The Last Of A Dying Breed @igbokwenu - Tumblr Blog

sandylamu

forafricans

Seen at Bissau Cathedral, Guinea Bissau by Ricci Shryock

forafricans

Seen in San-Pédro, Côte d’Ivoire by Joana Choumali

thrdnarrative

Adire, the traditional Yoruba textile craft, is finding new life with a new generation.

On Madam Nike: “When she was seven years old, Nike Davies-Okundaye lost both her mother and her grandmother. It was left to her great-grandmother — the head of the craftswomen in a village in Ogidi in southwest Nigeria — to bring her up and teach her the craft of adire. Ogidi is one of the major centers of adire production in the entirety of the country.”

“Adire was originally produced to make use of old hand-woven materials (kijipa); when a garment or wrapper grew faded, it could be redyed. When the missionaries came to Africa, they brought imported calico and it was used for adire..” —Professor Dele Layiwola, “Adire Cloth in Nigeria”

“The decline of adire is often linked to the rise of ankara, the hugely popular, brightly colored wax prints that have come to symbolize African fabric around the world. Ankara has a troubled colonial legacy, and ironically is not African at all.”

by Sunaina Kumar

humansofnewyork

“It took me a long time to get out of the house. My mum was afraid of the outside world. She used to walk me to primary school even though it was only two minutes down the road. Same with secondary school. And when I got my first job, she sat in the parking lot for the entire day. She’s most comfortable at home: cooking, cleaning, looking after us. And she never understood why I felt so restless. I was never allowed to go out with friends. I wasn’t allowed to go to shopping malls. So I became a timid person. At school I was always the student who was ‘just there.’ I’d sit in the back of the class. I wouldn’t answer questions. One of my teachers asked me when I’d joined the class and I’d been there for two years. But I always loved learning. I wanted to be a teacher. I just never thought I had the courage. I didn’t think I could stand in front of a class. I didn’t think I could control the kids. So I kept giving up. I dropped the course two times. But my friends kept encouraging me, and I finally got my certificate in July. Since then I’ve been on nine interviews. I’ve had three placements already. Two were at Catholic schools, which especially worried me because I’m so visibly Muslim. But the students were great. The teachers were great. And I’ve grown so much. I can stand my ground. I still get nervous with every new placement, but I don’t shake anymore. I’m hoping to get hired soon. And as soon as I get my first paycheck, I’m taking my mum to the shopping mall.” (London, England)

eternalandrei

sure, sex is good but have you ever realised the last eight pages of your reading is the bibliography

plantyhamchuk

The Four Thieves Vinegar Collective is a network of tech-fueled anarchists taking on Big Pharma with DIY medicines.

“Four Thieves claims to have successfully synthesized five different kinds of pharmaceuticals, all of which were made using MicroLab. The device attempts to mimic an expensive machine usually only found in chemistry laboratories for a fraction of the price using readily available off-the-shelf parts. In the case of the MicroLab, the reaction chambers consist of a small mason jar mounted inside a larger mason jar with a 3D-printed lid whose printing instructions are available online. A few small plastic hoses and a thermistor to measure temperature are then attached through the lid to circulate fluids through the contraption to induce the chemical reactions necessary to manufacture various medicines. The whole process is automated using a small computer that costs about $30.

To date, Four Thieves has used the device to produce homemade Naloxone, a drug used to prevent opiate overdoses better known as Narcan; Daraprim, a drug that treats infections in people with HIV; Cabotegravir, a preventative HIV medicine that may only need to be taken four times per year; and mifepristone and misoprostol, two chemicals needed for pharmaceutical abortions.“

…

Since Four Thieves isn’t actually selling or distributing the medicines made by its members, what they’re doing isn’t technically illegal in the eyes of the FDA, even though the agency has issued a public warning about the collective’s DIY methods. Shortly after Four Thieves unveiled its $30 DIY epipen, the FDA issued a statement to the media that said “using unapproved prescription drugs for personal use is a potentially dangerous practice,” but didn’t refer to Four Thieves by name. Ironically, only a few months later, the FDA issued a warning letter to Pfizer for failing to investigate “hundreds” of complaints about epipen failures, some of which resulted in the death of the user. In May, the FDA issued another warning that declared a chronic epipen shortage.

As for the DEA, none of the pharmaceuticals produced by the collective are controlled substance, so their possession is only subject to local laws about prescription medicines. If a person has a disease and prescription for the drug to treat that disease, they shouldn’t run into any legal issues if they were to manufacture their own medicine. Four Thieves is effectively just liberating information on how to manufacture certain medicines at home and developing the open source tools to make it happen. If someone decides to make drugs using the collective’s guides then that’s their own business, but Four Thieves doesn’t pretend that the information it releases is for “educational purposes only.”

“The rhetoric that is espoused by people who defend intellectual property law is that this is theft,” Laufer told me. “If you accept that axiomatically, then by the same logic when you withhold access to lifesaving medication that’s murder. From a moral standpoint it’s an imperative to enact theft to prevent murder.”

“So yeah, we are encouraging people to break the law,” Laufer added. “If you’re going to die and you’re being denied the medicine that can save you, would you rather break the law and live, or be a good upstanding citizen and a corpse?”

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lamentedgores-adventures

@wodneswynn

wodneswynn-deactivated-deactiva

Oh yeah

This is that good shit

igbokwenu

WoW!

the-anarcho-raver

kiwimidnight

ottermatopoeia

This was………………. the drag of the century

ottermatopoeia

Same energy

maximum-alien

Okay so in case y'all don’t know, this is from Pose. A series about the black trans community and ball culture in new York during the 80’s. Its got vogueing, lgbt+ culture, history, drama, romance, comedy, tragedy. Its wonderful and historically accurate and all the trans people are played by real trans actors.

mainnetwork

MOWALOLA OGUNLESI ᶠᵒʳ ᴮʳᶦᵗᶦˢʰ ⱽᵒᵍᵘᵉ

@britishvogue: In honour of Barbie’s 60th anniversary, British Vogue asked six designers to reinterpret the world’s most iconic and diverse fashion doll. London-based, Lagos-born fashion designer, Mowalola, was one of them.

Watch the feature.