
❣ Chile in a Photography ❣

Origami Around
YOU ARE THE REASON
$LAYYYTER

gracie abrams
Keni
PUT YOUR BEARD IN MY MOUTH
🩵 avery cochrane 🩵

blake kathryn
Xuebing Du

bliss lane
Cosimo Galluzzi
macklin celebrini has autism
Misplaced Lens Cap
The Bowery Presents
occasionally subtle
Mike Driver

Discoholic 🪩
d e v o n
EXPECTATIONS

seen from Iraq

seen from Syria
seen from Oman
seen from Iraq
seen from Bangladesh
seen from France

seen from Colombia
seen from Ecuador

seen from Australia
seen from Brazil

seen from Belgium

seen from United States
seen from Norway
seen from Iraq

seen from Germany
seen from United States

seen from Vietnam

seen from Australia

seen from Argentina
seen from Indonesia
@hyadese
Peanut Butter
by Eileen Myles
I am always hungry & wanting to have sex. This is a fact. If you get right down to it the new unprocessed peanut butter is no damn good & you should buy it in a jar as always in the largest supermarket you know. And I am an enemy of change, as you know. All the things I embrace as new are in fact old things, re-released: swimming, the sensation of being dirty in body and mind summer as a time to do nothing and make no money. Prayer as a last re- sort. Pleasure as a means, and then a means again with no ends in sight. I am absolutely in opposition to all kinds of goals. I have no desire to know where this, anything is getting me. When the water boils I get a cup of tea. Accidentally I read all the works of Proust. It was summer I was there so was he. I write because I would like to be used for years after my death. Not only my body will be compost but the thoughts I left during my life. During my life I was a woman with hazel eyes. Out the window is a crooked silo. Parts of your body I think of as stripes which I have learned to love along. We swim naked in ponds & I write be- hind your back. My thoughts about you are not exactly forbidden, but exalted because they are useless, not intended to get you because I have you & you love me. It’s more like a playground where I play with my reflection of you until you come back and into the real you I get to sink my teeth. With you I know how to relax. & so I work behind your back. Which is lovely. Nature is out of control you tell me & that’s what’s so good about it. I’m immoderately in love with you, knocked out by all your new white hair why shouldn’t something I have always known be the very best there is. I love you from my childhood, starting back there when one day was just like the rest, random growth and breezes, constant love, a sand- wich in the middle of day, a tiny step in the vastly conventional path of the Sun. I squint. I wink. I take the ride.
Attraction and Repulsion. Modern views of electricity. 1892.
Internet Archive
- Auguste Rodin, Paolo et Francesca (scène de l'enfer de Dante)
rocks from san simeon beach, ca.
"not nobler, just there."
Derek Walcott, from "Sea Canes", Collected Poems: 1948-1984 [ID'd]
Manly Palmer Hall collection of alchemical manuscripts, 1500-1825
Lilith, (Detail), (1887), by John Collier (English, 1850 – 1934), oil on canvas, 194 cm (76.3 in) x 104 cm (40.9 in) Atkinson Art Gallery and Library, England
metallic thread textile fragment with birds, japanese c. 1800.
We Will Be, by Lubaina Himid. 1983
andalusite in schist
Ana Mendieta, Creek, 1974.
Super 8 Film. © The Estate of Ana Mendieta Collection, LLC.,Courtesy Galerie Lelong & Co.
Het Verdronken Land van Saeftinghe, the Netherlands
Long dandelions in overwintered grass - Paula von Goeschen-Rösler
German , 1875-1941
Paper cut, gouache on Japanese paper , 35.8 x 40.8 cm.
Vespers, choreographed by Ulysses Dove, performed by the Alvin Ailey Dance Company (1987)
Duane Michals from Things are Queer, 1973
patterns left by woodworms on driftwood