hot take, because i love being in spop discourse jail: adora’s feelings for catra isn’t some nuanced repressed homophobia masterpiece. it’s just sloppy and rushed, because the goal is to reward catra for being on the “right” side, be damned how we get there. the writing always revolved around catra first. the comfort zone of the writing is catra’s angst. catra is the character who “matters.”
adora’s feelings or agency barely matters, nor does the fact that their relationship was equally uneven from the childhood friendship that they so love to romanticize - catra demanding emotional support and holding adora to an unfair and unreasonable promise without giving any of that in return.
for a character like adora, who is so defined by the most basic of insecurity narratives, they sure do love to brush that aside when it comes to catra’s role in it: expecting adora to be a certain way, while also blaming her for stepping outside that role. over and over and over again.
catra’s whole problem is that she is obsessed with her own agency. not just controlling the horde, but controlling adora. that’s the only way she feels safe.
all of which makes it all the more frustrating how the writing then turns around and insists that not only is catra’s love for adora a selfless force, it always was and she’s the one who “truly” wants what’s best for her. it’s an insult to literally every other character who cares about adora, because the show can’t resist the melodrama of perfect soulmates even when it doesn’t work. (it’s also frustrating how catra’s need for agency is shoved aside & she’s basically just there to shout “adora!” after corridors, but that’s a story for another day).
adora, who was moving on and genuinely making healthier connections outside the horde, being told - really forced - by the narrative that actually, she was still secretly in love with catra, despite how uneven that relationship was and how firmly the character they wrote in s3-s4 showed otherwise… isn’t a sign of genius subtle symbolic writing. it’s not about internalized homophobia. it’s just forcing the conclusion they want, because it’s what would make catra happiest. and that’s all they ever cared about.
spop being nominated for an emmy for best promotional material (aka best commercial) is extremely fitting, because it’s good at making “moments.” it’s good at turning to the audience and saying “please clap” at the right time, knowing when and how to evoke Feels. it knows where it wants to go, it just doesn’t know how to get there. it falls apart when you try to follow the logic and motivations of the characters from episode to episode, in the vain hope that they’re building towards a natural conclusion.
i actually like those aforementioned “moments” better without context, in gifsets and twitter clips, than when i watch them in the show. it’s more effective the less i think about it. they’re nice clips, but… they do not build naturally. all of which is to say that i think spop has a lot of good moments, loosely tied together by a rather meh plot and shallow emotional manipulation.