taylor price

❣ Chile in a Photography ❣
sheepfilms
dirt enthusiast
Sweet Seals For You, Always

JBB: An Artblog!
noise dept.
Claire Keane
NASA
"I'm Dorothy Gale from Kansas"
Monterey Bay Aquarium
ojovivo
KIROKAZE
almost home
No title available
Misplaced Lens Cap

titsay

izzy's playlists!
Cosmic Funnies
No title available
seen from Ireland

seen from Malaysia
seen from United States

seen from Canada

seen from France
seen from United Kingdom
seen from Brazil

seen from Singapore
seen from United States
seen from Canada

seen from Türkiye
seen from United States
seen from United States

seen from United States
seen from United States
seen from Singapore

seen from United States
seen from Italy

seen from United States
seen from United States
@hoodoo-huncho
SLYTHERIN: “Don’t confuse my personality with my attitude. My personality is who I am. My attitude depends on who you are.” -attributed to Frank Ocean
In defense of Vivienne
Ok, so this used to be a response to another post, but I felt like bringing it back and it’s long as hell so I thought it deserved its own post.
In this I’ll be addressing a few of the accusations Vivienne gets from fandom that I think are unfounded; just a series of thoughts and conclusions I draw from her dialogue, banter and actions. 😊
Buckle up!
Keep reading
Hello! I was wondering if you would do a wand analysis ~ only if you’ve the time of course. a bit about me I’m a male, ISTP, Slytherin with strong Ravenclaw traits. My patronus is a leopardess and my interests are healing magic, alchemy, potions, and transfiguration. My wand is Acacia wood with a Phoenix feather core 14 ½" and Quite Bendy flexibility.
Hi there, and no problem. Hope you enjoy my analysis <3.
Analysis of Acacia w/ Phoenix Feather 14 ½ inches Quite Bendy:
Acacia and phoenix feather wands are among the most selective and picky about their owners. In their owners there is a balance between intuition and sensing. The acacia balances out the phoenix feather’s inability to remain objective; their owners are able to be objective as needed in any situation.
These witches and wizards are both highly sensitive as well as independent. In their youth, they may have been labeled as crybabies and were desperate for attention and approval, especially from their peers. However, as they mature they become more detached, and are able to use their emotional capacity and empathy to their advantage. This advantage is being able to adapt to different situations, and to different people. With their empathy, they have great skill with reading people.
Their ability to communicate their emotions and ideas also improves, and can be charismatic with their words. If allowed, people may find that these often quiet people have rich inner worlds and imaginations.
There are some minor perfectionist tendencies, and they need to learn to exercise patience with themselves– that it is okay if they are not perfect all the time or take longer than others to discover their talent or passion. They take longer than other phoenix feather wands to discover their talents or dream career.
They excel at rising above horrible situations, whether they are born into them or otherwise. What aids them is their extraordinary ability to compartmentalize, and to recede into their mental world for safety from external factors–especially if they’ve had a troubled youth. There is an inner-resilience to these witches and wizards, despite their sensitivity– and a stubbornness in their beliefs. They will hold onto the few concrete beliefs they have, no matter the forces acting upon them.
The thought of making a fuss, or being accused of making a fuss, is something these people fear. They do not want to be considered a bother to anyone, and may make some decisions based off whether it will inconvenience others. This decreases with maturity, but may still nag the back of their mind.
As they try not to attract attention or use excessive magic, people may accuse them of being deceptive when they do show their true power abilities. There is truth in it, as they knowingly do this and know how to play off the stereotypes associated with them (physical appearance or otherwise)– including being the ‘sensitive introvert.’
It takes them a while to open up to people, as they feel like not many people can truly understand them. And when they try to communicate their truth, they often become frustrated as they feel inadequate in their expression as well as failure to connect as deeply as they want to. They don’t tend to belong to one particular group of people and enjoy floating around different social circles, as being around a specific group can exhaust their social resources. There is a higher tendency of loyalty towards individuals rather than groups or organizations.
Often with this wand combination, there is talent with healing, non-verbal magic (one of the best for it, actually), and purification. In healing, this wand excels at healing burns and detoxification (either from addiction or from ingesting poison, venom etc.).
Showy or ostentatious magic drains this wand’s patience and power all too quickly. It can become overstimulated by these magics and need to be placed in a cool dark space (such as a closet) for at least an hour before the next use in order to ‘cool down.’
Stamina is an issue, and these wands are better at shorter duels than long and drawn out skirmishes.
This combination is both famous and infamous for its reputation in spy work and acting. The subtlety and secretive nature of acacia combined with the detachment and flexibility of identity from phoenix feather indicate a person able to become who they need to be no matter the situation.
This is a very balanced combination when it comes to the basic elements. It is equally split between air, fire, earth, water and plant based magics. It is a highly efficient wand, and will do its best to use only the amount of magic needed for specific spell and not a drop more.
This wand performs admirably in most magical subjects and disciplines. There is particular talent in potions, alchemy, ancient runes, arithmancy, transfiguration, and herbology. There can be issues with certain charms, as this wand may be reluctant to perform magic it deems as impractical or showy. Talent with divination is uncommon in this wand.
Common occupations include: spy, explorer, ambassador, cartographer, mediwizard, careers involving strategy, actor, careers in performance, exorcist, healers, herbologist, alchemist, wand maker, politician, philanthropist, lawyer, and professor.
Due to the acacia, this wand is less hostile to wands with cores from venomous creatures than other phoenix feather wands.
This wand will glow in the dark if needed– there are spirals and markings (differs based on owner) that are only revealed in the dark.
Unlike other phoenix feather wands paired with highly sentient woods, this wand will not burn the hands of people who try to steal it. Instead, it will curse them–usually with bad luck, clumsiness, or something more creative.
Common patronuses include: many of the big cats, peacocks, owls, weasels, antelope, hognose snakes, and gopher snakes.
The length of fourteen and a half inches indicates a confident personality, occasionally to the point of cockiness. The owner has a strong magical core, and their spells may be stronger than intended.
The quite bendy flexibility indicates a willingness to see all sides of an issue, and perhaps even greater ability to adapt than other acacia with phoenix feather wands. They seem to slide from one side of a topic to another, as they search for truth and equilibrium. Their decisions are highly based on the context and time as much as they are on their own moral standing.
BLACK PEOPLE NEVER STOPPED PRACTICING HOODOO TRADITIONS, PART ONE
That we did is one of the biggest misconceptions that exists about Root Culture aka Black Culture aka HOODOO. In the #HoodooHeritageMonth post about love binding work, I mentioned a period where Black people began throwing at (cursing) one another to survive the times, which were desperate. This gave the words “Hoodoo”, “rootworking” and “conjure” negative associations and turned into the stuff only the ill-intentioned, mean-spirited or downright evil would endeavor. Meanwhile at a time when racism and terrorism were at their heights in the 20th Century, Black churches proliferated, despite horrific attacks against them. Black churches were anchors within Black communities all over the United States. And for many, going to church was more about community than it was about being beholden to a foreign religious indoctrination.
However, most churchgoers were careful about calling what they did to help themselves or others “hoodoo” etc. Instead, they called it “Work”, “The Lawd’s Work”, or “Spirit Work”— if it was called anything at all. What must be understood here is that THE WORK ITSELF NO MATTER WHAT OR HOW IT WAS REFERRED TO DID NOT CHANGE. A more profound example of this is the fact that most men who became preachers were themselves rootdoctors, rootworkers and conjurers of Hoodoo tradition. One such man would found one of the largest Black church denominations in the country. For more information about that, please read Yvonne Chireau’s book Black Magic: Religion and the African American Conjuring Tradition.
During slavery, most enslaved were not allowed to read but were exposed to Christianity and if they had access to a Bible, used it as nkisi (“spirit object”, KiKongo). In some instances, Black men were chosen to minister to the slaves by their owners, and taught to read the Bible. Slave church services were often held on Sundays outside on plantation lawns, in full view of whites. Outside of this contrived, performative practice, the slave preacher would gather with his people in secret, and teach them Bible verses to use for spiritual work. Slaves were widely illiterate and therefore had to commit the verses to memory in order to utilize them. The shorter the verses, the easier to commit to memory. I’d like to add here that by and large Christian-leaning Black people who use the Bible for spiritual work utilize the New Testament more than the Old Testament. The emphasis on working Psalms was most likely a by-product of Jewish shop owners (whose own faith does not acknowledge Christ) catering to Black communities during and after the Great Migration. This is not to say that Black people didn’t or do not work with Psalms. We just didn’t use them exclusively or in their entirety as outsiders of Hoodoo like to assume, perpetuate and profit off of to this day. THIS POST TO BE CONTINUED.
#HoodooHeritageMonth
Art: “The Upper Room”, John Biggers, 1934
About Root Culture (read: Hoodoo)
The power, the mystery and the glory that is “hoodoo” is passed down through the bloodline of Afrikan people and is manifested and maintained by every generation of Black people of this land as it has been by their Afrikan Ancestors in the Motherland, from the beginning of the beginning. It was more than a collection of tricks; it was and still is the foundation of our survival in a place where we are disempowered, oppressed and murdered because we are Black. It is the well in which we dip to create, to make, to dream, to envision. We have used our juju to liberate, to preservere and survive. Black literature and music played a large part at giving testimony to Root Culture. The Black Church played a significant role in maintaining (AND suppressing) certain aspects of it. A common misconception about hoodoo is that it’s Christian-based. Actually… It’s Big Mama-based. And Mama luh gwine down erra night ta Ol’ Ebbaneezuh Baptiss choich fo’ta git huh prez on fo’ da Lawd. Additionally, our enslaved Afrikan Ancestors Africanized the Christian religion, by fusing traditions from West Afrika.
Not every Black child or young person is witnessed by an Elder to possess the eyes and/or the hands of a rootworker or conjurer. But every Black child who became a rootworker or conjurer was marked by the Ancestors and witnessed by the Elders. Those who have been marked and witnessed begin presentation, training and initiation, which is cultivated throughout their years. Learning roots is a process that takes YEARS to master, so this is why the strongest juju hands belong to the ELDERS of this tradition. The art image below depicts one manner most of us get our gifts or disposition (mark of the Ancestors) confirmed by our Elders. It is also one way (among many) the secrets and mysteries are passed down. This experience is ubiquitous within Root Culture.
The misconception that “hoodoo is just magic that anyone can pick up” is not only an insult to the legacy of the tradition, it’s a direct insult to us, our Elders and our Ancestors… It is a lie, started by non-Blacks to commodify the materials known in some parts of the rootwork practice (oils, incense, powders, roots, etc.). The power that fuels hoodoo goes beyond just tricks using powders, oils, candles, etc. Understand this: No rootworker worth his or her salt is going to order a root cultivated in Mexico from a shop in California whilst stepping over roots growing in the soil beneath his own feet in Ohio. The same roots his Big Mama used which had to replace the ones her Papa used while he was living down in Georgia. Our people historically worked with what was accessible to them. Nothing has changed within Root Culture. We still work this way.
Hoodooists utilize materials gifted to us from The Creator, the Ancestors and the Spirits of land, the waters, the bush, field, forest and swamp— even those who no longer live in the South still do— more than we do these commodified items but will at times use these things in a pinch and if we didn’t craft them ourselves, we will barter or swap with other workers.
Outsiders also think the practice is relegated to spiritual rituals, ceremonies and such, as some endeavor separated out from the mundanity of everyday life. Nope. Not true in many cases. It’s interwoven in our day-to-day. What must be understood: Black folk put de juju in jussboud errthang we do. It’s the foundation of our style, our swag… The one thing this white society loves to capitalize off of when they want to seem “hip” or “cool”… Forever copying off us but they never truly seem to quite get it. “Dey be all up in da kool-aid but don be knowin da flavor”… So while these outsiders are busy bedazzeling chicken feet and debating online about hot foot powder, they don’t even resonate with the juju of a plate of greens, the funk of an Elder, the braid styles of little Black girls, the notes from Bird’s horn, the solo from Hendrix, the bars from Kendrick, the little old lady sitting in the back pew of the Baptist Church scribbling in her Bible… But how could they? They aren’t Black nor a part of Root Culture. Most of them aren’t even interested enough in Black people to learn about our history for only 28 out of 365 days a year. And the gag is… juju is all up in our Black History, HA!
To repeat: Black folk put dat juju in jussboud errthang we do… #KnowThat
Rootworkin is passed down and maintained through the bloodline, and the style and approach to it depends on one’s Family. Your lineage dictates the manner of Spirits honored, which plant life are a part of your Root Family, which spaces in your environs are Places of Spirit, and so on. This information is never written about because it has never been written down. Deal with it. It is never talked about in depth because it is privileged information that if shared with those outside lineage, can have dire consequences. Death being among them. There is a reason there are so many tricks to protect one from bad juju and death. Likewise there is a reason many of our Elders will cease transmitting the secrets and the mysteries to their descendants and take all that info with them to the grave. Think about that….
The “recipes”, “spells” (we never call our workings “spells” by the way) and other things out in the wild labeled as “hoodoo” are for the most part sterile and useless. A lot of the bullshit out in public falls under de Konker rule and as such has been given status as red herrings, decoys or bits and pieces but not the whole. However, the anointed, initiated and skilled will see that fragmented or incomplete hoodoo recipe and they’ll know at a glance what items are missing. Another important thing to consider is that people who grew up around hoodoo or had rootwork done but were not themselves anointed initiated rootworkers, were the main ones disclosing information to outsiders of Root Culture who collected this info and had it published. Their mileage definitely varied.
Another thing that has gotten out of hand… Both culturally and historically, practitioners are NOT witches. Those who self-identify as witches but claim to practice hoodoo are basically saying they 1) have no blood ties or lineage, 2) have no Elders and 3) are outside the Root Culture Community. Without those three things, you do not have Hoodoo.
We are Mama. Sister. Nana. Auntie. Big Ma. Mother. Queen. Prophetess. Madame. We are NOT witches. Witch is a European word used to describe harbingers of evil. It is not a word used to describe physicians, healers, intuitives, prophets, empaths, seers, diviners, conjurers, herbalists, botanists, alchemists, psychics, mediums, magicians or sorcerers.. and rootworkers, rootdoctors, spiritualists… and hoodooists/voodooists. Witch is witch. Period. It has one meaning. Period. Afrikans historically understood and dealt with such things and our priests and priestesses were sought out to identify “witchcraft” (trust they had their own words in their own tongue that translated to witchcraft) and have it and who brought it destroyed. Then the white man came. Colonialists and Missionaries labled ALL Afrikan spiritual practices as witchcraft and its practitioners witches due to their racism, ignorance and arrogance.
Hoodooists, once identified and presented by their Elders, begin learning by living the tradition, within the culture. We are anointed. We are initiated. We learn by sitting at the feet of our Elders. We learn by apprenticing. We learn by being involved within our communities. We can write books and web pages and make videos about this until the cows come home. But we cannot teach it in this way. This work involves the eyes of the Elders and the hands of the Ancestors. It involves getting mud, shit and blood under our fingernails. It involves seeing in the dark. It involves dying and coming back. That’s something that cannot be received without being present, touching, tasting, seeing, smelling and feeling. And it cannot be given to you until your Ancestors mark you ready and your Elders are witnesses to it. And if you don’t have it, you most certainly aren’t fit to be teaching it. Like they say… ya caint give watchu neva had.
FUCK THEM KIDS!
Ava’s Demon controversy update - tumblr proves itself shitty once again.
Tumblr is one of the worst platforms for a content creator. Its “cancel culture” is toxic, disgusting, and abusive. This site is full of people who obsess over the art but despise the artists. Nowhere else on the internet will you find such self-righteous, holier-than-thou people who preach tolerance but will jump at the slightest opportunity to tear someone down.
Most of my followers aren’t Ava’s Demon fans, but fyi the same thing happened to DANARUNE, the art director of The Arcana. She’s also a friend of the creator of Ava’s Demon.
These smear campaigns aren’t done for moral justice. They are carefully curated plans of attack against the author by people who have a personal vendetta who know how to use and manipulate the internet into doing their dirty work for them.
Don’t share callout posts.
Don’t hop on the bandwagon when it passes by.
Don’t believe flimsy, out of context evidence.
Protect our creators so they don’t make the (honestly, logically sound) decision of leaving this hellsite.
This has been a PSA.
Take A Minute and Cleanse
“The Timucuan tribe lived and thrived in present-day Florida from ancient times until the early nineteenth century when they were wiped out by European disease, slave trade, and war. Archaeology confirms the Native people had a wide range of Florida folk magic beliefs and traditions.”
“In the 1700’s, bands of Creek Natives from Alabama and Georgia migrated to Florida. War with European settlers and other tribes sent them to the sunshine state in search of land and peace. They brought their beliefs and spiritual traditions with them, but adopted new ones once they’d settled in. The Creeks would become the Seminole nation.”
“The Seminole tribes hid many runaway slaves from officials. Relationships between them gave way to the term the “Black Seminoles”. Other African settlers were promised freedom if they would only covert to Spanish Catholicism.”
“ The runaway slaves and free men brought their culture and beliefs to Florida: a mixture of Christian and indigenous African customs. They also brought with them a folk magic tradition now called Conjure, Rootwork or Hoodoo. Like the Natives, the African settlers were resourceful. They were in touch with the land and the food and medicine it provided. The land provided magical resources, as well. To the African settlers who had faced much torment at the hands of their oppressors, magic was a way to survive.”
From otherworldlyoracle.com
Academic articles about the Kongo/Bakongo people
the articles are from my google drive if the links don’t work I apologise
The Kongos are a Bantu ethnic group who live in the Democratic Republic of Congo, Republic of Angola and Republic of Congo.
Joseph Kasa-Vubu, ABAKO, and Performances of Kongo Nationalism in the Independence of Congo by Yolanda Covington-Ward
Beyond Decline: The Kingdom of the Kongo in the Eighteenth and Nineteenth Centuries by Susan Herlin Broadhead
The Influence of the Kingdom of Kongo on Central Africa by E. Torday
Introduction a la littérature kikongo by Mbelolo ya Mpiku LA POLITIQUE INTELLECTUELLE DE MVEMBA N'ZINGA (Dom AFONSO I er) MANI KONGO 1506-1543 by Meno Kikokula
DROIT COUTUMIER DES BAKONGO: Un exemple de jugement foncier: l'affaire Boko by André RYCKMANS and BAKWA Mwelanzambi C.
L'État colonial et les missions catholiques face au mouvement kimbanguiste à la veille de l'indépendance du Congo belge 1944-1960
Ethnicity and Language in the Run-Up to Congolese Independence in the 1950s: Ba(Ki)Kongo and Ba(Li)Ngala by Margot Luyckfasseel & Michael Meeuwis
Lulendo: The recovery of a Kongo nkisi by Wyatt MacGaffey
Lovo, rock images, and mythology in the Land of the Kongo by Heimlich, Le Quellec and Nsangathi
Combined Spectroscopic Analysis of Beads from the Tombs of Kindoki, Lower Congo Province (Democratic Republic of the Congo) by Rousaki1 et al
Pour une archéologie du royaume Kongo: la tradition de Mbafu by Bernard Clist
The Kingdom of Kongo and the Thirty Years’ War by John Thornton
THE DEVELOPMENT OF AN AFRICAN CATHOLIC CHURCH IN THE KINGDOM OF KONGO, 1491-1750 by JOHN THORNTON
ELITE WOMEN IN THE KINGDOM OF KONGO: HISTORICAL PERSPECTIVES ON WOMEN’S POLITICAL POWER by 17501 by John Thornton
So proud of my mother for doing her own research after I sent her that meme. A sign she hung in her car window.
Stay woke
Is this true?
Not only is it true, it gets worse. The Susan G Komen For The Cure Foundation has actually successfully sued “competing” charities, because (paraphrasing) their “message or branding was infringing.”
You read that correctly: they took money that people had donated to cure cancer, and hired attorneys with it, to sue ANOTHER group of people trying to find a cure for cancer, who, in turn, had to us their donated money to hire their own legal counsel to defend themselves.
Yeah signal boost because not enough people know about this and seriously FUCK SUSAN G. KOMEN THEY ARE THE ACTUAL WORST
Some links…
http://thinkbeforeyoupink.org/
http://www.somethingawful.com/feature-articles/for-the-cure/
http://thestir.cafemom.com/in_the_news/132728/susan_g_komen_foundation_has
(reblogged in honor of my mother, who died of breast cancer, 11/13/97)
Reblog every time I see it. Roughly once a month.
Also please never forget the pink fracking drill bit
that’s right fracking you know, a process using chemicals known to cause cancer that leech into the water supply
http://www.triplepundit.com/2014/10/baker-hughes-fights-breast-cancer-pink-fracking-drill-bits/
http://www.nbcnews.com/health/cancer/pink-drill-bits-bring-complaints-komen-tie-fracking-n223166
It’s that time of year again, please remember Komen is the actual worst
Komen For The Cure is pretty much awful.
My mother died in 1996 from breast cancer. Most cancer charities are scams, in that people throw fancy parties and get rich off them and very little money goes into research or support for patients. Here are some vetted cancer charities that get good scores on Charity Navigator and pay medical expenses or fund research:
Breast Cancer Research Foundation
Cancer Research Institute
Dana-Farber Cancer Institute
63 four star rated cancer charities on charity navigator
Signal boosting this
Reblogging from myself because it’s October now
PLANETARY CORRESPONDENCES - URANUS
Astrological Sign: Aquarius
Gods: Ouranos, Caelus, Zeus, Pan
Goddesses: Nyx, Isis
Beings:
Archangel: Uriel
Sephira:
Days: Thursday
Number: 17 and 12
Elements: Air and Water
Tarot Card: The Fool and The Hermit
Musical Note: B sharp
People: Scientists, astronomers, astrologers, radiographers, inventors, revolutionaries, anarchists, politicians, archaeologists, pilots.
Body: Ankles.
Mundane: Television stations, satellites, electricity, radio waves, computers, the internet, new technology, laser beams, magnetic fields, telepathy, air conditioners, ice, icebergs, glaciers.
Animals: Dragonflies and Butterflies
Colors: Blue-green, Electric Blue.
Metals: Platinum and Uranium. (Uranium is radioactive and deadly. Do NOT use.)
Stones: Quartz, Labradorite, Blue Topaz, Zircon, Amber, Amethyst, Garnet, Aventurine, and Diamond.
Plants/Incense/Oils: Clover, Bryony, Pokeweed, Snowdrop, Foxglove, Valerian, Clove, Rosemary, Tree of Heaven, Hellebore, Morning Glory, Houseleek, Sage, Wintergreen, Caraway, Orchids, and Sweet Woodruff.
Trees:
Foods: Mangos and bananas.
Attributes: Unexpected occurrences, inventions, change, and eccentricity.
Detriments: Loneliness, melancholy, boredom, desperation, mistrust of self, rebellion, and instability.
On Slytherin Primaries
Slytherins believe in the importance of taking care of their own. Everyone else is a person, but so are they, so a Slytherin’s job, before everything else, is taking care of them and theirs. This makes what Slytherin are known for, their ambition and ruthlessness, stand out strikingly even while a Slytherin’s core is not inherently selfish or cut-throat.
All of the Houses contain people with great ambitions and great desire for accomplishment and the furthering of their goals. Gryffindors will take on the world to do what they think is right, and are willing to make sacrifices and overrule those who would compromise on what needs to be done, and that’s nothing if not ambition. What makes the Slytherin ambition stand out so significantly is that it’s seen as a selfish ambition, and a guiltlessly selfish one at that. That drive is tied to personal achievement instead of idealistic achievement, and that makes it easier to point at.
But this is key: selfish ambition is idealistic ambition for a Slytherin. A Slytherin’s first priority is to their loved ones not because they love deeper or harder than the other Houses (they don’t), but because it is wrong to betray or abandon your people and right to defend and promote them. Loyalty and defense of your own is an inherent part of the Slytherin morality.
A Slytherin does not generally feel guilty for valuing themselves, for taking time for their own mental or physical health, or for sacrificing other things for the safety and happiness of the people they love. They might feel vulnerable, or judged, or guilty for not feeling guilty, especially if they live in the kind of family or culture where humility and self sacrifice are seen as the greatest goods– but without watching eyes and the words of peers and authority figures bouncing around their skulls, a Slytherin would feel comfortable and even validated in the idea that they have both a right and duty to take care of their own selves before anything or anyone else.
An exception to this is a Slytherin who’s managed to kick themselves out of their inner circle. For whatever reason, they don’t feel like they deserve their own help or kindnesses. Their “me and mine” priorities are still apparent but now it’s only “mine.” They fiercely and selflessly prioritize the individuals they love, value, or feel responsible for, while excluding their own self. A Slytherin like this can look somewhat like a Hufflepuff Primary, erring towards selflessness, but take a look at how they prioritize between their best friend v. a stranger in need. If they feel guilty for abandoning the stranger, they’re probably a Puff; Slytherins feel desperately like they owe things to their people, but they don’t feel like they owe people in general. (Also keep an eye out for a Burned Hufflepuff in this example, though– a Slytherin wouldn’t care strongly about not helping the stranger, except for general empathetic tickles; a Hufflepuff would be survivably eaten up inside; a Burned Puff would force themselves not to care because it’s the only practical thing).
Not prioritizing their own would feel wrong to a Slytherin. It would feel selfish, and might feel like giving into social pressures instead of standing up for what matters to them. This can hold true emotionally even when logically, prioritizing you and yours is not the best thing to do. In The Hunger Games, Katniss Everdeen, a Slytherin Primary who only wants her family to be safe, almost runs away from her place as an important political symbol on the chance that she and her loved ones could make it on their own, hiding from the capitol. She doesn’t– but she really wants to, and when things go wrong she feels guilty for not acting to put her loved ones first.
Canonical Basis
Individual loyalty is something tied to Slytherins in the books and movies, but isn’t something that gets focused on. “Or perhaps in Slytherin you’ll make your real friends,” the Sorting Hat says in the song from Harry’s first year. It doesn’t explicitly use the loyal like it does for Hufflepuff, but that’s consistent because often, Slytherins don’t look loyal. If you’re not one of their most important people, who you can often count on one hand, they’re not particularly loyal. Loyalty doesn’t have an inherent worth for Slytherins the way it does for Hufflepuffs. Loyalty is less given and more earned.
And we have canonical examples of Slytherin loyalty, extreme and dramatic as it is. Slytherin loyalty is Narcissa Malfoy abandoning her Dark Lord for the sake of her son. Slytherin loyalty is the way Pansy Parkinson freaks out every time something injures Draco, and the way she was willing to sacrifice Harry to save herself and her friends (and the way she expected other people to agree with that judgement call).
It’s Slughorn’s guiltless willingness to distance himself from Dumbledore’s war–until old Dumbly gave him a reason to risk his own precious skin. It’s Snape, unwilling to let go of Lily Potter even after decades have passed and her son has grown up an orphan; even when there is nothing still to gain from holding onto his loyalty to her, and even when he hates her son.
Moving outside of canon (because there are nearly no positive descriptions of Slytherins with canon– Narcissa is a bigot, Pansy a bully, Slughorn a spineless creep, Snape a child abuser):
Slytherin is Ender Wiggin going back to Battle School not to save the world but because his sister asked him to, and Bean going to Battle School because he could get an education there that would save himself and then staying to save Ender. Slytherin is Pepper Potts telling Tony that, to hell with the world, he needs to take care of himself first. It’s Andrea from The Walking Dead pulling a gun on the people who try to get between her and her sister’s body. It’s Toph Beifong not giving any fucks except that hey, Twinkle Toes needs her. It’s Briar Moss of Circle of Magicplunging into death itself, refusing to let Rosethorn go.
Where Molly Weasley, in HP canon, weeps but drops her son Percy when he turns on them for the Ministry, blood purist and loyal daughter of House Black Narcissa Malfoy betrays the Dark Lord and saves Harry Potter for Draco’s sake. As the final, epic battle of good and evil culminates and commences in Hogwarts, Narcissa takes her family and she disappears. The ideals of her war were only her priority until her son was in direct danger.
Slytherin v. Hufflepuff
Slytherin and Hufflepuff are the two Loyalist Primaries. People, and not ideals, are at the core of their judgement calls. But where Hufflepuffs tend to bond to groups, Slytherins bond with individuals.
Slytherin Primaries are horrified to see someone let down a friend. To turn on a loved one for words as insubstantial as truth or justice or the greater good feels like a very particular kind of madness. Sure that’s what you’re supposed to do, a Slytherin might say, but that’s not what you actually want, is it? Your person is right here. They are real, and they are breathing, and they need you, and they are yours. It’s an extreme Slytherin who would let the whole world burn for the sake of a friend, but every Slytherin Primary would be at the very least tempted.
We discuss in the Hufflepuff Primary post how when someone is dropped from a Hufflepuff’s group of “people,” it is a dramatic fall into becoming a dehumanized “thing.” This Hufflepuff dehumanization can take many forms– outsiders, “other”ing people, having strong beliefs in the justification behind more institutionalized types of exclusion like racism, sexism, classism. But it’s a divide where there are people who are people, and then there are people who are not-people.
The Slytherin divide is very different. There is no mechanism inherent to the Primary that removes someone of their personhood. Rather, they are removed of their status. There is a possessive drive to Slytherin, and while that varies in intensity across different individuals, it puts the divide on the basic line of “mine” and “not mine.” We find it helpful to talk about it in terms of being in someone’s inner circle, but it’s not usually that binary. Like it is with everyone, loyalty comes in a gradient.
But Slytherin’s loyalty is more selective than the other Houses’. Where a Hufflepuff extends some initial degree of loyalty on the basis of your being a person, with a Slytherin any loyalty you gain is earned from the bottom up; you start at 0.
A Decided House
But when the major part of your moral system that you feel viscerally is to protect yourself and your people, there are a lot of gaps in how you interact with the world and with moral situations. What do Slytherins do when confronted with gross wrongs like slavery, like murder, like unjust war–wrongs that don’t touch their people? It depends on the Slytherin. But this is why we count a Slytherin as a Decided house along with Ravenclaw, despite the core of their moral system being very much felt.
Some Slytherins simply don’t care–they opt out of the moral complications of the rest of the world and what touches other people and choose a contented apathy about the things that don’t intrude on their space– but other Slytherins construct ways to interact with these situations.
Perhaps they do so by understanding that other people have connections as strong and important as their own, or by building something more complex. Sometimes Slytherins can build systems that look like Ravenclaw systems– systems based on observational data, on adopted systems, or by keeping the moral guidance that they were taught growing up. The defining difference between these constructed additional Slytherin systems and the Ravenclaw Primary system is that the Slytherins are aiming for function and don’t have the same drive for truth. It matters much less if the system they build is true than if it is functional. The system should optimize for what they care about and what makes them happy, but this moral code is not viscerally driving like a Slytherin’s desire to protect those closest to them.
Some Slytherins latch specifically on to the morality of their most important person (or people), either because they trust them or because they value them. Samwise Gamgee, the loyal hobbit who follows Frodo through hell and back, adopts Frodo’s system. Sam does great good, bravely and well, but he does it, “For Mr. Frodo! For the Shire! And for my Gaffer!” Jeff Winger from Community also sometimes follows this pattern, absorbing the moralities of his study group and best friends. Both these characters are, to put it simplistically, wearing bracelets that read “What Would Mr. Frodo Do?” and “What Would The Study Group Do?” etc. For Jeff, it’s a bit more because Annie will pout at him if he’s doesn’t at least try.
Aang, from Avatar the Last Airbender, builds himself a stunning replica of his beloved deceased father figure Gyatso’s ethical system and he lives in it all his life. Latching onto a parental figure or early (sometimes, in media, deceased) influence’s morality is a form of love common for young Slytherins. Train Heartnet of Black Cat (who Saya changes so completely), Kai of Korra (who takes in Jinora’s culture like it’s his own morality), and Edward Cullen of Twilight (who takes Carlisle’s pacifism to self-hating extremes), are all examples of that.
Alternatively, a Slytherin might spend a lot of their time living in a Primary model–it might matter deeply to them to do good and right. If they have that drive for truth, they might have a Ravenclaw Primary model as opposed to just a Slytherin’s functional construction. They might also have a Gryffindor Primary or a Hufflepuff Primary model. They could even have a Slytherin Primary model– but one that is loyal and dedicated to a larger group of people, like a whole peer group, the population of a whole city, or even humanity in general. (This can look a bit like a Hufflepuff– one major visible difference is that particularly Slytherin sense of possessiveness.) They could live in that model for all conflicts and decisions that are separate from and non-threatening toward their most important people and be very functional with that.
MCU’s Tony Stark is an example of this type. (He’s also an example of a Slytherin who has kicked himself out of his own inner circle). He is a Slytherin Primary dedicated to Pepper and Rhodey (and, as of Avengers 2, he’s likely coming to value the other Avengers this way), but he has built a driving model to allow him to interact ethically with the rest of the world. It is this model that drives Iron Man and his sustainability and charity projects. This model (we think it’s probably Gryffindor Primary) is likely also what will drive him to one side or the other in Civil War. As long as Pepper or one of his own is not in direct danger (though the danger to himself is irrelevant), Tony will act firmly in service of his model.
But dropping that model in order to stand by someone you love, or in order to protect yourself, doesn’t feel like a failing. Sticking to that modelled morality at the expense of betraying or abandoning one of their own would make a Slytherin feel guilty and wrong. Being able to put the things and concepts you like aside for the sake of the people who need you feels more righteous than any moral posturing. It feels practical and it feels right, just as strongly as a Gryffindor Primary’s internal moral compass points them.
It’s a people based system, but it’s still an intuitive model of right and wrong. Betraying your own is the worst kind of crime. Loyalty is precious and terrible; it makes you vulnerable. It’s given sparingly, deeply, and a Slytherin will stand by their loyalties through the same death and fire that a Gryffindor would brave for the sake of doing the right thing, or a Hufflepuff to help someone in need.
In the same vein, when a Slytherin realizes that someone else doesn’t put the same value on the people they profess loyalty to, they might react similarly to a Gryffindor realizing that morality isn’t intuitive to everyone. Some things are just wrong, a Gryffindor might protest. But they’re your child–your spouse–your friend, a Slytherin will cry, confused and unsettled. How could you?
Petrified or Burned Slytherin
While there are certainly Slytherin Primaries who don’t care about any people who aren’t theirs, many Slytherins, especially ones who enjoy being more social, have wide circles of friends and acquaintances; people they will go out of their way to help, and whose company they enjoy, whose confidence they trust (to a point). What defines a Slytherin is not a lack of these concentric circles, but rather how sharply those lines of stratification are drawn. Wanting to help someone doesn’t mean you’re loyal to them. Wanting to help them at the expense of your comforts, your values, your commitments and sometimes even your self–that does.
You end up with Slytherin Primaries on both ends of the spectrum: ones who have decided that a huge group of people are “theirs” (to the extreme of: the world is my responsibility and I have bonded to every single individual contained in it), and ones who have decided that they themselves are not one of their most important people, but maybe a friend or lover is.
You can also get Slytherins whose only important person is themselves. This can be done healthily, especially for short periods of times, but when it’s driven by a fear of those close attachments, it becomes a phenomenon we call the Burned or Petrified Slytherin.
The Petrified Slytherin is a Slytherin who has no inner circle and no plans to get one. Whether through death, betrayal, abandonment (from either side), or through never having had any to begin with, the Petrified Slytherin has decided that having important people is too dangerous. Having those strong ties leaves you open to pain and weakness, and the pleasure of those connections aren’t worth the despair that comes from their seemingly inevitable loss. In this way, they close themselves off to meaningful connections out of what is ultimately fear (though from the inside, it’s far more likely to be experienced as a rational, sensible decision given the circumstances of the world), and gives them a stony exterior that seems impenetrable, resolute, and cold.
Even when not Petrified, though, the Slytherin Primary often seems cold. This comes not from any actual inherent coldness, but because they often show their warmth only to their inner circle. This is hugely influenced by your other houses, especially when you get the warmth of the Hufflepuff Secondary involved, or have a warm model– but even then, there is a special and somewhat exclusive kind of warmth saved for those who are held the closest.
A Slytherin Primary in our system is defined first and foremost by the intensity and priority of their loyalties to individual people, however few or many. And the way to break a Slytherin– whether you’re stopping their plans or crushing their will– is to either take away their people or to threaten to. Narcissa betrays Voldemort, fully aware of what that could mean for the safety of herself and her husband, because Draco was more important than anyone or anything. Azula of Avatar the Last Airbender, for all her coldness and lack of mercy, does what she does because she wants desperately to be loved and accepted by her father. When Annabeth, his friends, or his mother are threatened, Rick Riordan’s Percy Jackson loses all other priorities– his canonical fatal flaw is that he would let the world burn to save a friend. Nothing brings out the fierceness in a Slytherin like getting in between them and their loved ones.
To a Slytherin the inner circle of close loyalties is likely to be a much smaller number than the people they care about and consider friends. A petrified Slytherin is therefore not necessarily someone who is friendless, or who has no social ties, or who lacks affection for people. It’s not even a Slytherin without some sort of a hierarchy of important people.
A petrified Slytherin is a Slytherin who has decided, either consciously or not, that letting people into that inner circle– devoting themselves to someone with that deep, thoughtless Narcissa-type or Azula-type loyalty– is too dangerous. It’s too terrifying. When someone is that close, they become a huge risk. They might die, or you they might stop loving you, or stop liking you, or something awful might happen to them and it might be your fault. Something awful might happen to you because someone might threaten your people and use them against you, and you would be helpless. If you couldn’t find a way to maneuver through the situation, you would have to do whatever was demanded of you to keep your people safe, because nothing would be worse than losing them and having it be your own fault.
Surviving a situation like that (losing someone or having their lives used as collateral against you) is one of the ways we see Petrification often happen.
Not all Slytherins will Petrify in such a situation– Finnick from The Hunger Games, a Slytherin Primary whose only people are Mags and Annie, has resisted Petrifying even when there are good arguments that it would be a far more adaptive thing to do. The Capitol’s only way of controlling him is by threatening to hurt the people he loves, and even after Mags is killed, he stays resolutely attached to Annie. It gives him the strength to carry on, but is also the weakness that the Capitol is exploiting. If Annie died, Finnick would be very likely to Petrify.
Bean, in Ender’s Shadow, is a Petrified Slytherin for most of the book. He likes people, and sometimes idolizes people, but their main purpose in his life is the utility of them. His connections are a cold, logical thing, closer to an alliance than to a friendship, and often not mutually so. Bean is interesting because we never see the Petrification process. He’s born into a survival situation and is cold and hard and determined to live from the first page. It is only at the very end, when he grows attached to Nikolai and allows himself to consider the possibility that he, too, could have a family who he loves and who loves him, that we see that Petrification begin to melt away.
Jeff Winger from Community is another example. A ruthless lawyer only out for his own gain and without an attachment in the world except to maybe his car, he’s the perfect example of a Petrified Slytherin. His tentative, slow-moving back and forth journey into attachment to the other characters is a character arc of un-Petrifying. He’s better at it some days than others.
With female characters in particular, the petrified Slytherin is hugely tied to the trope of the Ice Queen. From TV Tropes: “Her signature characteristic is that she is cold; the ambiguity comes from what “cold” means. She has a cold heart, a frosty demeanor; she attracts but will never be wooed.” Characters who fit this trope are not always Petrified Slytherins, but the trope is an important parallel if not just because of the imagery they share: cold, hard, unyielding, nothing to lose.
When a Slytherin loses their closest attachments, they are left with only their personal ambitions and with the morality system that is usually constructed around those loyalties. In the sense that the way that they now primarily frame their interactions with the world is constructed, they often appear to look like Ravenclaw Primaries here. The most visible and useful difference here, especially from the outside, is that they don’t have the Ravenclaw drive for truth. Their system doesn’t have to be true or right, but simply functional. If they have a Ravenclaw Primary model that gives them some of that drive, then they might be indistinguishable from the Ravenclaw Primary unless there are are counterexamples of Slytherin loyalty from other points in their life.
Despite it seeming to at least be a trend, not all Petrified Slytherins look like Ravenclaw Primaries. Petrified Slytherins with models of other Primaries might happily and healthily inhabit those models as their main way of interacting with the world, and this has the potential to be entirely functional. The reason that the model would remain a model though, and not indicate an actual change in Primary, would be that first, there still remains the possibility to un-petrify, and second, even if there is nothing substantial underneath it, the model could still be dropped.
This potential for to drop that model and fall to an underlying lack of structure and direction is part of what gives desperate Slytherins their reputation of being fearsome. Azula is a great, if extreme, example of this when she loses everything at the end of season 3 of Avatar. Mental illness (in the form of at the very least hallucinations and almost definitely a lot more) and trauma also have of course a huge influence on the intensity of everything that happens, but that basic directionlessness, the way that Azula has nothing left after she loses her father, the way she’s so susceptible to being haunted by her mother’s memory, hits so hard because she had structured everything around her Slytherin morality. She had no real goals or ideals underneath that, and so she had no structure to keep her up when that crumbled.
One of the good things about Petrification, as scary and awful as it is, is that it’s a good way to survive a bad situation and it’s possible to un-petrify (see: Defrosted Ice Queen). Because fear of attachment is at the heart of petrification, instead of needing reality to prove your doubts wrong (as the other fallen Houses must), you only need one person to prove that attachment is worth the risk.
Elementary’s Jamie Moriarty follows a common path here in that, despite her pretending to be un-petrifying for our protagonist Sherlock, the one person she ends up actually attaching to her is her daughter. She is the Slytherin woman who un-petrifies upon becoming a mother. Regina in Once Upon a Time also follows this path, becoming through that a subversion of the Evil Queen, who is often a Petrified Slytherin who does not un-petrify (see her mother, Cora, and the symbolic plot of removing her heart so that no one can use it against her).
It’s really common in media for characters who have closed themselves off to attachments to be called psychopaths, both by the fans and the writers, when they are, in fact, not. A lot of them have empathy, or at least the capacity for it, and are instead Petrified.The definitive and intentional split between the self and meaningful attachments, due to loss, trauma, selfishness, or fear, is different from the inability to intuitively create those attachments. Calling this “petrification,” rather than inaccurately calling it “psychopathy,” gives the character flexibility to recover from it that doesn’t end up as either a contradiction of established character or as a downplaying of actual serious mental illness.
To sum: Petrification happens when a Slytherin cares about their important people so intensely that pain from their loss, or the potential for future loss, outweighs the positives of having important people. It stops being worth it. Even if it leaves the Slytherin with a directionless system and a cold center where there is an aching potential for great warmth, it feels safer and better to not attach to anyone that strongly.
tl;dr Slytherin Primary
Slytherin is a Decided House, and Internal House, and a Loyalist House.
As a Decided House, Slytherins, unlike Hufflepuffs (our other loyalists), prioritize “their” people first. Those people are found and chosen by the Slytherin. It’s not about who is in front of them, or who needs them most, but who they have decided to love.
As a Internal House, like Gryffindor, Slytherin Primaries carry a certainty and a moral fortitude inside of themselves. When they are sure they are right, in the defense of themselves or their loved ones, they will not be swayed by outside influence or pressure.
As a Loyalist House, Slytherin puts people first. Unlike the Hufflepuff, they put their people first. They’re content with valuing some people over others without necessarily thinking some people are better than or worth more than others. In fact, putting their own people first feels right. This is something owed. Not valuing the people you profess loyalty to most would be a betrayal, a cowardice, an abandonment. The best thing you can be is there for the people you love.
Ambitions live in all Houses but Slytherins’ is notorious because it often looks the most selfish– it often is the most selfish. Part of a Slytherin’s morality is understanding that your first duty is to yourself and the people you love– higher minded goals are all pomp and circumstance, trying to make yourself feel good. At the heart of things, this is why we are here: for ourselves.
On Ravenclaw Secondaries
Ravenclaws are collectors. Dedicated to knowledge, to facts, systems, tools, or skills, the things they have already learned are what they call on when things get tough. They can collect useful skills, build complex clever systems, invent vitally useful things, or just learn everything there is to know about the birds of South America.
Ravenclaws’ efficacy often relies on what situation they are in: what the problem is they have to solve and whether or not they’ve prepared the proper tools for that problem. While Hufflepuffs and Gryffindors can apply their skills at stockpiling trust or inspiring passion to attack various situations, Ravenclaws’ tools are necessarily task specific. Do they know how to ride horses? Speak Greek? Do they have contingency plans for earthquakes, zombie apocalypses, or a surprise visit from the in-laws?
If they’ve already built themselves a tool set for a situation, they’re likely to excel at it. If they have not, they’re likely to blink a few times while they try to either invent something new for themselves or to cobble up something approximate from their existing resources.
Ravenclaws, like Hufflepuff Secondaries, are at their best when they can prepare before the problems show up, not improvise or invent in the moment. Where Hufflepuffs invest in reputation, community, and effort, Ravenclaws invest in tools. These tools can vary from detailed knowledge of modern Romance languages, Mesopotamian history, Gothic architecture, and US civil court legal procedures; or mastering the skills of carjacking, gourmet vegan cooking, juggling, and staying level-headed in crisis; or keeping internal (or external) databases on their friends’, allies’, and enemies’ likes, dislikes, connections, obligations, fears, weaknesses, strengths, and goals. Some of these are more useful than others. Ravenclaws can collect their tools with the aim of eventual usefulness, but are likely to also collect knowledge just for the sake of knowledge.
Ravenclaw secondaries gather information, or build problem-solving systems that become vital in times of stress and danger, invent powerful things or processes, or build real-world systems like lists, redundant supplies, skills, and schedulings. When they’re tossed into danger or stress and forced to survive, they don’t thrive on quick thinking. They don’t succeed by having people to fall back on or to call on. Ravenclaw secondaries will already have something in their mental or physical pockets that they can pull out and use.
There is an awful belief (even in canon) that Ravenclaw should be equated to intelligence. This is one of the places where we most death-of-the-author this sorting system, because while even the Sorting Hat calls Ravenclaws the cleverest, we refuse to admit intelligence as a prerequisite. You can have Ravenclaws who are bad at problem-solving or learning. You can have Gryffindors, Hufflepuffs, and Slytherins who excel at it. This is not about ability. This is about comfort, safety, power, and connection.
Tools v. Systems v. Skills – the Engineer v. the Mastermind v. Jack of All Trades
Like Hufflepuff secondaries, who can be the bubbly hostess or the grumpy workaholic depending on what they invest in, Ravenclaw secondaries differ strongly depending on what systems they build or things they collect.
A Ravenclaw’s knowledge or skills can be collected and created in a way that makes the Ravenclaw an adaptable, creative problem solver; or a rigid rule follower who knows exactly what to do each day. Ravenclaws can range from the practical to the esoteric– are they an experienced tracker and woodsman who knows how to survive for months in the backcountry, or a slightly batty professor who knows everything (everything) about dirt ecology?
While Ravenclaw is famous for its bookwork, you can easily have Ravenclaw secondaries who don’t like or can’t read or who wither in academia. A Ravenclaw can instead pour their time into learning practical skills, physical feats, strategy, or disaster prep. They might rely on their ability to speak languages, pick locks, and hotwire cars; or on the massive, varied set of experiences they’ve spent their life gathering, which lets them have some idea how to interact in most situations–whether haggling in a street market or attending a high society dinner.
They might rely on the emergency kit in their car and the backup everything they have buried in their backyard. They might rely on their knowledge of ancient Egyptian funerary practices, and be utterly useless in situations that don’t hinge on that subject matter. Many (probably most) Ravenclaws spend some of their time investing in everyday practicalities– but Ravenclaws who let all things fall to the side for the sake of their few and impractical passions certainly exist.
Ravenclaw + Slytherin = the Chessmaster
When a Ravenclaw Secondary adopts a Slytherin Secondary model, you tend to get the chessmaster or the evil mastermind (or the gentleman thief). Having both these skill sets and values lends particularly well to this– A Slytherin Secondary with a Ravenclaw Secondary model also tends to adopt this type of visage, leading that character type to be sometimes difficult to sort.
Albus Dumbledore, Nale and his father from OotS, Light Yagami from Death Note, and the MCU’s Loki as well as their Scott Lang are all examples of this Ravenclaw/Slytherin skillset combo–clever, adaptive, even manipulative, and good at planning and prep.
It can often be hard to tell which is the actual secondary in these cases. The trick is to find the moment when everything starts to go wrong, when the plans fall apart. When they have to figure things out on the spot, try to see which skill set they fall back on. (The MCU’s Loki, who falls back on deceit and influence when weaponless, is a Slytherin Secondary at heart. The MCU’s Scott Lang, who Macgyvers and gerry-rigs his way through everything from unexpected fingerprint scanners to quantum space, is a Ravenclaw.)
Modeling Ravenclaw
Ravenclaw Secondary is one of the more useful models. A lot of people pick up the Ravenclaw skill of picking up tools for future use. What sets a Ravenclaw Secondary apart from someone just modeling a Ravenclaw Secondary is
1) how strongly use comes into play when selecting knowledge and
2) what they do when backed into a corner.
Ravenclaws tend to use usefulness as an excuse to gain knowledge (“well, it might come in handy later…”), rather than to gather knowledge because it is useful. (There is a good contingent of Ravenclaw, also, who don’t factor usefulness into their choice of study at all).
When under great stress, threat, need, or desire, when they are out of options, Ravenclaw Secondaries fall back on their gathered tools. Even if members of other secondary houses use Ravenclaw tools in everyday life or even times of stress, when shoved into a corner they will fall back on their own secondary strengths– a Gryffindor’s integrity and charge, a Slytherin’s adaptability, a Hufflepuff’s invested resources and ability to shape themselves to fit the need. It is Ravenclaw where the last resort of a desperate person is whatever they remembered to pack, learn, or build before they left home.
To sum:
Ravenclaw, like Hufflepuff, is a Foundational Secondary. They succeed using the things they have built or invested in before the actual moment of conflict or use. While Hufflepuffs invest their work and energy in interpersonal connection, communities, or projects, Ravenclaws collect or create knowledge, systems, contingency plans, or skills. It is these tools or plans which the Ravenclaw falls back on and excels with.
Ravenclaw and Gryffindor are both Solid Secondaries, less flexible and transformative than Hufflepuff and Slytherin. Ravenclaws do best in spaces they’ve already prepared for, with the tools and tendencies they need coming easy to their hand. They often have a hard time misrepresenting the things and truths they know best, even if a lie would be useful.
Ravenclaw, like Slytherin, is a Situational Secondary. Their success depends on whether or not they have collected or built what they needed for that particular situation. Certain Ravenclaws would excel in a disaster situation but die (figuratively speaking) when forced into a surprise social encounter. Others might be ready to conquer in the interdepartmental politics of their workplace, because they have studied strategy all their life and know everything about everyone who is anyone there, but be utterly unable to discuss Kant, physics, or poetry. Their success depends on what they have invested in and what they have built, and whether or not it is relevant.
Like our system? Check out our interactive quiz here: https://ejadelomax.itch.io/sortinghatchats
On Slytherin Primaries
Slytherins believe in the importance of taking care of their own. Everyone else is a person, but so are they, so a Slytherin’s job, before everything else, is taking care of them and theirs. This makes what Slytherin are known for, their ambition and ruthlessness, stand out strikingly even while a Slytherin’s core is not inherently selfish or cut-throat.
All of the Houses contain people with great ambitions and great desire for accomplishment and the furthering of their goals. Gryffindors will take on the world to do what they think is right, and are willing to make sacrifices and overrule those who would compromise on what needs to be done, and that’s nothing if not ambition. What makes the Slytherin ambition stand out so significantly is that it’s seen as a selfish ambition, and a guiltlessly selfish one at that. That drive is tied to personal achievement instead of idealistic achievement, and that makes it easier to point at.
But this is key: selfish ambition is idealistic ambition for a Slytherin. A Slytherin’s first priority is to their loved ones not because they love deeper or harder than the other Houses (they don’t), but because it is wrong to betray or abandon your people and right to defend and promote them. Loyalty and defense of your own is an inherent part of the Slytherin morality.
A Slytherin does not generally feel guilty for valuing themselves, for taking time for their own mental or physical health, or for sacrificing other things for the safety and happiness of the people they love. They might feel vulnerable, or judged, or guilty for not feeling guilty, especially if they live in the kind of family or culture where humility and self sacrifice are seen as the greatest goods– but without watching eyes and the words of peers and authority figures bouncing around their skulls, a Slytherin would feel comfortable and even validated in the idea that they have both a right and duty to take care of their own selves before anything or anyone else.
An exception to this is a Slytherin who’s managed to kick themselves out of their inner circle. For whatever reason, they don’t feel like they deserve their own help or kindnesses. Their “me and mine” priorities are still apparent but now it’s only “mine.” They fiercely and selflessly prioritize the individuals they love, value, or feel responsible for, while excluding their own self. A Slytherin like this can look somewhat like a Hufflepuff Primary, erring towards selflessness, but take a look at how they prioritize between their best friend v. a stranger in need. If they feel guilty for abandoning the stranger, they’re probably a Puff; Slytherins feel desperately like they owe things to their people, but they don’t feel like they owe people in general. (Also keep an eye out for a Burned Hufflepuff in this example, though– a Slytherin wouldn’t care strongly about not helping the stranger, except for general empathetic tickles; a Hufflepuff would be survivably eaten up inside; a Burned Puff would force themselves not to care because it’s the only practical thing).
Not prioritizing their own would feel wrong to a Slytherin. It would feel selfish, and might feel like giving into social pressures instead of standing up for what matters to them. This can hold true emotionally even when logically, prioritizing you and yours is not the best thing to do. In The Hunger Games, Katniss Everdeen, a Slytherin Primary who only wants her family to be safe, almost runs away from her place as an important political symbol on the chance that she and her loved ones could make it on their own, hiding from the capitol. She doesn’t– but she really wants to, and when things go wrong she feels guilty for not acting to put her loved ones first.
Canonical Basis
Individual loyalty is something tied to Slytherins in the books and movies, but isn’t something that gets focused on. “Or perhaps in Slytherin you’ll make your real friends,” the Sorting Hat says in the song from Harry’s first year. It doesn’t explicitly use the loyal like it does for Hufflepuff, but that’s consistent because often, Slytherins don’t look loyal. If you’re not one of their most important people, who you can often count on one hand, they’re not particularly loyal. Loyalty doesn’t have an inherent worth for Slytherins the way it does for Hufflepuffs. Loyalty is less given and more earned.
And we have canonical examples of Slytherin loyalty, extreme and dramatic as it is. Slytherin loyalty is Narcissa Malfoy abandoning her Dark Lord for the sake of her son. Slytherin loyalty is the way Pansy Parkinson freaks out every time something injures Draco, and the way she was willing to sacrifice Harry to save herself and her friends (and the way she expected other people to agree with that judgement call).
It’s Slughorn’s guiltless willingness to distance himself from Dumbledore’s war–until old Dumbly gave him a reason to risk his own precious skin. It’s Snape, unwilling to let go of Lily Potter even after decades have passed and her son has grown up an orphan; even when there is nothing still to gain from holding onto his loyalty to her, and even when he hates her son.
Moving outside of canon (because there are nearly no positive descriptions of Slytherins with canon– Narcissa is a bigot, Pansy a bully, Slughorn a spineless creep, Snape a child abuser):
Slytherin is Ender Wiggin going back to Battle School not to save the world but because his sister asked him to, and Bean going to Battle School because he could get an education there that would save himself and then staying to save Ender. Slytherin is Pepper Potts telling Tony that, to hell with the world, he needs to take care of himself first. It’s Andrea from The Walking Dead pulling a gun on the people who try to get between her and her sister’s body. It’s Toph Beifong not giving any fucks except that hey, Twinkle Toes needs her. It’s Briar Moss of Circle of Magicplunging into death itself, refusing to let Rosethorn go.
Where Molly Weasley, in HP canon, weeps but drops her son Percy when he turns on them for the Ministry, blood purist and loyal daughter of House Black Narcissa Malfoy betrays the Dark Lord and saves Harry Potter for Draco’s sake. As the final, epic battle of good and evil culminates and commences in Hogwarts, Narcissa takes her family and she disappears. The ideals of her war were only her priority until her son was in direct danger.
Slytherin v. Hufflepuff
Slytherin and Hufflepuff are the two Loyalist Primaries. People, and not ideals, are at the core of their judgement calls. But where Hufflepuffs tend to bond to groups, Slytherins bond with individuals.
Slytherin Primaries are horrified to see someone let down a friend. To turn on a loved one for words as insubstantial as truth or justice or the greater good feels like a very particular kind of madness. Sure that’s what you’re supposed to do, a Slytherin might say, but that’s not what you actually want, is it? Your person is right here. They are real, and they are breathing, and they need you, and they are yours. It’s an extreme Slytherin who would let the whole world burn for the sake of a friend, but every Slytherin Primary would be at the very least tempted.
We discuss in the Hufflepuff Primary post how when someone is dropped from a Hufflepuff’s group of “people,” it is a dramatic fall into becoming a dehumanized “thing.” This Hufflepuff dehumanization can take many forms– outsiders, “other”ing people, having strong beliefs in the justification behind more institutionalized types of exclusion like racism, sexism, classism. But it’s a divide where there are people who are people, and then there are people who are not-people.
The Slytherin divide is very different. There is no mechanism inherent to the Primary that removes someone of their personhood. Rather, they are removed of their status. There is a possessive drive to Slytherin, and while that varies in intensity across different individuals, it puts the divide on the basic line of “mine” and “not mine.” We find it helpful to talk about it in terms of being in someone’s inner circle, but it’s not usually that binary. Like it is with everyone, loyalty comes in a gradient.
But Slytherin’s loyalty is more selective than the other Houses’. Where a Hufflepuff extends some initial degree of loyalty on the basis of your being a person, with a Slytherin any loyalty you gain is earned from the bottom up; you start at 0.
A Decided House
But when the major part of your moral system that you feel viscerally is to protect yourself and your people, there are a lot of gaps in how you interact with the world and with moral situations. What do Slytherins do when confronted with gross wrongs like slavery, like murder, like unjust war–wrongs that don’t touch their people? It depends on the Slytherin. But this is why we count a Slytherin as a Decided house along with Ravenclaw, despite the core of their moral system being very much felt.
Some Slytherins simply don’t care–they opt out of the moral complications of the rest of the world and what touches other people and choose a contented apathy about the things that don’t intrude on their space– but other Slytherins construct ways to interact with these situations.
Perhaps they do so by understanding that other people have connections as strong and important as their own, or by building something more complex. Sometimes Slytherins can build systems that look like Ravenclaw systems– systems based on observational data, on adopted systems, or by keeping the moral guidance that they were taught growing up. The defining difference between these constructed additional Slytherin systems and the Ravenclaw Primary system is that the Slytherins are aiming for function and don’t have the same drive for truth. It matters much less if the system they build is true than if it is functional. The system should optimize for what they care about and what makes them happy, but this moral code is not viscerally driving like a Slytherin’s desire to protect those closest to them.
Some Slytherins latch specifically on to the morality of their most important person (or people), either because they trust them or because they value them. Samwise Gamgee, the loyal hobbit who follows Frodo through hell and back, adopts Frodo’s system. Sam does great good, bravely and well, but he does it, “For Mr. Frodo! For the Shire! And for my Gaffer!” Jeff Winger from Community also sometimes follows this pattern, absorbing the moralities of his study group and best friends. Both these characters are, to put it simplistically, wearing bracelets that read “What Would Mr. Frodo Do?” and “What Would The Study Group Do?” etc. For Jeff, it’s a bit more because Annie will pout at him if he’s doesn’t at least try.
Aang, from Avatar the Last Airbender, builds himself a stunning replica of his beloved deceased father figure Gyatso’s ethical system and he lives in it all his life. Latching onto a parental figure or early (sometimes, in media, deceased) influence’s morality is a form of love common for young Slytherins. Train Heartnet of Black Cat (who Saya changes so completely), Kai of Korra (who takes in Jinora’s culture like it’s his own morality), and Edward Cullen of Twilight (who takes Carlisle’s pacifism to self-hating extremes), are all examples of that.
Alternatively, a Slytherin might spend a lot of their time living in a Primary model–it might matter deeply to them to do good and right. If they have that drive for truth, they might have a Ravenclaw Primary model as opposed to just a Slytherin’s functional construction. They might also have a Gryffindor Primary or a Hufflepuff Primary model. They could even have a Slytherin Primary model– but one that is loyal and dedicated to a larger group of people, like a whole peer group, the population of a whole city, or even humanity in general. (This can look a bit like a Hufflepuff– one major visible difference is that particularly Slytherin sense of possessiveness.) They could live in that model for all conflicts and decisions that are separate from and non-threatening toward their most important people and be very functional with that.
MCU’s Tony Stark is an example of this type. (He’s also an example of a Slytherin who has kicked himself out of his own inner circle). He is a Slytherin Primary dedicated to Pepper and Rhodey (and, as of Avengers 2, he’s likely coming to value the other Avengers this way), but he has built a driving model to allow him to interact ethically with the rest of the world. It is this model that drives Iron Man and his sustainability and charity projects. This model (we think it’s probably Gryffindor Primary) is likely also what will drive him to one side or the other in Civil War. As long as Pepper or one of his own is not in direct danger (though the danger to himself is irrelevant), Tony will act firmly in service of his model.
But dropping that model in order to stand by someone you love, or in order to protect yourself, doesn’t feel like a failing. Sticking to that modelled morality at the expense of betraying or abandoning one of their own would make a Slytherin feel guilty and wrong. Being able to put the things and concepts you like aside for the sake of the people who need you feels more righteous than any moral posturing. It feels practical and it feels right, just as strongly as a Gryffindor Primary’s internal moral compass points them.
It’s a people based system, but it’s still an intuitive model of right and wrong. Betraying your own is the worst kind of crime. Loyalty is precious and terrible; it makes you vulnerable. It’s given sparingly, deeply, and a Slytherin will stand by their loyalties through the same death and fire that a Gryffindor would brave for the sake of doing the right thing, or a Hufflepuff to help someone in need.
In the same vein, when a Slytherin realizes that someone else doesn’t put the same value on the people they profess loyalty to, they might react similarly to a Gryffindor realizing that morality isn’t intuitive to everyone. Some things are just wrong, a Gryffindor might protest. But they’re your child–your spouse–your friend, a Slytherin will cry, confused and unsettled. How could you?
Petrified or Burned Slytherin
While there are certainly Slytherin Primaries who don’t care about any people who aren’t theirs, many Slytherins, especially ones who enjoy being more social, have wide circles of friends and acquaintances; people they will go out of their way to help, and whose company they enjoy, whose confidence they trust (to a point). What defines a Slytherin is not a lack of these concentric circles, but rather how sharply those lines of stratification are drawn. Wanting to help someone doesn’t mean you’re loyal to them. Wanting to help them at the expense of your comforts, your values, your commitments and sometimes even your self–that does.
You end up with Slytherin Primaries on both ends of the spectrum: ones who have decided that a huge group of people are “theirs” (to the extreme of: the world is my responsibility and I have bonded to every single individual contained in it), and ones who have decided that they themselves are not one of their most important people, but maybe a friend or lover is.
You can also get Slytherins whose only important person is themselves. This can be done healthily, especially for short periods of times, but when it’s driven by a fear of those close attachments, it becomes a phenomenon we call the Burned or Petrified Slytherin.
The Petrified Slytherin is a Slytherin who has no inner circle and no plans to get one. Whether through death, betrayal, abandonment (from either side), or through never having had any to begin with, the Petrified Slytherin has decided that having important people is too dangerous. Having those strong ties leaves you open to pain and weakness, and the pleasure of those connections aren’t worth the despair that comes from their seemingly inevitable loss. In this way, they close themselves off to meaningful connections out of what is ultimately fear (though from the inside, it’s far more likely to be experienced as a rational, sensible decision given the circumstances of the world), and gives them a stony exterior that seems impenetrable, resolute, and cold.
Even when not Petrified, though, the Slytherin Primary often seems cold. This comes not from any actual inherent coldness, but because they often show their warmth only to their inner circle. This is hugely influenced by your other houses, especially when you get the warmth of the Hufflepuff Secondary involved, or have a warm model– but even then, there is a special and somewhat exclusive kind of warmth saved for those who are held the closest.
A Slytherin Primary in our system is defined first and foremost by the intensity and priority of their loyalties to individual people, however few or many. And the way to break a Slytherin– whether you’re stopping their plans or crushing their will– is to either take away their people or to threaten to. Narcissa betrays Voldemort, fully aware of what that could mean for the safety of herself and her husband, because Draco was more important than anyone or anything. Azula of Avatar the Last Airbender, for all her coldness and lack of mercy, does what she does because she wants desperately to be loved and accepted by her father. When Annabeth, his friends, or his mother are threatened, Rick Riordan’s Percy Jackson loses all other priorities– his canonical fatal flaw is that he would let the world burn to save a friend. Nothing brings out the fierceness in a Slytherin like getting in between them and their loved ones.
To a Slytherin the inner circle of close loyalties is likely to be a much smaller number than the people they care about and consider friends. A petrified Slytherin is therefore not necessarily someone who is friendless, or who has no social ties, or who lacks affection for people. It’s not even a Slytherin without some sort of a hierarchy of important people.
A petrified Slytherin is a Slytherin who has decided, either consciously or not, that letting people into that inner circle– devoting themselves to someone with that deep, thoughtless Narcissa-type or Azula-type loyalty– is too dangerous. It’s too terrifying. When someone is that close, they become a huge risk. They might die, or you they might stop loving you, or stop liking you, or something awful might happen to them and it might be your fault. Something awful might happen to you because someone might threaten your people and use them against you, and you would be helpless. If you couldn’t find a way to maneuver through the situation, you would have to do whatever was demanded of you to keep your people safe, because nothing would be worse than losing them and having it be your own fault.
Surviving a situation like that (losing someone or having their lives used as collateral against you) is one of the ways we see Petrification often happen.
Not all Slytherins will Petrify in such a situation– Finnick from The Hunger Games, a Slytherin Primary whose only people are Mags and Annie, has resisted Petrifying even when there are good arguments that it would be a far more adaptive thing to do. The Capitol’s only way of controlling him is by threatening to hurt the people he loves, and even after Mags is killed, he stays resolutely attached to Annie. It gives him the strength to carry on, but is also the weakness that the Capitol is exploiting. If Annie died, Finnick would be very likely to Petrify.
Bean, in Ender’s Shadow, is a Petrified Slytherin for most of the book. He likes people, and sometimes idolizes people, but their main purpose in his life is the utility of them. His connections are a cold, logical thing, closer to an alliance than to a friendship, and often not mutually so. Bean is interesting because we never see the Petrification process. He’s born into a survival situation and is cold and hard and determined to live from the first page. It is only at the very end, when he grows attached to Nikolai and allows himself to consider the possibility that he, too, could have a family who he loves and who loves him, that we see that Petrification begin to melt away.
Jeff Winger from Community is another example. A ruthless lawyer only out for his own gain and without an attachment in the world except to maybe his car, he’s the perfect example of a Petrified Slytherin. His tentative, slow-moving back and forth journey into attachment to the other characters is a character arc of un-Petrifying. He’s better at it some days than others.
With female characters in particular, the petrified Slytherin is hugely tied to the trope of the Ice Queen. From TV Tropes: “Her signature characteristic is that she is cold; the ambiguity comes from what “cold” means. She has a cold heart, a frosty demeanor; she attracts but will never be wooed.” Characters who fit this trope are not always Petrified Slytherins, but the trope is an important parallel if not just because of the imagery they share: cold, hard, unyielding, nothing to lose.
When a Slytherin loses their closest attachments, they are left with only their personal ambitions and with the morality system that is usually constructed around those loyalties. In the sense that the way that they now primarily frame their interactions with the world is constructed, they often appear to look like Ravenclaw Primaries here. The most visible and useful difference here, especially from the outside, is that they don’t have the Ravenclaw drive for truth. Their system doesn’t have to be true or right, but simply functional. If they have a Ravenclaw Primary model that gives them some of that drive, then they might be indistinguishable from the Ravenclaw Primary unless there are are counterexamples of Slytherin loyalty from other points in their life.
Despite it seeming to at least be a trend, not all Petrified Slytherins look like Ravenclaw Primaries. Petrified Slytherins with models of other Primaries might happily and healthily inhabit those models as their main way of interacting with the world, and this has the potential to be entirely functional. The reason that the model would remain a model though, and not indicate an actual change in Primary, would be that first, there still remains the possibility to un-petrify, and second, even if there is nothing substantial underneath it, the model could still be dropped.
This potential for to drop that model and fall to an underlying lack of structure and direction is part of what gives desperate Slytherins their reputation of being fearsome. Azula is a great, if extreme, example of this when she loses everything at the end of season 3 of Avatar. Mental illness (in the form of at the very least hallucinations and almost definitely a lot more) and trauma also have of course a huge influence on the intensity of everything that happens, but that basic directionlessness, the way that Azula has nothing left after she loses her father, the way she’s so susceptible to being haunted by her mother’s memory, hits so hard because she had structured everything around her Slytherin morality. She had no real goals or ideals underneath that, and so she had no structure to keep her up when that crumbled.
One of the good things about Petrification, as scary and awful as it is, is that it’s a good way to survive a bad situation and it’s possible to un-petrify (see: Defrosted Ice Queen). Because fear of attachment is at the heart of petrification, instead of needing reality to prove your doubts wrong (as the other fallen Houses must), you only need one person to prove that attachment is worth the risk.
Elementary’s Jamie Moriarty follows a common path here in that, despite her pretending to be un-petrifying for our protagonist Sherlock, the one person she ends up actually attaching to her is her daughter. She is the Slytherin woman who un-petrifies upon becoming a mother. Regina in Once Upon a Time also follows this path, becoming through that a subversion of the Evil Queen, who is often a Petrified Slytherin who does not un-petrify (see her mother, Cora, and the symbolic plot of removing her heart so that no one can use it against her).
It’s really common in media for characters who have closed themselves off to attachments to be called psychopaths, both by the fans and the writers, when they are, in fact, not. A lot of them have empathy, or at least the capacity for it, and are instead Petrified.The definitive and intentional split between the self and meaningful attachments, due to loss, trauma, selfishness, or fear, is different from the inability to intuitively create those attachments. Calling this “petrification,” rather than inaccurately calling it “psychopathy,” gives the character flexibility to recover from it that doesn’t end up as either a contradiction of established character or as a downplaying of actual serious mental illness.
To sum: Petrification happens when a Slytherin cares about their important people so intensely that pain from their loss, or the potential for future loss, outweighs the positives of having important people. It stops being worth it. Even if it leaves the Slytherin with a directionless system and a cold center where there is an aching potential for great warmth, it feels safer and better to not attach to anyone that strongly.
tl;dr Slytherin Primary
Slytherin is a Decided House, and Internal House, and a Loyalist House.
As a Decided House, Slytherins, unlike Hufflepuffs (our other loyalists), prioritize “their” people first. Those people are found and chosen by the Slytherin. It’s not about who is in front of them, or who needs them most, but who they have decided to love.
As a Internal House, like Gryffindor, Slytherin Primaries carry a certainty and a moral fortitude inside of themselves. When they are sure they are right, in the defense of themselves or their loved ones, they will not be swayed by outside influence or pressure.
As a Loyalist House, Slytherin puts people first. Unlike the Hufflepuff, they put their people first. They’re content with valuing some people over others without necessarily thinking some people are better than or worth more than others. In fact, putting their own people first feels right. This is something owed. Not valuing the people you profess loyalty to most would be a betrayal, a cowardice, an abandonment. The best thing you can be is there for the people you love.
Ambitions live in all Houses but Slytherins’ is notorious because it often looks the most selfish– it often is the most selfish. Part of a Slytherin’s morality is understanding that your first duty is to yourself and the people you love– higher minded goals are all pomp and circumstance, trying to make yourself feel good. At the heart of things, this is why we are here: for ourselves.