Zeit der Honig

a MEGALOMANIAC, that's me. learning to live and to love.

[grundoonmgnx]

Yayoi Kusama, Everlasting Beauty for the Never Ending Universe, 2016

[honeybum]

Shit I never hoped to see anywhere. Archived under

[jon-gasca]

Black Horizon by Olafur Eliasson. Photo by Jon Gasca.

[tockthewatchdog-deactivated2020]

america please import this concept

[altalemur]

they are not “androgynous girls”

they are nonbinary. they self-identify as genderless. their fans refer to them as meishaonian, or “handsome youths.”

the band is called FFC-Acrush, by the way.

while the Cosmopolitan articles cites the Quartz article, Cosmo at least respects the musicians and their agent enough to use the correct gendered language.

the Quartz article is full of really terrible transphobia and wrong usage of gendered language.

[contemporary-art-blog]

[contemporary-art-blog]

John Currin

[honeybum]

My favorite scene hands down—I love that they were arguing over ‘the Currin.’”  (Boogie Woogie,  The Art World's Devil Wears Prada. see more: https://www.thedailybeast.com/the-art-worlds-devil-wears-prada)

[honeybum]

Meltem Işık is known for her unpretentious yet intricate compositions of photographic images. Carefully put together, her work is an inquiry into the way we see and perceive the human body.

(via 18.jpg (454×680))

[honeybum]

2004 Aluminium, stainless steel, plastic, cardboard, pen, ink on paper

(via Tim Knowles - Postal Works - Mk2 Postal Project)

[honeybum]

A series of drawings generated by an apparatus in the back of a moving vehicle, a system of sliding rails and elastic holds a pen on to paper and records the forces at work within the vehicle. As the car moves much like a ball on the back seat of a car, as you break the pen moves forward, you turn left the pen moves right, etc.

(via Tim Knowles - Vehicle Motion Drawings - Brands Hatch)

[honeybum]

(via Nairy Baghramian, installation view of Maintainers, 2017. Courtesy of the artist and kurimanzutto, Mexico City (700×467))

[honeybum]

Max Ernst Date: 1926; Paris, France *

(via The Virgin Spanking the Christ Child before Three Witnesses: Andre Breton, Paul Eluard, and the Painter, 1926 - Max Ernst - WikiArt.org)

[honeybum]

Max Ernst, 1937, private collection.

“The creature in Ernst's L'ange represents one of his most menacing, as its dynamic form commands the entire canvas against the backdrop of an ominous sky. The title, which positions this figure as representation of an angel and also of the triumph of the Surrealist movement, is a testament to Ernst's wit.”

(via The Angel of the home or the Triumph of Surrealism by Max Ernst via DailyArt mobile app)

[honeybum]

(via — The Delusion Of Grandeur)

Presented as part of the ‘Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design’ exhibition, the work addresses the concept of temporality and disintegration in human life and art through a process and material-based lens.

[honeybum]

(via Incredible Dust Sculpture Art by Ujin Lee and Tom Edwards)

[honeybum]

(via ELENA ODRIOZOLA : Lanak · Works)

[contemporary-art-blog]

Olafur Eliasson, Los Angeles Marciano art foundation, Reality projector, 2018

[honeybum]

PABLO AULADELL 004

Magazine de arte y cultura contemporánea

[honeybum]

Anish Kapoor’s work has always challenged our perceptions of what is real–or true. He first came to prominence in the early 80’s with a series of pigment works that mysteriously emerged from walls and floor of the gallery. Strange organic and architectural forms of pure colour and material that left the viewer unsure of their solidity and boundaries. Kapoor has gone on to create works in materials such and stone, mirror, wax, silicone and earth that confound and confuse our relationship both to the space around us, the object, and the objects of our own interior.

(via Anish Kapoor's first work in VR launched today during Nobel Week 2017 - Alain.R.Truong)

[honeybum]

(via Giuseppe Penone - Press Release | Marian Goodman Gallery)