“London eyes”
The Stonewall Inn
🪼
EXPECTATIONS
Not today Justin

blake kathryn

#extradirty
TVSTRANGERTHINGS
RMH
"I'm Dorothy Gale from Kansas"
Misplaced Lens Cap
sheepfilms
No title available
Noah Kahan
Sade Olutola

if i look back, i am lost

ellievsbear

Andulka
occasionally subtle
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH
seen from Türkiye
seen from Spain
seen from United States
seen from United States
seen from South Africa
seen from United States

seen from Croatia
seen from United States
seen from Poland
seen from United States

seen from T1

seen from United States

seen from Malaysia

seen from Germany

seen from Finland
seen from Bangladesh
seen from United States
seen from United States
seen from United States
seen from United States
@hello--june
“London eyes”
Gerhard Richter
B. 1932, Deutschland
ABSTRAKTES BILD, 1988
Oil on canvas 28 3/8 x 40 1/8 in. | 72.1 x 101.9 cm.
by nohyoonzae
[11SEP18] D5; test02. (found footage from archive.org, laser prints, acrylics, gimp)
{website ⁂ instagram ⁂ youtube ⁂ shop ⁂ twitter}
loop
‘Conversation between the Moon and a Star’ by Paul Rumsey
This tiny octopus, whose body measured about five centimeters across, was spotted swimming along at a depth of 825 meters as we explored Whiting Seamount, off Puerto Rico.
its little floPPY EARS
Mommy!
Lindsay Obermeyer
Hand Knit mohair, 15" x 15" body with 96" sleeves, photo credit: Sara P Convery
Maybe in the next life. Or the next.
Otani Workshop
Yulong River, Yangshuo, China by mlisowsk
Panel of raised embroidery made of silk, metal wire, metal strips, coral beads, 17th C. [France?] - maker unknown.
Collection of the Cooper Hewitt, Smithsonian Design Museum
this is the cutest kewpie doll i have ever seen in my life
Het Goldfinger House, een bruut staaltje architectuur in de bossen van Waccabuc, naar ontwerp uit 1970 van Myron Goldfinger.
new TV / Clinton Jpegs “sculpture” by Cory Arcangel @ Marianne Boesky
Irina Cumberland (b.1975) - Sea Diamonds 22. 2018. Oil on canvas.
Ana Mendieta - “Silueta” Series
The “Siluetas” comprise more than 200 earth-body works that saw the artist burn, carve, and mold her silhouette into the landscapes of Iowa and Mexico. The sculptures made tangible Mendieta’s belief of the earth as goddess, rooted in Afro-Cuban Santería and the indigenous Taíno practices of her homeland.
“It is a way of reclaiming my roots and becoming one with nature.”