Mastermind mix Human with a rapier, still unfinished.
art has been hard lately but i made this banana today and its probably the height of my ability and i am ready now
UPDATE…………………… smaller
talented banana man
you fools…..while you studied the blade………..I studied banana
The beautiful and amazing artist Afarin Sajedi at SCOPE New York art show, together with her brand new collection “Illusion”.
Afarin Sajedi was born in 1979 in Shiraz, Iran. She went to Teheran to study at the Azad University, where she got her degree in Art and Graphic Design. Sajedi’s creativity, technique and powerful trait ensured her a prominent position in the world of Iranian art. She has several motifs she enjoys portraying; however, whether she is depicting following her Japanese inspiration, her clowns, or her theatrical characters, she mostly portrays women. Afarin Sajedi’s stunning paintings are characterized by a central figure on a plainly coloured background, which is often cut by living elements and objects that cross a mystic scenario. In her brand new series, exhibited exclusively at Scope New York for the first time, Sajedi deals with the theme of illusions – which also stands as the title of the collection – and of water. Just like in her previous works, the women painted with acrylic brushes on huge size canvases seem to be submerged in a deep sea of quietness and comfortable silence.
However, while in her past production women’s enigmatic faces came out of the darkness to describe the feelings of pain, now the figures are dressed with accessories that remind of Futurism. Once more, some key elements are repeated in all of the four canvases, through which the feminine figure undergoes a detailed study from different point of views. It begins with a profile view, in which a fish, used as a surreal headgear, stands out; it goes on with the first frontal view, in which the woman looks down, eyes closed, meditating beneath the headgear that acts as an insulator. This element keeps the women detached from the external world, so that she can dedicate all her attention to the fish only, which now lies just beneath her chin. In the second frontal view the figure is looking at the viewer, staring at him/her with her shiny gaze, almost looking for someone with whom to communicate. The fish has disappeared from the scene – only some spurts remain. Finally, a photographically-cut cut composition shows the same woman in an asymmetrical position, covered by a headgear that has now overcome and overloaded her. Her eyes are now covered by curious glasses, which seem to cease her longing for communication.
More info at [email protected]