Heroes Always Die

Self destruction is such a pretty little thing

[tinyghosthands]

[memoryslandscape-deactivated202]

my life I love it in the dark under the water of my shadow music my form and substance lonely and blue as ever

Frank Stanford, from The Battlefield Where the Moon Says I Love You (Lost Roads Publishers, 2000)

[fyp-philosophy]

Love me when I least deserve it, because that’s when I really need it.

Swedish Proverb (via fyp-philosophy)

[the-final-sentence]

It probably means, underneath it all, something quite bad’s happening.

Caitlin Moran, from “A Woman’s Monthly Faultiness” in Moranifesto (via the-final-sentence)

[fasttrash]

Furniture.

© Iris van Gelder

Contact/Inquiries: [email protected]

[amargedom]

I don’t know if you’ve ever noticed this, but first impressions are often entirely wrong.

Lemony Snicket, The Bad Beginning (via amargedom)

[innerab-deactivated20161213]

[quotemadness]

I adore the struggle you carry in yourself. I adore your terrifying sincerity.

Anaïs Nin (via quotemadness)

[eggdropsoupe-deactivated2016050]

[lllllllllfffffff-deactivated201]

[amortizing]

There will be a few times in your life when all your instincts will tell you to do something, something that defies logic, upsets your plans, and may seem crazy to others. When that happens, you do it. Listen to your instincts and ignore everything else. Ignore logic, ignore the odds, ignore the complications, and just go for it

 Judith McNaught, Remember When (via amortizing)

[studio-kiki]

[ladyjaneasher-blog]

Many people’s view of the Lennon/McCartney collaboration is a simplicistic one: that Lennon was the rough and ready rocker, while McCartney was the soft sentimentalist. While that might have been partially true, their relationship went a lot deeper than that. Perhaps the most important role each played for the other was that of unbiased critic. John was pretty much the only person in the world who could turn to Paul and say “That song is shit.” – and Paul would take it. Paul was the only person who could look John in the eye and say “You’ve gone too far.“ They were usually diplomatic with each other – Paul might say to John, “Oh, I think you can do better than that.” or something similar – but that’s what it came down to. Certainly George Martin couldn’t get away with that. If he dared try, they would bite his head off.

Geoff Emerick, in “Here, There and Everywhere, My Life Recording The Music of The Beatles” (via pivoinesque)

[theministryofsoul]

The Smiths at Kew Gardens, London, England 83

[goodreadss]

Forever will be you and me.

Salvador Dalí (via goodreadss)

[sseejmusic]

Visit Original Link

[butstillaparadise]