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Illuminate Evaluation
Within this brief, we were tasked with creating an image that uses artificial light shot at dawn, dusk or night. The image must have existing light and a supplementary flash or torch to create one image. I had planned to complete a recce shoot towards the end of march and complete my shoot during the April holidays. Due to the time of year, the sun was not setting until around 7-8pm which unfortunately caused a problem for me as I was beginning work at 2-3am most days. I chose not to shoot at Rouken Glen park as I had originally planned as I travelled to Inverness and chose to shoot with the help of my brother.
I had chosen to shoot a swing seat however I quickly changed my mind and chose to shoot my brothers motorbike as I thought it would be a more interesting subject matter. We moved the bike into the field across from his house and chose to shoot there. We set up around 8pm and began with test shots to ensure that I had the camera position and focus correct. I chose to shoot using a 50ml lens and a sturdy tripod to keep the image level and steady. Unfortunately, my torch broke on the travel to inverness which meant I had to use my phone torch to complete the shoot. I set the camera to self-timer to allow us time to get into position to paint. However, despite this, the motorbike was slight blurred in each image and the lighting did not capture the character of the bike and landscape. Due to this I had to reshoot.
For the reshoot and the time of the year, sunset was not until 10-10:30pm which meant that we began setting up at 10pm in preparation to shoot at half past. I chose to reshoot a wooden and iron bench that I have out my backdoor as it had been painted yellow and would be a bright, eye-catching subject matter. The difficulty with this shoot was using my tripod as it was not as stable as the college tripods meaning that I had to be extra careful when using the camera not to lose the focus. I once again used a self-timer. In this case, I had backup torches and 2 assistants to ensure that I had enough lighting and help required to complete this shoot. Another difficulty with this shoot was the automatic light in my backdoor which switches on whenever something moves by it which unfortunately meant that certain images were exposed to excessive amounts of light and were therefore overexposed.
Overall, I am pleased with this shoot however I do wish that my motorbike shoot had been completed properly as I believe the bike was a far better subject matter than the bench. I also wish that I had the hindsight to pack extra torches for the original shoot which would have offered far better light. In future, I will conduct further research into the ideal time to complete a shoot during this time of the year and ensure that I have a sturdy tripod to complete this shoot.
Structure Evaluation.
Within this brief, we were tasked with conducting a shoot on a postmodern building. We were required to research the perfect time to shoot, including the time of day to shoot, the weather, the position of the camera and a suitable location. The outcome of this shoot was to have 5 total images; 2 interior and 3 exterior shots. 1 interior shot had to be a detail shot while the other had to be a wide angle shot. This was similar to the exterior shots as two images had to be detail shots while the third was to be a wide angle shot to show the entire building.
I also chose to shoot using a sturdy tripod which would allow me to have a steady image and will keep the images level. I chose to use a 50ml lens for the detail images and a wide angle lens to allow me to capture more of the image. I chose to shoot within the college as it is a modern building and I enjoy the architecture of the building. I researched previous shoots completed in this building and planned to shoot during the April holidays as the college would be quiet which meant less students in the images. I completed a recce shoot during this week however the sky was overcast which unfortunately meant my images were flat. I chose to reshoot during May on the weekends at 1pm-3pm. I accomplished 2 shoots during this time however 1 shoot was conducted during an overcast day. However, I lost the shoot conducted with the bright lighting as my card formatted. Due to this and being called into work during the busy periods, I was unable to complete another shoot.
I chose to shoot the interior of the college closer to the end of term as I was focusing on my personal project during college hours. I shot at 11am where the light within the college was bright and sharp. This was also during the time where all students are still in class and meant that there would be less students within the images. Unlike my previous shoot, I copied the images to my hard drive and a USB drive to ensure I would not lose them.
In hindsight, I wish I had planned more in advance with regards to making time for shoots and ensuring that I was shooting on days where it was not overcast or dull. In the future I will also make sure to do further research and spend more time with regards to my planning and time keeping. I also wish I had created a copy of all my shoots to ensure that I would not lose them again. I am not happy with my commitment and time keeping with this brief and I am disappointed with myself. Despite this, I am happy with the interior shots of this brief compared to the exterior shoots as the interior shots were taken on a bright day unlike the exterior images.
Structure Plan
For the structure brief, I would like to shoot the city of Glasgow college. It was opened in 2010 and has a contemporary architectural style. I have access to the college each day of the week, including the days I do not have class.
I will do a recce and shoot the exterior of the building during the April holidays on the 1st or the 4th of April, preferably the 4th as the weather forecast is sunny with a high of 9 degrees. Shooting during the holidays will also mean there will be less students around during the shoot. I would like to shoot during the afternoon around 11am to 4pm with intervals which will allow me to view the college at different lighting throughout the day.
I will shoot the interior of the building during the week while I am at college, however not during class time. I will also shoot the college between 11am and 4pm as the college is mostly windows which will allow me to use natural light as well as the light fixtures.
I will shoot using a wide angle lens and a sturdy tripod which will allow me to have a steady image and reduce any distortion in the image. I will also have an assistant to help me with regards to testing the light and ensuring that no one walks in front of me while I am shooting.
Structure
Architectural photography is the art of photographing buildings and similar structures that are aesthetically pleasing. Architectural photographers are often skilled in the use of specialised techniques and cameras.
Tom Manley
He worked for architectural firms prior to becoming a photographer focusing on architecture and the built environment. He is based in Glasgow and Edinburgh which allows him easy access to projects across scotland. He uses a range of wide angle and tilt shift lenses with the latest software for image processing and retouching when required. He initially visits sites and draws views from certain angles to establish composition, angles and the best time of day to shoot.
Nick Guttridge
Guttridge studied at central saint martins graduating in 1997. His work is mainly concerned with serving architects and designers to document interiors and exteriors. He came from a family of architects however realised that he did not have the stamina to be an architect therefor he started to photograph their work.
Distortion
Optical distortion is caused by the lens properties and limitations. It occurs as a lack of sharpness, vignettes, chromatic aberrations and curved lines.
Geometric distortion affects the shape of the subjects towards the edge of the frame.
Perspective distortion arises when different scales of objects are at varying distances from the lens.
Keystone distortion leads to converging lines such as when shooting a tall building its edges appear caved in rather than straight up.
Alignment distortion occurs when the camera is not levelled horizontally with the subject, making it appear askew.
Diffuse glow in photoshop will make the image appear as though it has been viewed through a soft diffusion filter.
The glass filter makes the image look as though it is being viewed through different types of glass.
The liquify filter makes it easy to manipulate areas of the image to appear melted.
The ocean ripple filter adds randomly spaced ripples to the images surface to make it look as though it is under water.
The spherize filter gives objects a 3D effect.
Plan
I have not chosen where I intend to shoot.
I will do recce shoots in the next week to choose the location and time of day to do my final shoot.
I will shoot over the easter break.
Equipment
Camera
Lenses (Store)
Tripod (Store)
Assistant
Illuminate
For this brief we were asked to research and annotate 5 images related to painting with light and consider the techniques and equipment necessary to complete these shoots.
Painting with light is a term used to describe the technique of moving a light source along a subject while taking a long exposure. The light may either 'illuminate' a subject or space, or if you shine the light directly at the camera you are able to 'draw' with the light.
Eric Staller
Eric Staller is a photographer most known for his work with light painting. He was born in New York in 1947 and studied architecture at the university of Michigan and graduated with a bachelor's degree in 1971. From 1976 to 1980 Staller walked the streets of new york at night creating light painting photographs. The first image he shot was a 1 minute long exposure on Walker street using a sparkler. He felt exhilarated and drunk with the possibilities. Staller chooses to shoot the city at night as to him it is enchanting. The plazas, bridges, parks and monuments which were empty and eerily quiet were dramatic stages waiting to be transformed.
Lapp Pro
These photographers was originally made up of 2 men, JanLeonardo Woellert and Joerg Miedza. Their work was choreographed and rehearsed prior to the shoots. It wasn’t until 2007 that Leonardo discovered light painting when he was trapped in an industrial complex overnight. He used his camera and LED lights to create a light painting image. Then Joerg came onboard and LAPP-PRO was born. They are sponsored by Canon, Ziess and LED sensor and recently worked with Nike to create an ad for the world cup. Originally, they shot using a 12.8 megapixel EOS 5D DSLR but now use a 21.2 megapixel EOS 5D Mark II.
Noise
1. Shooting at a lower ISO means you will have less noise in your image. Open your aperture to its widest setting and use a tripod if possible or use a flash.
2. Shoot images in RAW as JPEG already have compression applied to them. In post production you will have more flexibility removing noise and increasing exposure.
3. Find out if your camera has a function called High ISO Noise Reduction or Long Exposure Noise Reduction which means that the camera will analyse the image and look for any pixels that are incorrectly rendered.
4. Be careful when doing long exposures as if the exposure is too long the sensor of the camera will heat up and the pixels will render incorrect colours and exposure.
5. If you are shooting with no assistants, to be able to light each section of your subject evenly, it is recommended to shoot 3 images at a 10 second exposure. This will allow you to illuminate each section of your subject equally which you then layer in photoshop. This will then create an image with each section of the subject illuminated and also insures that you use a shorter exposure time. (See point 4)
Plan
I am thinking of shooting the ruins at Rouken Glen Park.
I am going to do a recce shoot on the 25th of March and again during the easter break in April.
I will set up at the park at 5pm and begin shooting around half past 6.
Equipment.
Camera
Lens (Store)
Flash
Tripod (store)
LED panel (store)
Flashlight
Assistant - to help shine the flashlight onto the structure.
A reinterpretation of Shakespeare's Othello An exploration of Shakespeare's intentions when writing Othello, exploring the play's racial themes…
In this video, i identified the following techniques:
Tracking
Zooming
Catch Evaluation
I found the catch project rather hard to do. I never had an interest in sports photography and I believe it showed during this project. Originally, I had contacted the sports hub in my town and asked them if I would be allowed to photograph one of their basketball or badminton classes. Unfortunately they did not reply to me, just as the sports section of the college. However, my dad and cousin were going to the sports hub for a match of badminton and I asked to come along. I spoke to one of the employees while I was there and explained what I was doing, which they gave me permission for.
I had difficulty setting up my camera to ensure I would catch the movement without a blur. I had a few failed attempts before I somewhat ‘perfected’ it. I found it difficult to capture the full movement or person in my image as I struggled to keep up with them and would occasionally miss a few shots.
In optimisation, I simply cropped a few images and raised the exposure in a few images to brighten them. In retrospect, I would have liked to have done a bit more research and research the best settings and equipment required for sports photography.
Final Peace Canvas
Movie Poster Evaluation
I enjoyed working on this movie poster. I knew instantly after the brief that I was going to do Friday the 13th as it is my favourite horror movie and the posters are always eye catching and intriguing. I did 2 location shoots in 2 separate parks and chose my two favourite images from each. I then layered them and changed the opacity on the above image to blend them together until I was satisfied with the result. I also raised my exposure to +3 and lowered my blacks and shadows to -8 to give the image more depth and seem more ‘horrifying’.
Conducting my movie poster portrait was more difficult. I originally shot with my cousin as he is built the same as Jason Vorhees in the movies and I knew he would come across as rather intimidating. However the difficulty with this shoot was the costume he had worn (I had not been very specific) and I had accidentally used a black background instead of white which made cutting him out of the image a lot harder.
I then shot my portrait again using a classmate of mine. I remembered to be more specific with the costume this time as he wore black trousers, a black shirt and large black jacket which helped him look more imposing and muscular. I also used a replica mask from the movie that I had purchased for the first shot. I placed a soft box to his left and a reflector to the right to bring some shine to the mask.
In retrospect, I wish I had been more specific with my costume design in shoot 1 and had known to use a white background as my cousin was perfect for the role. For shoot two, I would have liked to have moved the reflector more and remove the exceptionally bright shine on the edge of the mask.
Direction: Albin Holmqvist & Victor Köhler D.O.P: Niklas Johansson Producer: Amanda Nordlöw Food Stylist: Cilla Göthlinder Typography &…
In this video I have identified the following techniques:
Jump cut
Extreme Close up
Camera shake
Ariel View
Close up
Panning
Shallow depth of field
The island nation of Singapore is one of the smallest countries in the world. It is also one of the most technologically advanced. Lead by an environmentally conscious…
In this video, I have identified the following techniques:
Time Lapse
Flow Motion
Zoom
Tracking
Short film following the life journey of Ingrid Silva from the slums of Rio to the professional Ballet stage of New York City. Director : http://www.benbriand.com…
A few of the techniques i have identified in this video are:
Flare from the stage lights.
Close up.
Point Of View shot.
Tracking
Shallow depth of field
Fast paced
Reflection
Zooming
This short film is based on the writings of naturalist, author and environmental philosopher John Muir. It is a an ode to wilderness, and was filmed in the Scottish…
A few of the video techniques I have identified in this video are:
Panning
Tracking
Close up
Static
Slow motion
Danish director Mike Nybroe captures Michelangelo Pistoletto’s retrospective show at the UK’s Blenheim Palace. Pistoletto is a leading figure in the…
A few of the video techniques that I have identified in this video are:
Static
Slow Panning
Birds eye view
Tracking
Ariel view
Zooming out
Shallow depth of field
Dutch Angle
A story told with Adobe Spark
A story told with Adobe Spark