Untitled #99

Scintilla falling behind. Did you arrive at the place that you came from?

[ofcharacter]

Bearth & Deplazes

[danieldaou]

Santiago Calatrava

[guggenheim-art]

Surface Veil III by Robert Ryman, 1971, Guggenheim Museum

Solomon R. Guggenheim Museum, New York Panza Collection, 1991 © 2016 Artists Rights Society (ARS), New York Medium: Oil and blue chalk on stretched cotton canvas

https://www.guggenheim.org/artwork/3755

[activitesparanormales]

Gnosis - DH-2018

[ruiard]

Agnes Martin - Red Bird

Coloured ink and pencil on paper, 31.1 x 30.4 cm, 1964

[bandtshirt]

shout piece, chris burden, 1971

“i was seated on a platform suspended 14 feet above the floor. my hair was braided and my face was covered with red body paint. four 500 watt movie lights were placed around me facing the front entrance of the space. my voice was amplified by three speakers. as people entered the gallery, i repeatedly yelled at them ‘get the fuck out, get out immediately.’ because the sound was very loud and contained high frequency feedback, most people left quickly.”

[janvranovsky]

Peach light II, near Ochanomizu, Tokyo | © Jan Vranovský, 2016

[janvranovsky]

Construction site in Ayase, Adachi–ku, Tokyo | © Jan Vranovský, 2017

[janvranovsky]

Somewhere in Arakawa | © Jan Vranovský, 2018

[janvranovsky]

Parallel systems (Aoyama, Tokyo) | © Jan Vranovský, 2016

[mentaltimetraveller]

Karsten Födinger

[badarchitecturesucks]

Maria Loboda

[mentaltimetraveller]

Keith Sonnier “Inflated Works” (1965-1966) at The National Exemplar, New York, 2018

[les-yeux-avides]

Guy Bourdin for Vogue Paris, October 1977

[roberts252-deactivated20181221]

[workman]

“Close Contact” by Norm Architects, Kinfolk & Sørensen Leather

[douchamp]

Josef Albers — Structural Constellations, 1958.

[melisica]

Deni Pesto