SAIC is like…
35% positivist metamodernists
30% butthurt metamodernists
20% random typographers
10% unfriendly basic girls
5% institutional critique cronies
Fai_Ryy
Doug Jones
Color Me Curious

titsay
One Nice Bug Per Day

❣ Chile in a Photography ❣
almost home
Show & Tell
The Stonewall Inn

Origami Around
PUT YOUR BEARD IN MY MOUTH
todays bird
Aqua Utopia|海の底で記憶を紡ぐ
Fieri Frames
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
Game of Thrones Daily

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#extradirty
seen from Kyrgyzstan

seen from Singapore
seen from United States
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seen from Ireland
seen from Oman
seen from United States
seen from Pakistan
seen from United States

seen from United States
seen from Brazil

seen from Indonesia
seen from Paraguay
seen from United States
seen from Indonesia

seen from Sweden
seen from Australia
seen from Australia
seen from Bangladesh
seen from Kenya
@hf-archive
SAIC is like…
35% positivist metamodernists
30% butthurt metamodernists
20% random typographers
10% unfriendly basic girls
5% institutional critique cronies
Millie Wilson, Dressed as a Girl, 1992-93
Mirror, 2009 by Barry La Va
Alma Thomas, Mars Dust, 1972
Jean Fouquet
Tribute of Edward III to Philip
one day ill grow up to be a beautiful woman
Louise Bourgeois, Red Room (Child), 1994
Louise Bourgeois MAMELLES, 2000
Madonna and Child
Jean Fouquet
1450
moma:
Lygia Clark. The House is the Body,1968 part of the exhibition Lygia Clark: The Abandonment of Art, 1948-1988 at The Museum of Modern Art, New York (May 10–August 24, 2014). Photo by Thomas Griesel. © 2014 The Museum of Modern Art.
Mariko Mori
Roundstone 2007
Cast acrylic
7ft diameter x 50in
Hunter Foster
Field
2015
rubber, paper mache, protein-based paints
Collaboration with Connor Crable
2015