rodrigo @ichigosquence - Tumblr Blog

fharysa

bongjoonhoe

Sansho the Bailiff (1954) dir. Kenji Mizoguchi

gusvanscant

'A Tale of Winter' (dir. by Eric Rohmer) [1992]

kindwhispers

Le Rayon Vert (1986) dir. Éric Rohmer

gusvanscant

'The Green Ray' (dir. by Eric Rohmer) [1986]

sacredwhores

Éric Rohmer - Four Adventures of Reinette and Mirabelle (1987)

cinemadolly

A Summer’s Tale (1996)

dailyworldcinema

A Summer's Tale (1996) Dir. Eric Rohmer

esqueletosgays

DEEP RED / PROFONDO ROSSO (1975)

Director: Dario Argento Cinematography: Luigi Kuveiller

msjjp

like or reblog.

frnndlcs

Rosa de Areia, Margarida Cordeiro & António Reis, 1989

ufonaut

Life may be sad, but it's always beautiful.

Pierrot le Fou (1965, dir. Jean-Luc Godard)

chronophotographic-gun

Pierrot le fou (1965)

"After the release of Pierrot le fou, Godard gave the public a skeleton key to it: 'The only scenario that I had, the only subject...was to convey the sense of what Balthazar Claës was doing in The Unknown Masterpiece.' The Unknown Masterpiece is a novella by Balzac about a painter in seventeenth-century France who has been working alone for a decade on a portrait of a woman that he considers to be not only his masterpiece but an epochal advance in the history of art; he shows it to two artist friends, who find it to be an incomprehensible mess, a blunder and a disaster, and he kills himself. But Balthazar Claës is not a character in that novella (the painter is named Frenhofer); rather, he is the protagonist of another work by Balzac, The Quest of the Absolute. In that novel, an alchemist in single-minded pursuit of the secret of nature brings about his wife’s premature death, his financial ruin, and his public humiliation. The two fictions by Balzac that Godard’s memory had run together unite in Pierrot le fou, a self-portrait of the artist on the verge of pushing a philosophical inquiry into form, or rather formlessness, to an extreme that destroyed not only himself but also his wife."