[nobrashfestivity]

Mount Wilson Observatory, Film Footage, Solar Eclipse, 1930

[peacefulandcozy]

ig credit: meshariver

[dailykafka]

— October 2, 1911 / Franz Kafka diaries

[pygartheangel-deactivated202411]

[yesterdaysprint]

Pittsburgh Sun-Telegraph, Pennsylvania, September 16, 1945

[devileaterjaek]

[deadpoet-skull]

from The New York Times

[peacefulandcozy]

Instagram credit: chaptersofshau

[peacefulandcozy]

Instagram credit: coffeesoakedpages

[flowerytale]

Marguerite Duras, from The Easy Life

[sovietpostcards]

"Summer" by Nikolai Sysoyev (1991)

[retro-peace]

[goosefan96]

Watch online free is such a beautiful name for a child

[thefugitivesaint]

Pedro Bell (1950-2019), 'Joey Ramone', ''Roctober'', #31, 2001 Source FYI: Bell was the artist behind many Funkadelic albums and some of George Clinton's solo work.

[slicedupapple]

Joey Ramone and Debbie Harry for Punk Magazine, CBGB, 1976.

[the-overlook-hotel]

As Wendy guides the pediatrician into her living room at the beginning of The Shining, they pass a painting of a horse galloping along train tracks towards an oncoming train. The painting is titled “Horse and Train” (1954) by Canadian artist Alex Colville.

A common interpretation of the painting is that it is intended to invoke feelings of helplessness and tension, and that the anxiety is heightened because we are not shown the outcome. It can only be assumed that the results will be disastrous if the subjects continue on their current course.

The choice of this image is certainly in alignment with the anxiety and tension Kubrick has already begun to invoke as the Torrance family prepares to move up to the Overlook Hotel for the winter.

Colville died in 2013 at the age of 92. After his passing, his son, Graham, remarked:

“I must say, I (felt) slight surprise when I saw Stanley Kubrick’s film The Shining and I suddenly realized my father’s paintings were in the background in numerous scenes. They were implanted in that film as almost subliminal messages.“

Another of Colville’s paintings can be seen in the same Boulder apartment, and yet another can be seen at the Overlook, near the end of the film. A fourth hangs in Room 237.

[dailykafka]

— June 19, 1916 / Franz Kafka diaries