SAIC is like…
35% positivist metamodernists
30% butthurt metamodernists
20% random typographers
10% unfriendly basic girls
5% institutional critique cronies

oozey mess
Cosmic Funnies

if i look back, i am lost
Jules of Nature
NASA

izzy's playlists!
I'd rather be in outer space 🛸
h
YOU ARE THE REASON
let's talk about Bridgerton tea, my ask is open
almost home

roma★
sheepfilms
Lint Roller? I Barely Know Her
Claire Keane
noise dept.
occasionally subtle
Alisa U Zemlji Chuda
DEAR READER

Origami Around

seen from United States

seen from Japan
seen from Italy
seen from United States

seen from Germany

seen from United Kingdom
seen from United Kingdom
seen from United States
seen from United States
seen from Malaysia

seen from Italy

seen from Singapore
seen from Netherlands

seen from Malaysia

seen from Malaysia

seen from India
seen from United States
seen from United States
seen from United States
seen from United States
@hf-archive
SAIC is like…
35% positivist metamodernists
30% butthurt metamodernists
20% random typographers
10% unfriendly basic girls
5% institutional critique cronies
Millie Wilson, Dressed as a Girl, 1992-93
Mirror, 2009 by Barry La Va
Alma Thomas, Mars Dust, 1972
Jean Fouquet
Tribute of Edward III to Philip
one day ill grow up to be a beautiful woman
Louise Bourgeois, Red Room (Child), 1994
Louise Bourgeois MAMELLES, 2000
Madonna and Child
Jean Fouquet
1450
moma:
Lygia Clark. The House is the Body,1968 part of the exhibition Lygia Clark: The Abandonment of Art, 1948-1988 at The Museum of Modern Art, New York (May 10–August 24, 2014). Photo by Thomas Griesel. © 2014 The Museum of Modern Art.
Mariko Mori
Roundstone 2007
Cast acrylic
7ft diameter x 50in
Hunter Foster
Field
2015
rubber, paper mache, protein-based paints
Collaboration with Connor Crable
2015