Got it, Princess?
hello vonnie
Jules of Nature

gracie abrams

bliss lane
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almost home
Monterey Bay Aquarium
will byers stan first human second
Cosmic Funnies
One Nice Bug Per Day
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸
$LAYYYTER
Lint Roller? I Barely Know Her
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official daine visual archive
let's talk about Bridgerton tea, my ask is open
Not today Justin
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Today's Document
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@honorarycassowary
Got it, Princess?
free use is kind of a funny kink bc it relies on the idea that everybody wants to touch you and have sex with you but what if they don't. what if you tell everybody at the party you're free use but they all ignore you and mind their own business
taking notes
just watched jurassic park and from a meta perspective im thinking sadly about how the behavior the carnivores display is way more indicative (at least to me) of wanting to play and lacking stimulation in their lives than actually wanting to eat the human characters. and they got so so demonized for it
JP dinosaur behavior analysis with a healthy dose of headcanon included from someone who doesnt know much about behavioral science. for funsies
ok so first of all lets start with the t rex. her very first moment is the goat leg ending up on the car, but we can see in the next shot that she is very capable of swallowing the goat whole. so how did that leg get there? given evidence that t. rexes were likely social creatures, i like to imagine that the leg on the car was more “here you go have part of my meal because you’re small” for the humans
next is her communication. i want to look at one specific thing, which was actually the thing that prompted the post
to me, that certainly looks like eye pinning. eye pinning is a behavior in birds that signals high stimulation. here’s what it looks like in a bird
it can be positive or negative, but in this case it’s probably not negative, because there’s nothing forcing the rex to stay there. if she wanted to leave the situation she could hit the bricks
the continual roaring also sort of suggests play behavior to me. there’s not really any sense in making a shitload of noise at your prey (unless you’re trying to scare them out of cover, but we know she doesn’t need to do that because we see she’s strong enough to just break into the car) so, especially because they keep screaming, that reads way more like “im making noises and they’re making noises back ^w^” then it does as trying to intimidate prey for some reason
play behavior also makes sense because we know, canonically, she’s crazy understimulated. alan grant says as much when he mentions that they aren’t feeding her in a way that promotes hunting behavior. the way she noses at the jeep and spins it really just looks more like curious interaction than anything, as well as all the chasing people she does
next, the raptors. their really famous scene is the kitchen, but first let’s establish some facts about them. we know from muldoon and what we’re shown that:
- they’re smart enough to use one of their own as a distraction for flanking maneuvers
- they’re good at problem solving enough to wait until the electric fences are turned off to systematically test them for vulnerabilities
- they’re absurdly fast. “60 mph on open ground” fast
- they are absolutely not in a big enough enclosure
- they’re not fed in a way that promotes hunting behavior either
so when you put all this information together and then look at the kitchen scene, i don’t believe for even one second that the “hide behind the counter” routine is fooling those two raptors for any time at all. that entire sequence of loudly scrambling around the kitchen while something that can keep pace with a cheetah pretends it can’t catch you? yeah that makes WAY more sense as play behavior than it does hunting, especially since we see numerous times that there are many things on the island easier to catch and eat than a bunch of skinny humans (this goes for the rex, too!)
the bit with the noises is also true here. more true, if anything. muldoon tells us the raptors are ambush predators, so why on earth would they get into a hunting ground and then risk scaring their prey off with the loud barking calls? “hi we’re here come out and play” is a much more sensible use of a call loud enough to hurt a human’s ears from across a room in that situation
in conclusion: damnit john your girls are bored as fuck. give them a horse ball or a frozen pumpkin stuffed with meat or something
In the moonlight the garden is full of wonders
my buddy says the craziest stuff when i make him plead for his life
but i stay silly! *←said in the most world-weary voice you ever did hear*
“but I stay silly!”
Reblog you stay silly
on it boss
"Thanks for walking me home."
side b, side b
jf i was vladimir nabokov and i was writing lolita i would make her an adult becaude then it would t be dark problematic media and instead a sweet romabce between two adults (woke and pure)
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!
There's this perception, I've noticed, that if you're going to have a cultural conception of something like "mental health" in your fictional setting it has to be like Ideal, it needs to be the ideal version of mental health awareness/conception/care or it needs to not exist at all even a little. Does that make sense.
Similarly there's also this idea that either a character knows what therapy is, has had some, and has had an overwhelmingly positive experience and result from it, or they have literally no concept of therapy at all, like Harry Du Bois not knowing that he's a cop style. Total blank. Very odd.
The options are not "this story takes place in the Instagram infographic universe" or "you get nothing. Everyone has a caveman's understanding of what depression is." is all I'm saying. Make a setting with a concept of mental health that sucks. Send the character to therapy that doesn't work. Officially diagnose them with something that sucks and is absolutely going to be taken out of the in-universe dsm in a couple of editions. Try something difference.
REAL. I’ll also add that I see similar things about speculative gender/sexuality and legal systems. If you’re not recreating the accepted wisdom/status quo of our time (which is obviously a neutral action /s), then you’re stating that what you’re writing is How Things Should Be. Stories must be aspirational, they can’t simply be Different.
Assign an aspect of nature to prev
Waves at the beach
Rushing breeze through leaves
A crack of thunder
Flow of a river
The shine of a gem
Dancing embers of a flame
Torrential rain
Slow falling snow
An emerald sea of grass
Austere cliffside
A maze of roots
The endless oceans
I feel it would be good to have a word that's like not ragebait but shamebait, where you can read a post and just go 'ah, this person just wants me to feel ashamed of myself and is not engaging with the issue in a constructive or useful way. I do not have to participate in this actually' and like. move on with your day
I do love calling narrative beats unearned. Like I do not call things unearned unless it's uh. earned. but it's really the harshest criticism I have. Yeah this happened in canon, but the story failed to convince me it wasn't self-indulgent nonsense; hacky pandering; or a panic move because no one figured out how to get from point A to point B and just kind of pretended the work had been done but it hadn't. It feels like you're trying to gaslight me but crucially you're so so bad at it. I have judged you and your bad story Unworthy.
William Darkdrac (Spanish, 1995) - The Miracle of the Unicorn (2024)
you need to understand that i have two sets of headcanons. there's the set of realistic headcanons based on my genuine reading of the show, and then there's me playing pretend with my dolls.