don’t give up on me now, finish what we’ve begun
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he wasn't even looking at me and he found me

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@ichlxge
don’t give up on me now, finish what we’ve begun
Some were meant to fall in love
— but not end up together.
” i didn’t know i was talking to miss positivity. ”
there’s an air of mocking to his voice. ” i’m a realist. and i’m telling you when we leave school, we’ll leave behind all those friends who were only convenient, and step out into the big bold world boyfriendless, to pique at the tender age of twenty six. ” he’ll probably still be working at hot topic.
"hey, since when is being positive a bad thing? i mean, i like to think i'll have better friends once i'm out of here, but i also like to think that there's more to relationships that're made here than that." shrug. she's not gonna lie about how she feels. and maybe the fact that she is totally 200 percent down with marrying j.d is adding to her opinion. whatever. "being positive is way more fun than being a realist, though. join the dark side."
” sounds like you have boring friends. we should rectify that. ”
he’s never made friends slow. he kind of approaches friendship like he does the rest of his life. elbowing his way in, and making himself at home. it’s a self-entitlement problem. blame his parents, and the life of being an only child. ” and meaningless is about the only thing that survives high school. ”
"try demon spawn. i mean. they're great but i sort of don't really like them all that much." what she does like is the fact she's not some no name in the halls anymore. she's not pushed around by kurt and ram and she's not getting trays slapped out of her hands. it's pretty damn great. "god, cynical much? i don't think that's completely true. like...life's not some fairy tale but it's not impossible for things to last past high school." veronica honestly probably wouldn't have even talked to this guy if he hadn't butted in, so. good job, self-entitlement problems !!!
oh, he likes her. she seems like she’s got a backbone. he’s not a big fan of the kind of people who make themselves small, and let people drown them out.
” honey, i don’t do meaningful. that’s what friends are for. ”
"more power to you, then. i've never seen the point to meaningless relationships, though. you're always gonna wind up developing feelings. ha. try having a meaningful relationship with my friends for a day and tell me how that goes. i expect a five page paper on my desk by monday morning." let's be real, here. the heathers are technically her friends but veronica's really not fond of them. she misses movie nights with martha. shopping can be fun sometimes but it gets seriously repetitive when you go every weekend.
” i wasn’t planning on debating quantum physics with him. ” dumb and pretty made casual easy. the smart ones were always the hardest to shake. he spares a broad grin. ” so, how do you feel about ronni? vera? nikki? or are you dedicated to the full veronica. ”
"how about anything beyond last night's episode of whatever the fuck he likes watching? meaningful conversations are usually pretty good in relationships." her own smile widens just a bit at his before her brow wrinkles at the nicknames. "just veronica is good, thanks. unless you can come up with anything better than those."
" you hope, you dream, you pray— "
independent veronica sawyer roleplay blog
six plus years of roleplaying experience
mostly musical verse
rabid heathers fan
"— and you get your way. "
” oh. ” she knows him. and see, jesse doesn’t know anyone. tongue in cheek, he takes a step aside, finding a new chair and dragging it across the floor to haul himself into it beside her. ” dumb and pretty is as good as it gets, babe. ”
” jesse evans. ”
see, veronica's in the opposite boat. she knows everyone. not only has like, 99.9 percent of her peers always been in her class, but she's in with the heathers now which means everyone knows you and you sort of know everyone by proxy. "see, pretty and smart is obviously way better. i can't see myself holding any sort of conversation with a dumb pretty person." bright eyes follow him as he pulls a chair over and a smile stretches across her lips. cool, someone new to talk to. "veronica sawyer."
” i don’t think you understand. it’s literally in the perfect place. far enough that no one can see i’m not doing my work, and close enough to get a look at that guy in the third row with the nice smile. ”
"guy in the thir— oh! you mean john? i guess he's alright. nothing that special, really. he's kind of not smart at all. but if you're into that sort of thing more for you, i guess. where'm'i supposed to sit, then?"
ichlxge
” that’s actually my seat. and before you ask if it has my name on it, i have a sharpie and i’m not afraid to use it. ”
"unless you were assigned this seat or something it's not legally yours, so."
"i don't think you get how gross this shit is on your face after an hour or two."
you can't breathe. your hands are shaking and you're pretty sure you're not breathing and his body's too still, his chest unmoving beneath your palm, no pulse under shaking fingers as you press them against his wrist, his neck, anywhere a steady beat ought to be ringing. and the blood. dear god, it's literally all over your hands. his blood is on your hands, veronica. and as much as you want to believe that he's alright, that the bullets were really fake, the evidence is right here. right on your hands. j.d l i e d to you. they aren't fake bullets because ram is bleeding out under your fingers no matter how much pressure you put on the wound and the boy you love is chasing kurt with a gun. if they were fake bullets he wouldn't be chasing him. he's chasing him because you and he, you both just killed someone. and you can't leave a witness. you might throw up. you think you might throw up right here, right now, because your hands are shaking and ram had been making these little choking sounds but they've stopped now and his blood is warm and sticky on your palms. you've just killed someone. you helped j.d kill someone and it's sick. you want to hate him. it would be easier to just hate j.d and hide from him because this is two people now. two people. and then another gunshot rings out and you choke back a sob because it's three. you've helped kill three people and here you are, shaking in the graveyard past midnight and you're still putting pressure on the wound even though ram's dead. and that look on j.d's face when he comes back, dragging the other body. that look is gonna haunt you good and long, veronica, long after all this is over. that satisfied look on his face is just one you can't mirror. this isn't what you wanted. this isn't at all what you wanted. you didn't want them dead. you don't want anyone dead but now there's three bodies and they're all your fault. and you can't help but cry, tears rolling good and hard down your cheeks as you get to your feet and spin on a heel to face him. "what the fuck have you done?" it's all your fault, veronica. look what you've done.
‘ no offense taken. more like a compliment. ’
"why bother fighting it if it's just who you are, right?"
‘ i’m predictable. ’
"yeaaaah. i think it's something about your face as a whole. just gives off a sort of dickish vibe. no offense."
‘ maybe i don’t. that’s not gonna stop me. ’
"why'm i not surprised?"
‘ well, stop that something. ’
"you know, you don't have to be such a dick about it."
‘ yeah. you were. ’
"okay, i was, but not on purpose. i was sort of zoning out, or...something."