RAYMOND PETTIBON NO TITLE (VALENTINES YOU YOU), 2005 - 2011 pen, ink,acrylic and collage on paper 17 x 17 inches
Three Goblin Art

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RAYMOND PETTIBON NO TITLE (VALENTINES YOU YOU), 2005 - 2011 pen, ink,acrylic and collage on paper 17 x 17 inches
PETER SAUL | FROM POP TO PUNK Paintings from the 60âs and 70âs
Opening Wednesday, February 25, 6-8 PM February 25 - April 18, 2015Â
Venus Over Manhattan 980 Madison Avenue, FL 3 New York, NY 10075Â
www.venusovermanhattan.com
Mariah Dekkenga Opening Sunday, February 15, 6-9 pm February 15 - March 22 Eli Ping Frances Perkins 55-59 Chrystie Street, Suite 202 New York, NY 10002
Danny McDonald Male Moments Maccarone 98 Morton Street Opening reception from 6-8pm on Tuesday, February 10
Alexis Dahan Alarm! February 5th â 22nd, 2014 Opening Sunday, February 8th, 12 to 2pm
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Two Rams 212 Bowery New York, NY 10012
"A revolutionary figure in Post-War American art, Ron Gorchov helped defy the New York School in the mid-1960s by pushing painting to its extreme." - Ugo Rondinone
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Brad Troemel On View: Selections from the Troemel Collection
Exhibition dates: February 21 - March 28, 2015
Reception for the Artist: Saturday, February 21, 6-8Â pm // Did you know Iâm an emerging art collector? I am! I collect many things, but art is unique. By paying for something we love, collectors ensure the future production of more things made in the image of our purchased work, propelling artistsâ careers through dynamic cycles of reflection, production, and exhibition. As the artist gains a higher profile the value of the work purchased escalates, validating the artist as well as us early adopters for having the insight to take a risk on the unforeseen talent others didnât immediately recognize. Through hard work, innovation, and entrepreneurism everyoneâs effort becomes jet fuel in the flight of culture. I present for the first time in a gallery not an exploration of my own creative pursuits, but a look inside the mind and archive of Brad Troemel: the collector.
These days when it comes to emerging art you have to know what youâre getting yourself in to. Letâs just say weâre not in Kansas anymore-or Soho for that matter! Think of me as a book smart âSamanthaâ and former world class folk style wrestler, but most of all think of me as an empathetic disruptor; Iâm an insider who knows some of the biggest changes in the industry actually come from within. Sure, weâve all heard of the âstarving artistâ and yes, weâve all heard of the emerging âart star,â but Iâm asking you to take a ride on the CTA. Not the Chicago Transit Authority-Iâm talking about celebrity-turned-artists, a developing arts economy I have invested in personally and hold as the centerpiece of this display hosted by Zach Feuer Gallery.
At this point youâre probably asking, âWhat are CTAs all about?â Thatâs where I come in: The celebrity-turned-artist is an individual who has entered art making after being famous in another career field and is attempting to make it big all over again. Frustrated with the stagnancy or corruption of their native industry, the celebrity turns to art for a shot at the type of unfettered self-expression their previous industry never allowed. Their work is what I call a âsuper good,â a commodity concept youâll be familiar with if you know about super foods. Most emerging art is like pasta-a food full of carbohydrates for immediate energy usage that can quickly metabolize into unwanted fat if the initial burst isnât properly put to use. Instead, celebrity-turned-artist work is like the superfood wild rice, which has been proven to protect against prostate cancer. Simultaneously an art object, a memorabilia item, and a hyper-intimate autograph, CTA works (and super goods as a whole) are a highly potent bundle of commodities nestled within themselves, able to be extracted individually or allowed to appreciate in value simultaneously as a diversified portfolio.
Whenever someone asks me I always tell them my motto is âIf I own it, itâs mine,â and thatâs the truth. An accurate understanding of property lends itself not to believing in indefinite protectorship but to the potential for alteration without consequence, you can only change what is truly yours. This is why so many of the pieces featured in On View: Selections from the Troemel Collection, have been displayed in intimate conversation with other selections from the Troemel collection, so as to excel beyond the ordinary and into the extraordinary as super goods themselves. Art is only the beginning. I hope to show the breadth of my work as an investor and collector of culture at large through this select display of cutting edge surveillance and personal defense technology; physical crypto currency, precious metals, and rare coins; rare collectibles and couture fashion. Through this liberty-drenched exploration of property, we all can gain a glimpse into understanding ownership as an oft unforeseen but powerful creative act in its own right.
Joshua Abelow, Running Man, 2014
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Ari Marcopoulosâ latest publication Impala published by the indie French publisher Red Lebanese derives itâs named from the undercover police cars spotted in and around Flatbush; his neighborhood in Brooklyn. Pictures of the ubiquitous stripped down cars are interspersed with local basketball games and street shots taken on Marcopoulosâ loop as he navigates the city.
Dashwood Books is proud to be the exclusive US and Japanese distributor of; IMPALA by Ari Marcopoulos published by Red Lebanese, 2014 distributed by Dashwood Books softcover/ first edition / 300 copies / 100 copies available in the US Price $35
To order a copy of IMPALA by Ari Marcopoulos
Flames on the Side of My Face
Judith Bernstein Sam Contis Tony Feher Daniel Ingroff
curated by David Gilbert
February 13 - March 15, 2015 Opening Reception: Friday, February 13, 6-8PM
@ Klaus von Nichtssagend
Barbara Kruger | Skarstedt London | Mon. 9 February, 6-8 pm
GBE + 356 MISSION RD ZONA MACO MEXICO CITY BOOTH ZMS1 FEBRUARY 4 - 8, 2015
In the fall of 1983, a new gallery Spiritual America opened at 5 Rivington Street to little fanfare. Their inauguration featured Richard Prince's now-iconic image of a young Brooke Shields. The third exhibition was a group show, Pop, including Jeff Koons, Louise Lawler and Cindy Sherman. In between these two projects, Peter Nadin hung a series of fruit paintings, Still Life, which half gallery is pleased to be re-presenting. The pictures from 1979-1983 vary wildly in their style (some impasto, some surrealist, some incorporating text) and follow an apostolic succession  in the secular sense  dating back to de Chirico, Picasso, Cézanne, Caravaggio and countless masters before them. Nadin cites William Blake's Nobodaddy and Lewis Carroll's Boojum snark as the closest articulation of what he was experiencing then, both personally and creatively. In retrospect, Nadin views the chronology of his still life paintings as a reflection of his psychological regression at the time. What began as a polite set of interiors, literally flew out the window, crashing into the landscape and ultimately commingling with language from his poetry. Tanam Press published a compilation of his Still Life poems in conjunction with the December 1983 show. More recently, Peter Nadin has exhibited at Gavin Brown's enterprise, Family Business and The Horticultural Society of New York.