
pixel skylines

❣ Chile in a Photography ❣
we're not kids anymore.
🪼
occasionally subtle
YOU ARE THE REASON
"I'm Dorothy Gale from Kansas"
wallacepolsom

Andulka

Love Begins

JBB: An Artblog!
Sade Olutola

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Discoholic 🪩
cherry valley forever
todays bird
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Three Goblin Art
trying on a metaphor

祝日 / Permanent Vacation
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
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seen from Malaysia
seen from Malaysia

seen from Netherlands
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seen from Germany
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seen from United States
@idiosyncratic-aristocratic
“In a hundred years of movies, homosexuality has only rarely been depicted on the screen. When it did appear, it was there as something to laugh at, or something to pity, or even something to fear. These were fleeting images, but they were unforgettable, and they left a lasting legacy. Hollywood, that great maker of myths, taught straight people what to think about gay people… and gay people what to think about themselves.” (The Celluloid Closet, 1996)
Ok but the thing about the gif from Ben-Hur (the two men entwining arms as they drink) is that William Wyler (the director) and the actor who played the antagonist (I can’t remember his name for the life of me) sat down and talked through the homoerotic implications of the scene and they just…didn’t tell Charlton Heston? Even now, nine years after I did that New Mexican literature project in high school, that strikes me as incredible
Rififi (Jules Dassin, 1955)
Dalila Carmo, 1996, New York
Evening Glow by John Atkinson Grimshaw 1884.
Jake Gyllenhaal as Jerry Brinson in Wildlife (2018) dir. Paul Dano
For more Urban, Dope & Grunge check out: http://rushahead.tumblr.com
Every book in the History of Literature summed up in a single sentence
Il mio corpo, in realtà, è sempre altrove. È legato a tutti gli altrove del mondo. E, a dire il vero, è altrove solo nel mondo. Perché è intorno a esso che le cose si dispongono, è rispetto a esso, e rispetto a esso come rispetto a un sovrano, che ci sono un sopra, un sotto, una destra, una sinistra, un avanti, un dietro, un vicino, un lontano. Il corpo è il punto zero del mondo, là dove i percorsi e gli spazi si incrociano. Il corpo non è da nessuna parte.
Michel Foucault
______ Adèle Nègre.
Fred Herzog - Room with Television, 1967
dusky desert
death valley national park
@may.fleur