PROCESS OF IEVA

Ieva Jakusa / DAE student

[ieva-jakusa]

Mia Tamme asked me to do a digital knitting from images of her knitting library. 

[ieva-jakusa]

Some poster work for Latvian/Russian relationship project

[ieva-jakusa]

[ieva-jakusa]

[ieva-jakusa]

making construction for the Graphic Violence installation 

[ieva-jakusa]

final

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test

[ieva-jakusa]

Benji Knewman

Benji Knewman is a man, around 43 years old. He’s trying to be genuine, and it seems he sometimes manages. Just like his grandfather who used to say: “Ben, how you spend your day is how you spend your life!” Currently Benji Knewman is more everywhere than anywhere. Mostly on the road. He’s still in search of his own perfect day. While looking for it, he curates a biannual bookazine telling stories about people who don’t pretend and who can simply be. Covering a myriad of vocations and lifestyles, as well as geographical locations, they’re living proof that you don’t have to be conventional to have a good life. In the end, everything is going to be great.

[ieva-jakusa]

[ieva-jakusa]

collage of interecations

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the real change material

[ieva-jakusa]

material for projection 3

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material for projection 2

[ieva-jakusa]

material for projection

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communication

[ieva-jakusa]

There are wild amounts of violence in society and in public space. People have a demand for it and it reflects on our digital platforms. They stage violence, but who takes care of the system behind it? 

There is a common belief that if you eat meat you should once kill an animal to have a link with reality, not just a carefully packed piece in the store fridge. With my installation, I create an opportunity for people who are interested in graphic violence to touch the surface of the content moderator job. And therefore raise a question - Who should take care of our poor taste of entertainment?

[ieva-jakusa]

rus — Are.na

material collection for my graduation process

My resources for Russian/Latvian project