Ernie Bushmiller
20 juin 1947

@theartofmadeline

#extradirty

pixel skylines
dirt enthusiast
hello vonnie
he wasn't even looking at me and he found me
AnasAbdin

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Sweet Seals For You, Always
cherry valley forever

Origami Around
Claire Keane
almost home
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❣ Chile in a Photography ❣

Product Placement
Keni
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH
$LAYYYTER
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@ignescens
Ernie Bushmiller
20 juin 1947
Lore Pemberton
some of the most mask off egregious attacks on lgbt rights are underway and you people are still doing Flag Redesign Discourse like oh my god please log off and go egg a politician’s house
Suzanne Valadon (French, 1865 - 1938): Nu allongé sur un canapé (1916) (via Sotheby’s)
“Loving masculinity in a woman differs crucially in one way from loving it in a man: In her it is a badge of standing out, not of fitting in. It is grown into through pain, or at least a sense of separation from those less different.
What I love about butch women is their profound inability, or refusal, to be ‘normal.’ In the war between the sexes we can see them as warriors or resistors, but in any case, they stand as living proof that gender is more fluid, its imperatives more socially contrived and less innately rigid, than our conservative culture wants to allow.”
— Carol A. Queen, “Why I Love Butch Women”
River Edge - Emily Trueblood , 2017.
American, b. 1942-
Two-block woodcut, 8 x 10 in.
Anna Valdez, on Tumblr
All I care about is art of Fat Women 🌹💘
credits:
The Blue Room, Suzanne Valadon / GOD is coming & is she FAT! / Prehistoric Reproduction of Maltese Venus Figurine, Nigel Bewley / Sinéad O'Dwyer / Yu Xiaodong / Venus of Willendorf / Henri Matisse / Amnesia, Rolf Ohst / Seated Woman of Çatalhöyük / Mujeres con frutas, Francisco Zúñiga
Look at God
Woman in the Night, 1974, Joan Miro
my hobbies include being right, being gay, and being a hater
Bisexuals were essentially accused of murdering women via HIV in the 80s, either because we were intentionally duplicitous or because we were out of control maniacs who couldn’t resist unsafe sex. For many people of that generation, this was their first time hearing about bisexuals. Now folks want to pretend that didn’t influence today’s perception of bisexuality.
I think bi is dead. More pan. I love all.
I rest my case.
Ivan Kenneth Eyre (Canadian, b. 1935), North Hills, 2002.Acrylic on canvas, 43 x 38 in.
Witches in the Air, 1798, Francisco Goya
Medium: oil,canvas
Millennials living through their 2nd "once in a generation" economic collapse
Paloma Elsesser by Quil Lemons for GQ Magazine - September 2020
Auguste Herbin, 1920s
more
Burnt orange