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“I am learning all the time. My tombstone will be my diploma.” ― Eartha Kitt
Haiku, Anni Rieck, 2023
Full Moon Night by Albert König
Vollmondnacht, 1920 by Albert König (German, b. 1881–1944); Oil on canvas
Nikita Chan (Chinese/American), Rainbow Shower, 2025, Colored pencil on paper
Unknown , Atrum - Lossapardo , 2024.
French-Senegalese , b. 1996 -
Acrylic on canvas , 75 x 95 cm.
Albert Bierstadt - "A Deer at Sunset" (1887)
Donald Moffett: Snowflake
September 12, 2025 - October 25, 2025
What else does reproduction in the Capitalocene look like?
It’s going back to work two weeks after you’ve given birth, worrying that your Caesarean scar is going to split open and your organs fall out (a quarter of American mothers are back to work with an a fortnight of giving birth).
It’s living on credit so you can afford to take time out of work to look after children. It’s two weeks of paternity leave, if that. It’s lying about why you have to leave work early to conceal the fact that you have children at home who need you. It’s rising living costs, including high rent and mortgage payments, that require two parents to work full-time. It’s financially penalizing care workers who take time out of full-time work through unfair, pension and taxation systems. It’s air pollution. It’s inequality of access to restorative natural areas, with children rarely playing in wild places.
It’s thousands of mothers wanting to incorporate work into their lives, but not being able to. It’s not having children because governments are failing to take the climate crisis seriously, or because wages have fallen, or because you won’t get any paid leave. It’s 4.3 million children in the UK living in poverty. It’s almost half of children in lone-parent families living in poverty. It’s almost half of children in black or minority, ethnic families, living in poverty. 
Lucy Jones. (2023) Care work and creativity in late-stage capitalism. Matrescence (page 251). Penguin Random House UK.
Après la pluie
Jessica Lisse
Acrylic paint on paper, 2024
Eine Kleine Nachtmusik (1943) by Dorothea Tanning
Doris Salcedo, ‘Untitled’, 1998 COURTESY: Doris Salcedo & Glenstone Museum / PHOTOGRAPH: Ron Amstutz
A Persian princess, 1898 John William Godward
Kathleen Ryan - Bad Peach (Bite), 2022
Yuri Klapouh (Ukrainian b.1963), Apple Tree, Oil on canvas
Lorenzo Tonda, Run
Tracey Emin, While executing Exorcism of the Last Painting I Ever Made, 1996
Everyone I Have Ever Slept With 1963–1995 by Tracey Emin