“Carolina’s Feast”. Photographed by Boris Ovini for A Magazine

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“Carolina’s Feast”. Photographed by Boris Ovini for A Magazine
CRISTINA CORAL | IF YOUN LEAVE 2016 SHOWCASE | DAZED DIGITAL | NOVEMBER 2016
Photographed by Renaud Cambuzat for Vogue.it
Edward Hopper (July 22, 1882 – May 15, 1967)
Hopper was fascinated by what isn’t available to our senses. In his mysterious paintings, he makes felt what isn’t there, the nothing, the nothing that isn’t there. He was known to be solitary and thoughtful, like the blond woman in New York Movie. In the forties and fifties, it was easier to appreciate solitude than it is today. Hopper painted public places, rooms where people gathered, but usually with a few people or nobody in the rooms. Few people in those days went to museums during the week, and the galleries might be vacant.
You could stand before a painting for long minutes and not hear voices. There was silence in those days. It was associated with solitude, sacredness, internal life.
Leonard Michaels, “The Nothing That Isn’t There”
Givenchy Fall/Winter 2015
model: Eveline Correia photo: Cici Jones
Previous speedo photo shoots
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Alex Leme
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Passengers #11, by Dolph Kessler
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Oriol Jolonch
Photographer, John “Hoppy” Hopkins, RIP