[libutron]

[the-wylde]

[bleechgothbaby]

[prettycolors]

#d5ad9a

[soulmoriii-deactivated20200313]

[gogograham]

[exercicedestyle]

Janusz Stanny

[lu-ia-blog]

[y-tr]

[fanboyingoverdemigods]

[fruitcrocs-deactivated20240702]

not even fuckin risking it at this stage

[c-itylust-deactivated20200202]

hahhaha gOD DAMMIT

[lesnians-deactivated20210730]

I need this

[nicoonmars]

[viragrebeka]

[leuhslikesinstagram]

“From my rotting body, flowers shall grow, and I am in them, and that is eternity.” Edvard Munch by sarinam

[cargocollection]

[k-a-m-p-f]

instagram

[unrar]

Flowers float in the Mediterranean Sea in honor of migrants lost while making the perilous journey to Europe. Last night more than 80 Syrians and Palestinians refugees have drowned in the Mediterranean close to the Libyan shores trying to reach Europe.

[kimberlyalidio]

[mythologyofblue]

Karen McAlister Shimoda, Confession Confession is a shredded re-composition of a hand-copied version of Confession by Minoru Yoshioka, from the book Lilac Garden: Poems of Minoru Yoshioka, translated from the Japanese by Hiroaki Sato. Yoshioka, born in 1919 … is often held up as a ‘representative’ poet who mirrors the clutter and nervous confusion said to be so typical of the postwar Japanese psyche. (J. Thomas Rimer, 1975.)In Yoshioka’s words, “Poetry is planned to be something visible, something you can touch, that has weight, that occupies space—that has actuality.” (“What Is the Way That I Write Poetry?—” “watashi no sakushiho” from Yoshioka Minoru shishū, No. 14 in the series Gendaishi bunko published by Shichosha, Tokyo, p. 101.) + +

[20aliens-deactivated20200625]

[frozun]

more here

insta: @sam.tk

[frozun]

more here

insta: @sam.tk