(For those not familiar with the term "yuri" (百合), it is used to refer to anime, manga, light novels etc. which focus on the close relationships - often romantic - between female characters. However, as it is considered a genre in itself, the term is both looser and more restrictive than one might expect, e.g. a work concerned with platonic and not particularly intense relationships between female characters may still be considered "yuri" if it fits the genre tropes and/or if it is marketed as such.)
One day I thought it'd be good to have a masterlist of yuri anime which included commentary on the show, to give people a better idea of what might appeal to them (or what to be wary of). "It'll be easy," I thought. "There aren't that many specifically yuri anime out there," I thought.
Turns out, 22 series may not be a lot if you're looking at all the anime out there, but it certainly doesn't feel that way if you have to write a proper entry for each one. Here it is, a list of all the anime which are specifically marketed as being yuri (i.e. labelled as such on Anime News Network), with commentary, in no particular order.
Edit: Added links to the corresponding Anime News Network and MyAnimeList pages!
Okay, so this series was not actually marketed as being yuri, but it’s far too ubiquitous for me not to put it in this section. When she was a child, Tenjou Utena (Kawakami Tomoko) was saved by a passerby prince, so she decided that she too wanted to become a prince as an adult. Fast forward to high school, and she hasn’t forgotten that conviction: Utena gets sucked into a series of duels while trying to protect her best friend’s honour. After winning the first duel, she becomes ‘engaged’ to the eccentric “Rose Bride” Himemiya Anthy (Fuchizaki Yuriko), and the two start living together in the same dormitory.
First things first: there are a million content warnings for this series, including implied rape, sexual assault, incest, and homophobia. Although the issues are handled well (in my opinion), it does go to very dark places, so those wanting a light, fun anime to unwind to should look elsewhere. Second, this series is very much a psychological drama utilising the episodic duels as a way of hone in on Utena’s opponents and their stories, so Utena and Anthy’s relationship – though important – is definitely not the focus of the anime. Third, the TV series is limited to hinting at the romantic relationship between Utena and Anthy, not to mention that they spend most of the series being little more than acquaintances rather than actual friends. The movie Adolescence (which can be taken as a retelling or sequel, depending on your perspective) is much more explicit on this front, but also suffers from a significantly shorter runtime and a much more opaque approach to storytelling.
That being said! If you’re okay with all of the above, this series is pretty much a must-watch. The simplistic premise belies a much more complex and nuanced story about gender roles, sexuality, and human relationships and remains one of the smartest anime ever made, over twenty years on.
2. Bloom into You (13 episodes, 2018) - Anime News Network | MyAnimeList
Probably one of the slickest-looking yuri anime out there, Bloom into You is a beautiful, polished adaptation of a manga of the same name by Nakatani Nio. Main character Koito Yuu (Kanemoto Hisako), who hasn’t experienced romantic love before, thinks student council senior Nanami Touko (Kotobuki Minako) is the same way until Touko suddenly confesses to her. The story follows the two girls’ trials and tribulations after that confession, and in particular how Yuu grows into her romantic feelings for Touko. The story can be messy at times but it’s got plenty of heart, and I really really love the other explicitly queer side characters – they’re so good that this series is worth watching even if you don’t click with the main couple IMO.
A list of yuri works would be incomplete without mentioning this genre-defining juggernaut of a series created by light novel author Konno Oyuki, which is responsible for reviving the Class S genre and ensuring that yuri was for a long time – and to a large extent still is – associated with genteel all-female schools and girls calling their older targets of affection “onee-sama”. It starts with the elegant and aloof Ogasawara Sachiko (Itou Miki) inviting the main character Fukuzawa Yumi (Ueda Kana), an ordinary junior from the year below, to become her “petite sœur” (“little sister”, essentially a mentee), but branches out into more of a slice-of-life ensemble piece looking at Yumi and her friends and the various “sœur” pairs of the prestigious Lilian Girls’ Academy. Due to the “sœur” system, there is a whole fleet of F/F ships to pick from, but do note that only one character out of the very large cast is overtly queer.
Personally, I found the anime a bit dull, but the light novels and drama CDs were much more to my taste. Either way, anyone with an interest in the history of yuri as a genre should definitely check this series out in one way or another.
The popular manga by Takashima Hiromi has sadly never received the full anime treatment, but at the very least there’s an OVA which adapts part of the story. The OVA starts with two high school sweethearts having recently entered into a relationship together, but Yamada Yui (Takahashi Minami), the timid one of the pair, is plagued with doubts over her relationship with the sporty Kase Tomoka (the eponymous “Kase-san”; Sakura Ayane). Famous for being teeth-rottingly sweet.
Despite the somewhat misleading OP, Aoi Hana is a character-focused slice of life show about lesbian high schooler Manjoume Fumi (Takabe Ai), her crush on the prince-like Sugimoto Yasuko (Ishimatsu Chiemi), and her coming out to her childhood best friend and first love Okudaira Akira (Gibu Yuko). You might be wary as this anime is an adaptation of a series by queen of messy LGBTQ-related manga Shimura Takako, but the story ends before it gets into the real melodrama, leaving viewers with an open but hopeful conclusion. The gentle pastels of the anime also look very nice IMO, it’s a great fit for Shimura’s art.
Adapted from the ongoing light novel series by Miyazawa Iori, Otherside Picnic opens with college student (in a yuri anime! I know!) Kamikoshi Sorawo (Hanamori Yumiri) poking around in the supernatural “Otherside” and nearly being killed by a monster for her efforts. Her rescuer is the gun-toting Nishina Toriko (Kayano Ai), a young woman who happens to attend the same university. Since Sorawo is deeply interested in urban myths and Internet creepypasta, she decides to team up with Toriko, who is trying to search her friend who went missing in the Otherside. Otherside Picnic draws on existing Japanese urban myths and the Russian SF novel Roadside Picnic by Arkady and Boris Strugatsky, but is also, though nobody seems to mention it, very much influenced by certain parts of the massive Touhou franchise – specifically the exploits of Renko and Merry (Sorawo in particular is strongly reminiscent of Renko). Although the anime doesn’t adapt enough to get to the explicitly romantic aspects of their relationship and has been criticized for undermining the horror elements with cheap CG, it has been praised for its college-age leads (though you wouldn’t know that from the character designs) and genre fiction focus, which are unusual in yuri.
In the original SF anime Simoun, viewers are introduced to the nation of Simulacrum, which is embroiled in a bitter war against two other nations. On the front lines of this conflict are the main characters, a group of under-seventeens who pair up to pilot Simulacrum’s mecha (the titular “Simoun”). It’s a bit of an interesting case because although it is known and marketed as a yuri anime, for the duration of the series, the majority of the cast are not known to be female – the pilots come from a species where they are born monogender (although the designs skew feminine, similar to the Asari in Mass Effect) and pick their preferred gender at the age of seventeen (honestly, this sounds like a very sensible system). Don’t worry though, since sources say that a bunch of the endgame pairs do end up being F/F. Actually I’ve never watched this anime before as it’s known to be fanservice-heavy, but it does sound rather intriguing on paper.
Directed by Ikuhara Kunihiko of Sailor Moon and Utena fame and with character designs by prolific out yuri mangaka Morishima Akiko, Yuri Kuma Arashi is a surreal tale set in a world where bears can take on human form and are feared and reviled by the human population, who have constructed the “Wall of Severance” to keep them out. Amidst this, main character Tsubaki Kureha (Yamane Nozomi) is a bear-hating human who finds out that two of her classmates – Yurishiro Ginko (Arakawa Miho) and Yurigasaki Lulu (Ikuta Yoshiko) – are actually bears in disguise. The anime is generally well-received, with critics praising its handling of homophobia, prejudice, and exclusion, but I personally felt that the series suffered from its length (it was by far the shortest of Ikuhara’s outings at the time) and heavy use of imagery and symbolism in place of character-building and narrative construction, so YMMV. Please also be warned of that there’s some rather gratuitous fanservice, especially in the first few episodes. The three-volume manga of the same name by Morishima Akiko was good though – it uses the same premise but takes it in a very different direction!
A rare case of a yuri anime which manages to cover the entirety of the series it was based on, Akuma no Riddle is an adaptation of the manga written by Kouga Yun and drawn by Minakata Sunao. Assassin-in-training Azuma Tokaku (Suwa Ayaka) is exceedingly skilled but suffers from a career-ruining mental block: she can’t ever bring herself to land the killing blow, no matter how much she wants to. Tokaku is given the chance to prove herself by entering a girls’ school battle royale where she is to compete with other young assassins to kill a certain target – the bafflingly ordinary-seeming Ichinose Haru (Kanemoto Hisako). On an impulse, the otherwise cold Tokaku swears to protect Haru from the others, and becomes her bodyguard. As with Maria-sama ga Miteru, the series comes with a lot of pre-packaged F/F pairs for your shipping pleasure, but only one pair is overtly romantic. (Also, I was very unlucky and latched onto a pair which happens to feature the only character who has a male love interest… RIP.) The story needed a bit more space to breathe IMO, but others have enjoyed it for the action, fun premise, and for being one of the few yuri anime that isn’t yet another high school coming-of-age romance.
An adaptation of the hit manga by Saburouta, Citrus focuses on the tumultuous relationship between rule-breaking gyaru Aihara Yuzu (Taketatsu Ayana) and uptight student council president Aihara Mei (Tsuda Minami) – who, it turns out, is Yuzu’s new stepsister. It is controversial for its frequent depictions of non-consensual kissing and other physical contact, and for the generally melodramatic, titillating approach taken to the relationship between the two leads, but some queer women really love this series and I’m not here to police, so here it is.
One of the most infamous yuri series out there, this is an adaptation of the manga by Kodama Naoko. It’s essentially a daytime soap opera dressed up as a high school drama: Okazaki Yuma (Kakuma Ai) and Mizushina Hotaru (Igarashi Hitomi) are childhood friends who both have boyfriends but end up messing around with each other. There’s cheating, abusive boyfriends, toxic relationships, and melodrama galore – very rare for yuri anime. If you enjoy soap operas this might be just the thing, although there’s probably more fanservice than normal.
Quiet slice-of-life series “Adachi and Shimamura” is an adaptation of an ongoing light novel series by Iruma Hitoma. The story depicts the everyday life of high school student Adachi Sakura (Kitou Akari) and her friend Shimamura Hougetsu (Itou Miku), who she has feelings for. Adachi’s feelings towards Shimamura are overtly romantic, but be warned that their relationship is more open-ended than in the light novels due to only the first few volumes being adapted. Received praise for its atmosphere-building, but this is tempered by there being a lot of fanservice throughout.
A series of vignettes adapted from the yonkoma (4-panel) manga by Kuzushiro, Inugami-san and Nekoyama-san is about the relationship between the dog-like cat-lover Inugami Yachiyo (Uesaka Sumire) and cat-like dog-lover Nekoyama Suzu (Toyama Nao). I haven’t seen it myself, but judging by the reception, it’s a good pick for those looking for a quick, fluffy watch.
This adaptation of Ikeda Takashi’s manga follows high school student Murasame Sumika (Takagaki Ayahi), who has a crush on her female best friend Kazama Ushio (Takamoto Megumi). The twist is that she knows Ushio is into girls… so what’s the problem? Well, unfortunately for Sumika, Ushio can’t stop going on about how she likes very cute, “feminine” girls, and Sumika just doesn’t fit that type. And on a meta level, time is Sumika’s worst enemy, because this is another case of the main couple not getting together by the end of the anime due to the limited runtime. The series’ scope extends beyond the romantic storyline, however, and touches upon homophobia and queer media (okay, yuri doujin). On the downside, a lot of the humour is dated, and a cross-dressing character is dealt with in a poor manner.
Part of the 2006 yuri anime boom, Kashimashi is based on the manga by Akahori Satoru. The story starts with young boy Osaragi Hazumu (Ueda Kana) having a rather confusing day: after being rejected by his female classmate Kamiizumi Yasuna (Horie Yui), he is killed in a freak UFO accident, and then resurrected – albeit in a female body. The anime shows the gradual process of Hazumu coming to terms with the new body and becoming mixed up in a gentle love triangle with Yasuna and female childhood friend Kurusu Tomari (Tamura Yukari). Apparently it’s quite sweet despite the decidedly mid-2000’s premise.
16. The Executioner and Her Way of Life (12 episodes, 2022) - Anime News Network | MyAnimeList
A twist on the usual isekai formula by light novel author Sato Mato, Executioner is centred on Menou (Saeki Iori), the eponymous Executioner tasked with eliminating with magically-gifted people from another world, i.e. isekai protagonists. One day, a routine job goes awry when Menou discovers that her target – a Japanese schoolgirl named Tokitou Akari (Kahara Moe) – has the ability to control time and thereby reverse her own death. Unwilling to let a person with such dangerous powers roam free, Menou joins Akari on a journey through the country, albeit one that ends before anything much happens – the anime adapts only the first two volumes of the ongoing light novel series. Also, somewhat surprisingly given the premise, the show is apparently an ensemble piece which focuses more on its world-building and action-packed plot, although Menou and Akari’s growing closeness does get some screen-time.
17. If My Favorite Pop Idol Made It to the Budokan, I Would Die (12 episodes, 2020) - Anime News Network | MyAnimeList
One of only three series on this list which do not mention school at all (the others being Simoun and The Executioner and Her Way of Life, to my knowledge), OshiBudo is an adaptation of the ongoing manga by Hirao Auri where protagonist Eripiyo (Fairouz Ai) overworks herself at part-time jobs in the name of supporting her fave Ichii Maina (Tachibana Hina), the least popular member of already-unpopular local idol group ChamJam. Despite the uncomfortable implications of the initial setup, the anime dodges the most obvious pitfalls as Maina’s relationship with Eripiyo is strictly that of idol and (overzealous) fan even until the end, and there’s actually more of a focus on Eripiyo bonding with her idol fan friends (sadly all male). Obviously there is only subtext in this show, and not anything heavily hinted at that, but it’s not a bad thing in this case.
Ah, Kannazuki no Miko, adaptation of a manga by Kaishaku. Famed as a yuri classic, nobody told me that it was actually a mecha anime (!) with a third, male protagonist (!!) in which one half of the F/F couple we’re supposed to be rooting for rapes the other and the story just glosses over it (!!! - rage). And it’s a pity, because the premise is solidly of the mecha genre and therefore refreshingly different to the usual yuri fare! An ancient evil looms over Japan as the Orochi mecha pilots begin to awaken, forcing main character Kurusugawa Himeko (Shitaya Noriko) and her classmate and friend Himemiya Chikane (Kawasumi Ayako) to work together as the sun and moon priestesses to seal the threat away. Unfortunately, in practice, it’s mainly Himeko’s male childhood friend Oogami Souma (Majima Junji) doing the fighting, and the anime spends more time building up a budding (straight) romance between Himeko and Souma before the sudden pivot in the last few episodes – a pivot which is difficult to be happy about due to the sexual assault. Watch if you’re interested but be warned that it definitely has the problems of mid-2000’s yuri and then some.
An adaptation of the light novels by Kimino Sakurako, apparently this is basically Maria-sama ga Miteru done in a moe style and with fanservice. I don’t have any more to say as I haven’t watched it and the summaries don’t clarify much beyond it being a slice-of-life character drama set at a girl’s school (possibly multiple girl’s schools).
Fragtime adapts the manga by Sato about Moritani Misuzu (Itou Miku), a girl who can stop time for three minutes every day, and Murakami Haruka (Miyamoto Yume), a classmate who isn’t affected by Misuzu’s power. Audiences seem split between those who appreciated it as a slightly supernatural-driven coming-of-age romance and those who found it superficial and male-gazey (there is a very juvenile obsession with underwear).
This adaptation of a yonkoma manga by Tachi follows best friends Takayama Haruka (Tomatsu Haruka) and Sonoda Yuu (Iguchi Yuka) who, worried about drifting apart due to a change in the classroom seating, fall into a kissing-focused friends-with-benefits arrangement. Some find it sweet, others find it male-gazey, it’s a tale as old as time when it comes to yuri.
Bonus: Yuri is My Job! (upcoming anime) - Anime News Network | MyAnimeList
The recently-announced anime will adapt Miman’s ongoing manga about Shirasagi Hime (Ogura Yui), a high school student who gets pressured into working at a yuri-themed café where the waitstaff pretend to be students at a girl’s school who are in ambiguously gay relationships with each other. Hime is paired up with Ayanokouji Mitsuki (Uesaka Sumire), who plays the perfect onee-sama when working but hates Hime’s guts behind the scenes. Part human drama – like many a yuri series before it, the manga delves into the various characters inhabiting the café rather than just Hime and Mitsuki – and part metatextual riffing on the yuri genre, this should be one to look out for.
The sisters to fight, I want them to get nasty, to let all that rage and resentment they have to each other since they were kids to let go, they need that, I need that, we all need that.
They love each other so much but childhood trauma is so NASTY
And Ruby has finally snapped and I NEED them to go to each other throat
I need Yang to finally VERBALIZE how she has felt about the clear favoritism Qrow and Tai has shown cuz she's Raven's kid. How much she gave up for Ruby
And I want Ruby to verbalize the overprotective actions Yang has with her. The way she always had to stay happy for HER. How she's not SUMMER, she doesn't know SUMMER, she RESENTS HER.
Every day I wake up and I feel the need to punch people who call Yang a bad sister because she dares fall in love and be happy for once in her life instead of focusing on Ruby every second. EVERY DAY
“You can't see me, you know?” she blurts out. “You look at me but you can't see me. Do you know how painful that is? I'm not somewhere else, I’m not in another goddamn universe.”
“Are you sure you’ll be okay?” Lena asks, an anxious hand reaching out to run her fingers over Lizzie’s onesie-covered little leg. She’s still amazed at how small their daughter is, even though she’s grown so much in the first six weeks of her life, amazed at how someone so little, can hold so much of her heart.
“We’ll be fine,” Alex smiles, gently bouncing the baby in her arms. “You two need a break.” To prove her point, Alex nods her head at Kara. Kara’s head is resting on the back of the couch, eyes closed, mouth half open in sleep, despite the fact that she’d been talking not two minutes ago.
“Okay,” Lena agrees, the exhaustion really settling in at the prospect of having an uninterrupted nap. You know having a baby is tiring when it wears out even a superhero. “But wake us if you need anything?”
Lena knows Alex will be fine, that Lizzie is in capable hands, and they’re literally just going to be next door asleep, but it still makes her nervous to leave.
“Yes, of course, now wake up your wife before she drools everywhere and go have a nap.”
“Be good for your aunt, okay Liz?” Lena says, voice soft as she leans down, pressing a gentle kiss to her baby’s forehead. She lingers for a moment, breathes in that baby smell that is so intoxicating and comforting.
When Lena leans away, Alex is watching her with a soft smile. So her next words confuse Lena.
“I still can’t believe you let Kara call her that.”
Lena frowns. “What? Elizabeth?”
Lena had loved the name as soon as Kara had suggested it. It’s part Eliza, part keeping with the Luthor naming tradition when they call her Liz or Lizzie, and part Kara too, the nickname El being used from time to time to. And then when she first laid eyes on their daughter, both physically and emotionally exhausted, she’d known immediately that they’d chosen the right name.
“Elizabeth Anya,” Alex corrects.
Which, again, makes no sense. The middle name didn’t have any particular meaning, just that they both liked the name.
Elizabeth Anya Danvers-Luthor.
It suits the little bundle in Alex’s arms.
“Wait,” Alex says, eyes searching Lena’s face. For what, Lena’s not sure. Clearly she needs sleep, this conversation is making no sense.
“Do you not know?” Alex asks.
“Know what?”
“I…” Alex’s eyes dart away.
“Alex.”
“Liz Anya,” Alex says, like it explains everything when it does nothing to solve Lena’s confusion.
She rolls the name around a few times in her mind, and it’s the third time she thinks the name, that it sinks in.
She rounds on her wife, knee knocking her against Kara’s to wake her up.
“Kara.”
Kara jolts awake, springs off the couch slightly too fast to be human. “What? What’s wrong? Is Liz okay?”
“She’s fine,” Lena grounds out. “Or she would be okay if her mom didn’t name her after pasta.”
Kara freezes, eyes wide.
“You knew,” Lena accuses. “You knew and you let us name our child lasagna?”
“I…” Kara’s eyes dart to Alex, clearly searching for help, but Lena’s not letting her off that easy.
“When did you figure it out? Was it before or after she was born? Or did you do it on purpose? You were the one who suggested the name Anya.”
Lena feels a little stupid for not picking it up earlier herself, but she’ll blame the fact the she was growing a baby inside of her, and then for the last six weeks, she’s been a little distracted.
“I promise, I didn’t know when I suggested it.”
“When did you figure it out?”
“Not until after she was born…but then I didn’t tell you because I called her ‘my little lasagna’ once and you should’ve seen her, she smiled! It was too cute and I just knew she loved the name and I didn’t want you to change it.”
“She probably just had gas,” Lena mumbles. Whether that’s true or not, Lena knows she’d do anything to make their daughter smile.
“Are you mad?” Kara asks, fingers threading through Lena’s, pulling her closer.
“I’m not mad,” Lena sighs. “But we are not calling her ‘Lasagna’.”
“I make no promises,” Kara smiles.
Lena presses her lips together in an effort not to smile herself, but the movement draws blue eyes down to Lena’s mouth.
Kara leans forward, Lena can feel warm breath on her lips, but right before they meet, Alex interrupts the moment.
“I am not babysitting so you guys can do that.”
Kara pulls away to glare at her sister over Lena’s shoulder, but Alex’s presence doesn’t stop Kara turning back to Lena and giving her a quick kiss anyway.
“Come on,” Lena smiles. “I need sleep.” She tugs on their joined hands, pulling them towards their bedroom.
“Thanks Alex,” Kara calls over her shoulder, and despite the fact that it’s only 10am, she adds. “And good night my baby Lasagna.”
Lena’s not going to admit it out loud, but it is sort of a cute nickname, at least when Kara says it.
And her grinning wife is even cuter as she tugs them into the bedroom.
“I am not letting you name our next kid,” Lena says as she collapses onto the bed.
“I was thinking we could call our next daughter, May,” Kara says, falling to the bed beside Lena, instantly closing the space between them.
Lena thinks for a moment as Kara buries her face in Lena’s neck, sleep already tugging at her senses as she tries to figure out why Kara might want to name their child that.
Kara helps her out, the next words brushed against the underside of Lena’s jaw. “Short for Mayonnaise.”
There are so many actual names that are food related, like Olive or Rosemary, but of course Kara would think of the random ones.
Lena feels the smile pressed into her neck, before Lena shifts to press her own kiss to the top of Kara’s head as she mumbles, “no,” into blonde hair.
If Kara responds, Lena doesn’t hear her, sleep pulling her under, too comfortable and warm in her wife’s embrace to stay awake any longer.
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