A musk ox running in the Arctic tundra - Canada, in 1954. (Fritz Goro—The LIFE Picture Collection/Getty Images) #wildLIFEwednesday

❣ Chile in a Photography ❣
No title available
Show & Tell

No title available
Keni

Kiana Khansmith
almost home
h
let's talk about Bridgerton tea, my ask is open
official daine visual archive
KIROKAZE

pixel skylines
Sade Olutola

No title available

shark vs the universe

JVL
occasionally subtle
cherry valley forever

izzy's playlists!

oozey mess
seen from Singapore

seen from Malaysia

seen from France

seen from Malaysia

seen from France

seen from Japan
seen from Australia
seen from Italy
seen from Italy
seen from Brazil

seen from Hong Kong SAR China

seen from Netherlands

seen from South Korea
seen from Japan
seen from Brazil
seen from Germany
seen from Saudi Arabia

seen from Australia
seen from France

seen from Portugal
@heshboob
A musk ox running in the Arctic tundra - Canada, in 1954. (Fritz Goro—The LIFE Picture Collection/Getty Images) #wildLIFEwednesday
“My home isn’t for sale”.
Acre - Occupied Palestine
The analysis of the pioneering anti-colonial writer is still relevant in today's war in Gaza. The parallels with the Algeria liberation war
In his seminal The Wretched of the Earth, Frantz Fanon could be writing about Gaza when he said: “In all armed struggles, there exists what we might call the point of no return. Almost always it is marked off by a huge and all-inclusive repression which engulfs all sectors of the colonial people.” In Israel, Gaza and the West Bank, that point has arrived. From Gaza to the Red Sea, on all fronts the West is now unmasked as a lawless killing machine in terror of losing control. Genocide, starvation and war, defended with Olympic-level diplomatic double-speak, are its only answers to the fact that the Global South, and the nations of the Middle East (if not their leaders) no longer wish to live under US hegemony. Jean-Paul Sartre, in his preface to Fanon's work, wrote of western colonialism: “Our Machiavellianism has little purchase on this wide-awake world that has run our falsehoods to earth one after the other. The settler has only recourse to one thing: brute force… the native has only one choice, between servitude and supremacy.” Fanon was a revolutionary thinker and a practising psychiatrist of colonial racism and its psychic impact on the colonised, and the coloniser. He and Sartre were writing about France’s imminent defeat in Algeria after seven years of brutal war. [...] Western powers are involved in conflicts thousands of miles from home, as they were in Fanon's time in Algeria, Congo and Indochina. Today the western political class has united behind Ukraine and Israel, but for millions of people it is no longer clear that the wars are worth fighting. As Yemen’s spokesman, Mohammed al-Bukhaiti, put it: “The war today is between Yemen which is struggling to stop the crimes of genocide, and the American and British coalition [who] support its perpetrators. Every party or individual in this world has two choices that have no thirds… who do you stand with as you watch these crimes?” Fanon, writing 63 years ago, agrees: “The colonial world is a Manichaean world… at times this Manichaeism goes to its logical conclusion and dehumanises the native, or to speak plainly, it turns him into an animal. The native is declared insensible to ethics; he represents not only the absence of values, but the negation of values… he is the enemy of values, and in this sense he is the absolute evil. “The native knows all this, and laughs to himself every time he spots an allusion to the animal world in the other’s words. For he knows he is not an animal, and it is precisely at the moment he realises his humanity that he begins to sharpen the weapons with which he will secure victory.”
. . . full article on MEE (1 Feb 2024)
You can also find a free copy of Fanon's The Wretched of the Earth on the Internet Archive (available as a PDF, EPUB etc.)
New Zealand Maori musical instrument called Koauuau
Maori Hei Tiki
Graffiti on the Sinchon Streets
36 pages, 5.5"x5.5" zine, screenprinted cover on cardstock, b&w with color inserts and screenprinted centerfold. 2nd edition of 20.
3 writings about mexico city as experienced by someone usually living in new york city.
1 essay about the vampiric practices of airbnb, 1 reflection on visiting Tlatelolco square, site of the 1968 massacre of anti-Olympics protesters by the police and national guard, 1 piece of writing about David Wojnarowicz's traveler recordings of Mexico, violence and voyeurism. written as part of art history and studies of the americas -oriented independent research at the city university of new york, with conflicting feelings. spring 2023.
ORDER HERE
&/or
READ ONLINE IN ENTIRETY HERE
Read essay 3 in AMYGDALA JOURNAL here
please specify your address!
please send 5$ extra for international shipping
“Forest” 1954 | silkscreen print by Ryūichi Yamashiro
etchings by Chauncey Foster Ryder
Martín Rak
edited by me